Singapour

Fred's back from the service looking to retrieve the pearls he was smuggling before Singapore was invaded and is haunted by the memory of what he thinks is his lost love Ava. One day she reappears but she doesn't remember him. What's the answer to the mystery?

Studio bound adventure is entertaining enough but serves more as a study in star building.

This was Ava Gardner's last film before she moved into the top tier of MGM stars with her next film, One Touch of Venus. Having scored heavily in two supporting roles for her home studio, The Killers & The Hucksters, they loaned her to Universal for the female lead in this alongside the established Fred MacMurray to test her lead appeal with minimal risk. She seems a bit cautious at times but radiates star quality every second she's on screen.

Considering the magnitude of the stars in the leads this is curiously obscure but if you enjoyed Gilda or similar fare it's worth the time.

Singapore is a mix of crime and romance, Matt Gordon has just returned to Singapore from the war, where he reminisces about his lost love who he thought had died during a Japanese bombing.

As a pearl smuggler, he has a second reason to return, hidden pearls that he has stashed in a hotel room and that he hopes to get his hands on again.

When he discovers that his lost love who is believed to be dead, is still alive but has amnesia,and is now married to someone else and no longer knows anything about her past with him, things become a lot more complicated for him.

Fred Macmurray once again in a serious role, and he does it properly, Ava Gardner is again a sight to see, their romance is not very well developed, but who cares.

Great mix between a touch of crime and romance.

On her way up the Hollywood ladder MGM loaned Ava Gardner out for this potboiler adventure film Singapore. As the area suggests romance and mystery just the title alone would bring in a few customers at the box office. In fact Singapore still is an area of intrigue though now enjoying a prosperity that could not have been imagined when this film was made.

Fred MacMurray and Ava Gardner are a pair of star crossed lovers who marry just before the Japanese invade and occupy the city. MacMurray has a fortune in pearls that he stashes and while trying to retrieve them the bombs are dropped and he thinks Gardner is killed. He barely gets away in his schooner with other refugees without pearls and without Ava who he married just before the attack.

After the war Fred's back to get his pearls, but he sees Ava now married to Roland Culver and with a bad case of amnesia. And he's got other problems as villains Thomas Gomez and George Lloyd want them as well.

Singapore was created on the Universal back lot and didn't have the advantage that its remake Istanbul had with color and location shooting. But they did make a better film though not all that much better. It's been compared to Casablanca by many to the detriment of Singapore. But those letters of transit that will allow two people, which two to escape and join the fight against Nazism are a much bigger prize than Fred's pearls. You care a lot more about Bogey, Bergman, and Henreid than the triangle here. And this film didn't have As Time Goes By either.

MacMurray and Gardner also don't have the chemistry that Bogey and Bergman do. But that's not fair, who else ever did?

Singapore is your routine potboiler another film MacMurray was grabbing for the paycheck after he left Paramount. As for Ava after The Killers and The Hucksters it was not a step down, but just keeping her on the same career plateau as before.

This film begins with a man by the name of "Matt Gordon" (Fred MacMurray) returning to the city of Singapore not long after the end of World War 2. The main reason for his return is due to the fact that he had hidden a large cache of illegal pearls and he has come to take ownership of them again. Along with that, there was a young woman named "Linda Grahame" (Ava Gardner) who he had to leave behind when the Japanese attacked the city and--even though he believes she was killed during the war--he feels the need to find out. One way or the other. Be that as it may, no sooner does he arrive in Singapore then he is met by a high-ranking member of law enforcement named "Deputy Commissioner Hewitt" (Richard Haydn) who has a professional interest in recovering the illegal pearls. Likewise, a criminal figure by the name of "Mr. Maribus" (Thomas Gomez) who is equally interested in possessing these pearls as well. Yet as much as Matt wants these pearls, his priorities change when he meets Linda again. The problem is, she professes to have never met him. Now, rather than reveal any more, I will just say that this was an interesting movie, more or less, with certain similarities to "Casablanca" being somewhat obvious. To that effect, although both Fred MacMurray and Ava Gardner put in decent performances, I didn't really see much chemistry between them. At least, nothing like Humphrey Bogart and Ingrid Bergman had in the previously mentioned film. Even so, I enjoyed this movie for the most part and I have rated it accordingly. Slightly above average.

Director John Brahm manages to hold this poor-man's "Casablanca" together. The picture moves at a good clip and Brahm makes the studio-set Singapore visually interesting. There's help too from stars Fred MacMurray and Ava Gardner as lovers whose lives are complicated by World War II and Gardner's amnesia when MacMurray, who thought her dead, finds her again in postwar Singapore, married to a wealthy planter. MacMurray and Gardner are really a goofy romantic team, but MacMurray has his appealing casual charm, and Gardner's vague, unfocused acting works well in some of her amnesiac scenes (plus she was at her most beautiful in the late 1940's). Supporting turns by pros like Richard Haydn and Spring Byington are also a plus. Overall, contrived and derivative, but it looks like a classic compared to the depressing Errol Flynn 1957 remake, "Istanbul."