The Senator Was Indiscreet

As Will Rogers said he got a lot of his material from reading the Congressional Record. If Rogers were alive he'd have gotten several humorous monologues from William Powell as Senator Melvin Ashton, United States Senator from some unfortunate state and pompous windbag extraordinaire.

I'm reminded of former Senator Roman L. Hruska from Nebraska who in defending Richard Nixon's nomination of G. Harrold Carswell for the Supreme Court said that in his defense mediocre people also need representation on the Supreme Court. Or Senator Charles Curtis of Kansas who became Vice President under Herbert Hoover who went into partnership with a doctor who prescribed the extract from goat glands for his patients. Sad to say we do have a boob who gets through every now and then.

And Powell has decided that he's got so many relatives on the public payroll now that only the presidency will satisfy all the demands being made on him. He's decided to run for president with a cross country tour denying his ambition on every occasion to the dismay of party bosses like Ray Collins who is updating his role of Boss Jim Gettys from Citizen Kane.

Unfortunately this lummox decided to keep a diary which could sink the whole immediate world something like the expense account kept by that hood from Kansas City in Casino. Powell's publicist Peter Lind Hayes is mad to get it back thinking that investigative reporter Ella Raines might have it. Hayes knows what a boob he is, but also knows the accolades from the political manager types he'll get if he can put the boob over. That's an attitude that's fresh and alive today with many.

Bill Powell looked like he was having a ball in the part of Ashton. 1947 was the year Powell decided to surrender to age and began playing fatherly types. He was after all 55 years old. Had he not been nominated for Life With Father, Powell might well have gotten an Oscar nomination for Best Actor in this part.

One part of the film I'm afraid audiences might not get. As Powell contemplates that his political career might be finished they go through many jobs he could fill and it seems he just hasn't the qualifications for anything. One possibility might be as a sports 'czar' or commissioner of some professional sport as would have a colleague of Powell's just was made.

Albert B. 'Happy' Chandler who was a corn-pone politician of the highest order who was a former governor and then United States Senator from Kentucky became baseball's commissioner in 1945 succeeding Kenesaw M. Landis.

Landis who when he took the job was guaranteed a lifetime contract and ruled like a 'czar' of the major leagues. When he died the owners wanted a presentable front with some reputation and turned to Chandler. He actually surprised them all by overruling the whole lot of them and permitting the integration of major league baseball as Branch Rickey wanted. That show of independence cost him his job when his seven year contract was up and Chandler was succeeded by a group of nonentities that Melvin Ashton would have been superbly qualified to be among for the most part. Powell was just a tad ahead of his time.

Written by Charles MacArthur and directed by George S. Kaufman a pair of the best wits of the last century, The Senator Was Indiscreet is as fresh a political satire now as it was then. It's a short film with a laugh guaranteed every ten seconds.

I've been waiting to see the 1947 film "The Senator Was Indiscreet" for years - ever since walking by a TV and hearing Ray Collins utter the line: "Don't you think it's time you cut out the part where you laugh at the idea of the U.S. going to war against Japan?" I finally got a copy of the film, and I wasn't disappointed.

"The Senator Was Indiscreet" concerns a senator, Melvin Ashton (William Powell), who announces that he is not, not, not a candidate for President - meaning, of course, that he is. He has several speeches that he recycles, "Whither America" being one. At one point, a neon sign announces: "Tonight: Senator Melvin Ashton: Whither America. Tomorrow: Dog Show." The film is filled with hundreds of little touches like that. Old, blustery, and a buffoon who gives four-hour speeches and proposes bills like having people write on tissue paper to lessen the weight of mailbags, the party doesn't want him. However, they can't get rid of him - he has a diary that he's kept for years. When it goes missing, all hell breaks loose. One man sits on a phone helping party members plan their escape, saying: "There is no extradition between those two countries...We have four people traveling to Siberia..."

William Powell, normally elegant and smiling despite the chaos around him, gets right into it here. He is a RIOT. He looks like Colonel Sanders in his white wig and mustache. His funniest scene (to me anyway) is when he is locked out of his hotel and winds up in the subway while wearing his pajamas and bathrobe. He grabs a broom and quickly sweeps while walking up the stairs, then drops the broom and starts running. Peter Lind Hayes plays the publicist who got him into this high-profile mess. A very versatile and good-looking man, Hayes not only acted but worked as a composer, later pairing in performance with his wife, Mary Healy. His girlfriend is played by Ella Raines. Raines never made it to superstar status despite her striking prettiness and good performances. However, she was in some marvelous films, and this is one of them. She is terrific as an ambitious reporter who refers to Ashton as Ashcan in her writings. One of her headlines reads: "Ashton Declares Opposed to Assassination." Hans Conreid is funny as a bitter Yugoslavian hotel worker, and Ray Collins is great as the frantic head of the party.

The denouement is hilarious, with a very special cameo at the end you won't want to miss. Highly recommended for its comedy and statements about politics and politicians - most of which still apply.

This wonderful vehicle carried so many great character roles and made statements about how things run. Many ring true today. It provided a deliciously skeptical view of politics in general and the American idea that "any boy can can grow up to be President"! The rise of State Highway Divisor Melvin Ashton to the US Senate and the brink of the Presidency may explain how some of our more recent candidates have made it to stage center. My favorite running gag from this film was the characterization of the Bolshevik waiter by the wonderful Hans Conried. It is a snapshot of 1947 America with the impending threat of the Red witch hunt. His portrayal rings true with his bewildered observation of the American political process. It suggests that America was more than a match for Conried's "complete report een treepliket to the Kramleen by 5 PM". It is a DISCREET suggestion of the excess attention focused on the artistic community at the time by the guardians of our liberty. William Powell again comes through in a comedic role. The film's ending is a great piece of irony and social comment. He finally made it as the Big Kahuna, albeit on a slightly smaller stage!

This film stands along with "Bringing Up Baby" as one of the most preposterous non Marx Brothers comedies ever filmed. Its plot seems to defy reality, but in looking at the political climate of this era it seems like more of a case of art imitating life.

This art is created hilariously by William Powell who as Senator Melvin G Ashton is the epitome of buffoonery yet due to his political party's shenanigans and the fact that he has kept a diary of those dastardly deeds finds himself as a candidate for President of the United States. When that diary is stolen, the efforts to retrieve it lead Powell from one embarrassing situation to another with non-stop laughs.

Peter Lind Hayes, not known for acting plays Powell's press agent and is very funny. Ella Raines, one of the most stunning women in films, plays a reporter and she's not only very funny but very beautiful. And there's a who's who of character actors led by Ray Collins, Allen Jenkins, Charles D. Brown and Milton Parsons who perform superbly.

George S Kaufman directed the film. He was long known as one of the leading playwrights of both comedy and drama. He won 2 Pulitzer Prizes. He wrote 2 Marx Brothers Films, as well as "The Man Who Came To Dinner" and "You Can't Take It With You". This was his only turn at directing a film. The pace he establishes is frenetic, with dialogue delivered in the Howard Hawks overlapping style.

Stay with this until the very last line. The ending is a pip. In fact the whole film is one

I know this is going to sound preposterous, but try to imagine a politician who is completely incompetent. An idiot. A total buffoon. That is the story of Sen. Melvin G. Ashton, played by William Powell.

Ashton, planning for a career after being a senator, decides that the only other job he's qualified for is to become president. He seeks the job not just for himself, but for the benefit of all the relatives he has on his payroll. Through the movie, he quickly shows the wisdom he has picked up from his years in office with lines like, "If you can't beat 'em, bribe 'em!"

Ashton commences on a coast-to-coast tour to announce that he is NOT running for president and take some courageous stands on issues ("Ashton is against inflation, against deflation, for flation.") The villainess in the movie is a reporter played by the fetching Ella Raines, who vows to kill Ashton's campaign by quoting him accurately.

For some reason, the party leader doesn't want Ashton to be president. However, Ashton has kept a diary through the years that detail the shenanigans of other politicians and he's ready to use it as blackmail. The only problem is he loses the diary, and then the search is on to find it, by both party people that want to destroy it and others that want to publish it.

The people who will like this movie best are the ones that enjoy light comedies. I absolutely loved it. After seeing it, I'm sure you'll join Steven Colbert in asking, "Melvin G. Ashton: Great senator or greatest senator?"