The Senator Was Indiscreet

I've been waiting to see the 1947 film "The Senator Was Indiscreet" for years - ever since walking by a TV and hearing Ray Collins utter the line: "Don't you think it's time you cut out the part where you laugh at the idea of the U.S. going to war against Japan?" I finally got a copy of the film, and I wasn't disappointed.

"The Senator Was Indiscreet" concerns a senator, Melvin Ashton (William Powell), who announces that he is not, not, not a candidate for President - meaning, of course, that he is. He has several speeches that he recycles, "Whither America" being one. At one point, a neon sign announces: "Tonight: Senator Melvin Ashton: Whither America. Tomorrow: Dog Show." The film is filled with hundreds of little touches like that. Old, blustery, and a buffoon who gives four-hour speeches and proposes bills like having people write on tissue paper to lessen the weight of mailbags, the party doesn't want him. However, they can't get rid of him - he has a diary that he's kept for years. When it goes missing, all hell breaks loose. One man sits on a phone helping party members plan their escape, saying: "There is no extradition between those two countries...We have four people traveling to Siberia..."

William Powell, normally elegant and smiling despite the chaos around him, gets right into it here. He is a RIOT. He looks like Colonel Sanders in his white wig and mustache. His funniest scene (to me anyway) is when he is locked out of his hotel and winds up in the subway while wearing his pajamas and bathrobe. He grabs a broom and quickly sweeps while walking up the stairs, then drops the broom and starts running. Peter Lind Hayes plays the publicist who got him into this high-profile mess. A very versatile and good-looking man, Hayes not only acted but worked as a composer, later pairing in performance with his wife, Mary Healy. His girlfriend is played by Ella Raines. Raines never made it to superstar status despite her striking prettiness and good performances. However, she was in some marvelous films, and this is one of them. She is terrific as an ambitious reporter who refers to Ashton as Ashcan in her writings. One of her headlines reads: "Ashton Declares Opposed to Assassination." Hans Conreid is funny as a bitter Yugoslavian hotel worker, and Ray Collins is great as the frantic head of the party.

The denouement is hilarious, with a very special cameo at the end you won't want to miss. Highly recommended for its comedy and statements about politics and politicians - most of which still apply.

This wonderful vehicle carried so many great character roles and made statements about how things run. Many ring true today. It provided a deliciously skeptical view of politics in general and the American idea that "any boy can can grow up to be President"! The rise of State Highway Divisor Melvin Ashton to the US Senate and the brink of the Presidency may explain how some of our more recent candidates have made it to stage center. My favorite running gag from this film was the characterization of the Bolshevik waiter by the wonderful Hans Conried. It is a snapshot of 1947 America with the impending threat of the Red witch hunt. His portrayal rings true with his bewildered observation of the American political process. It suggests that America was more than a match for Conried's "complete report een treepliket to the Kramleen by 5 PM". It is a DISCREET suggestion of the excess attention focused on the artistic community at the time by the guardians of our liberty. William Powell again comes through in a comedic role. The film's ending is a great piece of irony and social comment. He finally made it as the Big Kahuna, albeit on a slightly smaller stage!

... because usually William Powell played a wise dapper fellow. Here he is a bumbling fool, a Foghorn Leghorn like bag of wind who is almost unrecognizable dressed up like Colonel Sanders with white hair and beard. And the pity of it all is he is also a U.S. Senator. To prevent offense, his home state is never named, nor is the region of the country from which he hails ever named. For that matter, his political party is not named either. Senator Melvin G. Ashton (Powell) is facing reelection to the senate. He knows he'll lose, so it's either back to the private sector after 35 years in various political offices - in his youth he painted white lines down the middle of roads - or he can run for President. He chooses the latter purely because of the paycheck potential.

The senator's personal assistant (Peter Lind Hayes as Lew Gibson) has a reporter girlfriend (Ella Raines as Poppy), and Lew invites her to listen to the Senator's speech one night. The senator drones on for over two hours saying nothing and boring the audience to tears. Poppy walks out after arguing with Lew that she wants to expose Ashton as the bag of wind that he is.

The reason the head of the party (Ray Collins as Fred Houlihan) is tolerating Ashton's candidacy is that the senator has a diary in which he has written down the details of all of the party's dirty deals and is holding it over the party's head unless they at least let him try to win the nomination. But then the unspeakable happens - somebody steals the senator's diary and unless it is recovered not only the senator, but his entire political party is doomed.

This film is like a reverse video of "State of the Union" from the following year, where Spencer Tracy is a thoughtful man who threatens the party as a possible presidential candidate as he speaks for himself. Here Ashton is a buffoon without a thought in his head who would never speak anything meaningful to anyone. It is a rare breath of cynicism regarding America's political institutions just as the Cold War is ramping up - and did I mention it is hilarious?

Allen Jenkins has a great supporting role as a very mercenary private detective. Milton Parsons is the party operative who has the job of calling in the party "cleanup crew" with names that sound like they are all in the mafia. I'd describe the rest of the characters, but suffice it to say that nobody in this film seems to have any positive character traits and thus none of them are people you will find the least bit admirable.

The final scene is hilarious with even a dig at the safety of nuclear testing and a cameo that will surprise you and leave you laughing if you know anything about film history. Highly recommended.

This film stands along with "Bringing Up Baby" as one of the most preposterous non Marx Brothers comedies ever filmed. Its plot seems to defy reality, but in looking at the political climate of this era it seems like more of a case of art imitating life.

This art is created hilariously by William Powell who as Senator Melvin G Ashton is the epitome of buffoonery yet due to his political party's shenanigans and the fact that he has kept a diary of those dastardly deeds finds himself as a candidate for President of the United States. When that diary is stolen, the efforts to retrieve it lead Powell from one embarrassing situation to another with non-stop laughs.

Peter Lind Hayes, not known for acting plays Powell's press agent and is very funny. Ella Raines, one of the most stunning women in films, plays a reporter and she's not only very funny but very beautiful. And there's a who's who of character actors led by Ray Collins, Allen Jenkins, Charles D. Brown and Milton Parsons who perform superbly.

George S Kaufman directed the film. He was long known as one of the leading playwrights of both comedy and drama. He won 2 Pulitzer Prizes. He wrote 2 Marx Brothers Films, as well as "The Man Who Came To Dinner" and "You Can't Take It With You". This was his only turn at directing a film. The pace he establishes is frenetic, with dialogue delivered in the Howard Hawks overlapping style.

Stay with this until the very last line. The ending is a pip. In fact the whole film is one

It seems that politicians – or, perhaps more accurately, our perception of politicians – have changed very little in the sixty years since this film was released. Not only are they deceitful, power-hungry fast-talkers, but, most worryingly of all, they're not all that bright, either. George S. Kaufman's 'The Senator Was Indiscreet (1947)' is the earliest American political satire that I can recall seeing – though earlier examples almost certainly exist – and the film traipses many of the paths that would be echoed in subsequent films such as Hal Ashby's 'Being There (1979)' and Barry Levinson's 'Wag the Dog (1997).' At the forefront of these films is the complete trivialisation of the political system, portraying politicians either as dim-witted blow-hards or as ruthless power-grabbing tacticians, sometimes both. William Powell's Melvin G. Ashton falls into the former category, a white-haired Senator with more than a few loose screws upstairs. Nevertheless, he possess one vital item of leverage, a diary detailing every nasty political scam of the last thirty-five years, and so his influence is limitless.

William Powell, recently free from the 'Thin Man' series (1934-1947), is perfect as the IQ-challenged Senator with big ambitions. When he's not proposing absurd new regulations – for example, that all Americans should write letters on tissue paper to ease the burden on mail-men – Ashton is publicly and vigorously denying that he will run for Presidential Candidacy. In political terms, this means that he will run for Presidential Candidacy. Party colleague Houlihan (Ray Collins) attempts to talk Ashton out of his ambitions, almost convincing him to enter into a football career, but his persuasion is ultimately fruitless, especially considering the important historical document that Ashton has in his possession. When the coveted diary unexpectedly goes missing, every politician currently in office is thrown into chaos, and personal secretary Lew Gibson (Peter Lind Hayes) is sent to retrieve it, with journalist girlfriend Poppy McNaughton (Ella Raines) snapping at his heels. Even if all this doesn't seem your thing, wait around for the ending, which reveals a pleasant surprise.

'The Senator Was Indiscreet' was adapted from a screenplay by Charles MacArthur {co-author of "The Front Page"}, and the sole film directed by George S. Kaufman, a prominent playwright. There are several classic lines of dialogue ("Don't you think it's time you cut out the part where you laugh at the idea of the U.S. going to war against Japan?"), but the story unfolds fairly predictably. This, of course, doesn't necessarily negate the film's entertainment value, but I'd have liked a more daring degree of satire. The comedy style itself has its roots in the likes of 'His Girl Friday (1940),' but the jokes are more conservative, the laughs are scarcer, and the characters do not speak with the hilariously-frantic overlapping dialogue of Howard Hawks' film. Nevertheless, the lighthearted jibes at politicians are enjoyable, and it's not much of a stretch for the audience to believe that a clueless half-wit like Senator Melvin Ashton might potentially find himself at the doorstep of the White House. Indeed, recent history has shown us that he could even have gone further.