Philo Vance Returns

It's an okay Vance programmer at a time when crime films would soon turn to noir. So who's knocking off all the good-looking babes. There were so many I couldn't keep them straight-- such a pickle. Then too, I kept yelling at them to stay away from the lipstick cause it ain't Revlon. Seems handsome rover Blendon keeps marrying them one after another, using his big inheritance as inducement. But now they're headed for the morgue in mysterious fashion. So, in good detective tradition, it's up to Vance and his comic Russkie helper Alexis to figure things out. Good thing the guys don't use lip brightener.

Journeyman director Beaudine films in straightforward fashion, few close-ups, little moody lighting. The guessing game itself is pretty good as the suspects keep accumulating then dying off. However, I do wish ditzy Alexis had more scenes with Choo-Choo Divine, such a great name. Then too, she's played by that great movie floozie Iris Adrian. In my little book, their one goofy scene's the movie's highlight.

All in all, the flick's an entertaining time-passer, with one of the best distaff casts since the Miss America Pageant.

1947's "Philo Vance Returns" concluded the brief three picture series from PRC, which ended the screen incarnation of the popular detective first played by William Powell. After two entries starring Alan Curtis, flanked by comic sidekick Frank Jenks, this casts in the title role frequent villain William Wright, who not only gets awakened in the middle of the night to solve the murder of a playboy's fiancée, but hears the caller get shot before he even hangs up! Within five minutes, there are already 3 murder victims, and more suspects bite the dust before Vance figures things out. Aiding Vance is Leon Belasco (a great improvement on Frank Jenks, although playing a different character), stealing every scene with his witty dialogue and funny accent, particularly his seduction of Iris Adrian through kiss-proof lipstick. Clara Blandick, best remembered as Auntie Em in the immortal "Wizard of Oz," portrays the playboy's loving grandmother, while seen only briefly are former Universal starlets Ramsay Ames and Vivian Austin, (the latter had a much larger role in the previous entry, "Philo Vance's Gamble"). Special mention goes to Eddie Dunn as the investigating lieutenant; he did many memorable cameos in the comedies of Laurel and Hardy, W. C. Fields, and Abbott and Costello. The very low budget occasionally calls attention to itself though, again, the mystery is quite good; some viewers may correctly guess the killer's identity but there's more here than meets the eye. Perhaps due to his untimely death from cancer in 1949, William Wright was hardly a well known actor, and does not excel in his only stint as Vance, no match for even Alan Curtis (Leon Belasco gets all the good lines). PRC's Vance films compare favorably to the three Film Classic 'Falcon' features from 1948-49 with John Calvert. Television adapted several movie detectives in its first decade, but not Philo Vance; even Perry Mason, with only six features at Warners, enjoyed a long run in its small screen version.

Playboy Larry Blendon (Damian O'Flynn) introduces his grandmother Stella Blendon (Clara Blandick) to his fiancée, radio singer Virginia Berneaux (Ramsay Ames). Despite Larry's record of broken romances and divorces, Virginia decides she will marry him.

However, Virginia is shot that night by a hidden shooter and a distraught Blandon telephones his friend Philo Vance (William Wright) to help find the killer. Even as they talk over the phone, the killer strikes again and Philo hears a gunshot and Larry falling dead.

The budget might be much lower and there's no William Powell playing Philo Vance, but nevertheless this a fun mystery with a good idea of a husband's ex-wives/ a future wife getting bumped off, all because of an inheritance Will he drew up - William Wright's Philo Vance isn't debonair or detective-like as Powell; he's more like a tough talking PI and he does well. His Russian sidekick adds a comic touch. It's fast-paced, engaging and fun.

"Philo Vance Returns" is one of three Vance mysteries made by PRC, an ultra-cheapo production company specializing in mostly craptastic B-movies. Occasionally, they accidentally made a decent film...and this happens to be one of them. So, despite the horrid production company and mostly unknown actors, it manages to entertain and is worth seeing.

Larry is an idiot. He's been married many times and was engaged several times as well. Soon after introducing his latest fiancee to his grandmother, the young lady is killed. Soon, Larry is also killed...and one by one his exs all start getting killed as well! Fortunately, Philo Vance is on hand to investigate...though he isn't quick enough to stop many of the murders.

The film's biggest asset is that the murderer is an interesting choice but there also are enough red herrings and twists to keep you watching. Worth seeing...though I have no idea if PRC's other Vance films are worth your time or not.

Damian O'Flynn gets engaged and brings the girl home to grandmother, Clara Blandick. He's taking her home when she gets shot. Granny suggest he call his friend, Philo Vance (William Wright). As Wright is on the phone with O'Flynn, he hears two gunshots. He rushes to O'Flynn's house, where the cops are already and one of O'Flynn's ex-wives falls out of a closet.

Like the other PRC Philo Vance movies, this is an inexpensive programmer with a good mystery story. What it has that the others don't is some relation to the S.S. Van Dyne character. Vance looks to be a wealthy fellow who solves mysteries. In addition, there is some good humor in the show, mostly provided by Leon Belasco, who "assists" Wright as ex-wives start falling out of closets everywhere, and director William Beaudine's lackadaisical handling of matters.

Beaudine had started out at Biograph as an actor, moved behind the camera, and peaked in the late 1920s and early 1930s. By the end of the latter decade, it was a job for him, and while he turned out competent work, without a budget he looked upon it as a day job. He was famously said to have responded to a front-office request on how a shoot was going: "You mean someone actually wants to see this crud?" He retired in the late 1960s, having directed over 350 and died in 1970 at the age of 78.

This one is an okay little movie to check off the list.