L'Heure du Pardon

The above line is from "Seven Brides for Seven Brothers" but a few more like it would have considerably enlivened this sometimes slow but in fact worthy post Civil War drama. However,there are at least two other real winners in the genuine mean style,and even more of the same could have raised this movie to an eight rather than a faltering seven. For example:

Exultant Wife:You'll always remember this day!

Husband:As long as you live I will.

And:

Idealist Jonson:I joined this war because no man should be hated for the color of his skin.

Confederate:It isn't about the color of anyone's skin, I hate the color of the pants you wore when you came down here against us.

Jonson:This thing was really about the color of my pants?

Unfortunately,the overall mood of the film is continuously uncertain.At times it is genuinely reflective and well timed ,at others it verges on the maudlin.Eleanor Parker or young Katherine Hepburn would have made a lot more of a hullabaloo with the same unchallenging script;Janet Leigh is simply too sweet and wholesome for words.

Still despite a couple of ridiculous brief musical spurts,there are a whole troop of fine character actors,including Thomas Mitchel,Marshal Thompson(particularly good in the climatic scene) and my old acquaintance the inimitable O.Z. Whitehead. Moreover,Van Jonson,for once,is not studio typecast and does a fine job throughout,particularly with his barn musicale and in the final scene.

All told, not the gem that it could have been but deserving of a lot better than it has ever yet been credited with.Definitely worth a look for any post Civil war buff or a family looking for a good clean afternoon's entertainment that has something to say.

The director here is man of all work Roy Rowlands.And the reason that I am doing this review is that Rowlands previously directed "Our Vines Have Tender Grapes",one of the high points of American family drama. He apparently never remotely reached such heights again.

The script derives from a story by Pulitzer Prize winner McKinley Kantor,a writer who more than once received less than he deserved by Hollywood.

I found this movie very uplifting and I believe quite true. My grandmother married my grandfather in almost the same situation. He had come to TX and found her while attending a political rally. They fell in love and married almost right away. Her father, a confederate, disowned her an never saw her again, as my grandfather's dad had fought for the Union. As I was watching it was so well done I felt I was there. Van Johnson and Janet Leigh (even though very young and quite new) was real as it gets. Unfortunately the quality of the film is quite poor, but maybe it will be restored and offered for DVD sale. Dean Stockwell did a fantastic job and should have won an award. Also, Missouri being the state seemed almost real.

I loved the emphasis on community values in this film. The ideas that the main character pulls for are not a whit outdated and can certainly be applied to today's society. It seems that in life, as in this film, there is always an element who tries to pull apart the community spirit for their own ends. These ideas are presented here in a completely engaging manner and are there for all to see as simple common sense. Kudos to Thomas Mitchell for another grand performance. Too bad this is another forgotten film which should be resurrected for its ideas which are strangely hip and contemporary. And Janet Leigh does a wonderful job, as does the actress who plays her mother.

Another reviewer claims this is a romantic musical comedy, not a drama--I beg to differ. There are songs, to illustrate the folksy ways of the Missourians, and there are a few laughs, and there is a romance, but it's difficult to class anything that includes montages of barn-burnings committed by hooded men on horseback as a musical comedy.

It's a film worth watching, though, as a post-WW2 look at the post-Civil War era, and how difficult it can be to cool off the high-burning passions of wartime. Johnson plays a vet who wanders into a small Missouri town still smarting with North-South divisions. It's an interesting story, incorporating unusually pointed comments about racial equality; the screenwriter, Lester Cole, was later blacklisted as a member of the Hollywood Ten.

The cast is incredibly engaging, from the dewy new starlet Janet Leigh (who got this part after just three weeks in Hollywood!), to the indescribably adorable young Dean Stockwell, to the complex Thomas Mitchell, to the wonderful character actress Selena Royle, playing Leigh's mother with beautiful emotional range.

This definitely falls into the category of the sort of social-issue picture (like Gentleman's Agreement or Paths of Glory) that led to the blacklisting of so many screenwriters. That alone makes it worth the viewing; the cast will just ice the cake.

Former MGM queen Norma Shearer was vacationing in the Sierras in California and at a ski lodge took notice of the owner's beautiful daughter. She thought that she ought to be in pictures and got her old friends at MGM to give her a look over. They did and signed the girl to a contract and Janet Leigh made her debut in The Romance of Rosy Ridge.

During the Civil War both Abraham Lincoln and Jefferson Davis spent a lot of time worrying about the fate of those border states like Missouri where this story takes place. There was considerable public opinion for both sides and a lot of neighbors fought each other.

Into one Missouri town comes stranger Van Johnson and helps out a Confederate family which lost a son, Marshall Thompson, during the Civil War. Father Thomas Mitchell is suspicious, but his wife Selena Royle and children Dean Stockwell and Janet Leigh take to Johnson right off.

Of course Johnson takes to Leigh right off as well. The people of the area can't seem to reconcile because a whole lot of bad things keep happening and only to Confederate families. Someone has a vested interest in keeping the Civil War going long after Appomattox.

I won't say any more about the plot, but film fans will take one look at the cast and know who's responsible for all the bad things. But also a secret about son Marshall Thompson is revealed before all are reconciled.

The Romance of Rosy Ridge was an auspicious debut for Janet Leigh. You could easily tell what Norma Shearer saw when she served as talent scout for her former studio. Van Johnson gives Janet a lot of support here, very generously allowing her to gain maximum exposure, he seems to have made an effort not to steal any scenes. Van and Janet have a good cast of supporting players as well.

The film has a kind of nostalgic quality like some of John Ford's work. It might have really been a classic had Ford been the director. It's still pretty good as is.