Singapour

Fred's back from the service looking to retrieve the pearls he was smuggling before Singapore was invaded and is haunted by the memory of what he thinks is his lost love Ava. One day she reappears but she doesn't remember him. What's the answer to the mystery?

Studio bound adventure is entertaining enough but serves more as a study in star building.

This was Ava Gardner's last film before she moved into the top tier of MGM stars with her next film, One Touch of Venus. Having scored heavily in two supporting roles for her home studio, The Killers & The Hucksters, they loaned her to Universal for the female lead in this alongside the established Fred MacMurray to test her lead appeal with minimal risk. She seems a bit cautious at times but radiates star quality every second she's on screen.

Considering the magnitude of the stars in the leads this is curiously obscure but if you enjoyed Gilda or similar fare it's worth the time.

This film begins with a man by the name of "Matt Gordon" (Fred MacMurray) returning to the city of Singapore not long after the end of World War 2. The main reason for his return is due to the fact that he had hidden a large cache of illegal pearls and he has come to take ownership of them again. Along with that, there was a young woman named "Linda Grahame" (Ava Gardner) who he had to leave behind when the Japanese attacked the city and--even though he believes she was killed during the war--he feels the need to find out. One way or the other. Be that as it may, no sooner does he arrive in Singapore then he is met by a high-ranking member of law enforcement named "Deputy Commissioner Hewitt" (Richard Haydn) who has a professional interest in recovering the illegal pearls. Likewise, a criminal figure by the name of "Mr. Maribus" (Thomas Gomez) who is equally interested in possessing these pearls as well. Yet as much as Matt wants these pearls, his priorities change when he meets Linda again. The problem is, she professes to have never met him. Now, rather than reveal any more, I will just say that this was an interesting movie, more or less, with certain similarities to "Casablanca" being somewhat obvious. To that effect, although both Fred MacMurray and Ava Gardner put in decent performances, I didn't really see much chemistry between them. At least, nothing like Humphrey Bogart and Ingrid Bergman had in the previously mentioned film. Even so, I enjoyed this movie for the most part and I have rated it accordingly. Slightly above average.

SINGAPORE (1947) Fred MacMurray, Ava Gardner. ** Bland mix of film noir, and imitation CASABLANCA. Imagine all the CASABLANCA characters portrayed by competent but unmemorable actors. Place them, again, in an exotic setting, in a story about passionate lovers separated by war and later reunited. Once more, the love of the hero's life is married to another man, but this time the plot includes amnesia and pearl smuggling. Gardner is radiant and sexy, but her acting inexperience shows. MacMurray is wooden. First rate cinematography, however.

Director John Brahm manages to hold this poor-man's "Casablanca" together. The picture moves at a good clip and Brahm makes the studio-set Singapore visually interesting. There's help too from stars Fred MacMurray and Ava Gardner as lovers whose lives are complicated by World War II and Gardner's amnesia when MacMurray, who thought her dead, finds her again in postwar Singapore, married to a wealthy planter. MacMurray and Gardner are really a goofy romantic team, but MacMurray has his appealing casual charm, and Gardner's vague, unfocused acting works well in some of her amnesiac scenes (plus she was at her most beautiful in the late 1940's). Supporting turns by pros like Richard Haydn and Spring Byington are also a plus. Overall, contrived and derivative, but it looks like a classic compared to the depressing Errol Flynn 1957 remake, "Istanbul."

Ava Gardner is such a pleasure to look at, even a B movie in which she plays makes my time worthwhile .Actually,Fred McMurray has got pearls and a gem .The screenplay is far-fetched -with an improbable outcome- and includes smuggling,war (no battles or camp of prisoners though),and even amnesia -but the viewer is not taken in by it a single minute ;there is of course the usual flashback ,which can be found in almost all the films noirs of the era.Compared to "the killers" ,Gardner's precedent movie ,it's obvious Brahm is no match for Siodmak.A couple of tourists -the kind of people we often see in the hotels- provides the comic relief.If you do not ask too much ,it's pretty entertaining and well acted.