On the Old Spanish Trail

Roy Rogers deserved his title of "King of the Cowboys." He could sing western songs better than any of the other singing cowboys with the possible exception of Tex Ritter, plus he was one of the best yodelers around, which few people realized. He also fit the image of a singing cowboy from the old west, even though he was actually from Ohio. His horse, Trigger, was called "The Smartest Horse in the Movies," because he probably was. Roy had a winning personality with a certain magnetism that drew kids to him. He had helped start the Sons of the Pioneers, one of the best vocal groups around, with a top notch songwriter from Canada, Bob Nolan. All these things combined to make a Roy Rogers western a real treat. He later found a partner on and off the screen who could be called "The Queen of the West," the talented and lovely Dale Evans.

All of these things, except Dale is not in the film, should have made "On the Old Spanish Trail" a winner. It also had a competent funny man, Andy Divine, to help out in the humor department. The villain was not Roy Barcroft this go around but rather Charles McGraw who would later star in the film noir classic "Narrow Margin." There are also two beautiful leading ladies rather than one, Jane Frazee and Estelita Rodriguez, who plays somewhat of a spitfire as the Gypsy's (Tito Guizar) jealous girlfriend. And the action sequences, especially the stagecoach chase toward the end, are marvelous. Only Republic could do such a splendid job in 1947.

But there is a problem with "On the Old Spanish Trail" and it is a big one. Republic tried to give the fans not only two leading ladies but also two leading men. Roy is purposely overshadowed in several scenes by Tito Guízar who plays sort of a Zorro type character known as the Gypsy. He is also a singer. Tito had a great voice but it was much too refined and proper for singing cowboy ballads. He possessed a fine operatic voice. Tito's acting was also at times on the hammy side. I gather from all this that Republic was apparently grooming Tito for his own Saturday matinée series. If the viewer can overlook the spotlight being thrust on Tito throughout much of the film, then this Roy Rogers outing should be pleasing for his many fans.

With "The Great Southwestern Tent Show" in town, cowboy king Roy Rogers (as Roy Rogers) learns a featured attraction, his singing "Sons of the Pioneers" pals, have a $10,000 I.O.U. debt due. From sleepwalking constable Andy Devine (as Cookie Bullfincher), Mr. Rogers learns about a convenient $10,000 reward for the capture of a bandit known as "The Gypsy". Rogers wants to capture the Spanish outlaw, and pay off his friends' debt. But, Rogers' target, Tito Guízar (as Rico), may not be the guiltiest gun in the west…

This colorful "cross-over" western for singing cowboys Rogers and Mr. Guízar is better than "The Gay Ranchero" (1948), a similar vehicle. Pretty Dale Evans stand-in Jane Frazee (as Candy Martin) arouses romantic feelings in both men; she has an amusing introductory scene, with Rogers collecting her undergarments from a fallen suitcase - watch as he holds her slip in his teeth! Estelita Rodriguez (as Lola) is memorable. The songs are smooth and forgettable, except for Ms. Rodriguez' lively "Guadalajara". The ending is well staged.

***** On the Old Spanish Trail (1947) William Witney ~ Roy Rogers, Tito Guízar, Estelita Rodriguez

In order to keep The Sons Of The Pioneers' equipment from being repossessed, Roy Rogers, Bob Nolan and the boys attempt to pull off a lucrative joint appearance and claim a reward on a not-very-dangerous outlaw known as The Spanish Gypsy.

A featherweight adventure, there isn't much to recommend this time around. Songs are less than memorable, even Roy's featured song, a duet of "My Adobe Hacienda". Action, suspense and (real) romance are almost non-existent until the finale.

With Dale Evans missing in action, sidekick Andy Devine not given much to do and Trigger spending most of his time grazing, this is recommended only for the most die-hard Rogers fan.

I believe this film was my very first RR film, followed by The Far Frontier, which convinced me that the only cowboy hero to emulate for me was Roy Rogers. Why else would they call him "King of the Cowboys." I do recall having the 78 rpm record of the title song and memorizing the words. On the flip side was "I've Got A Feelin' (that somebody's stealing my darling). While I have only seen the truncated b&w version, I know that there is a fight scene missing from where Tito Guizar is recovering from a gunshot wound and the heavies want to take him back to town for the reward. Roy intercedes and there is a fight resulting in a fall into a nearby lake. This scene is included in the original trailer which is available along with other B westerns on video. I particularly like the song "Here is my helping hand" done by the Sons of the Pioneers which expressed their willingness to help out Roy in a crisis. Hopefully they will release the complete edition on DVD so that younger generations can appreciate a typical Saturday afternoon RR western.

I've seen several dozen Roy Rogers films and while I cannot say this is among his very worst films, it sure must come pretty close. It just seldom makes any sense and the acting is occasionally pretty sad. The film begins with Roy learning that the Sons of the Pioneers owe $10,000 and he goes off to find them in some traveling show. Along the way, he meets up with a bandit named Rico (also called 'The Gypsy'--Tito Guizar) and a spunky lady who owns the show (Jane Frazee). It turns out the show hasn't made money because where the show has gone, robberies have 'coincidentally' occurred as well--so no one wants the show in their town. The crimes have been blamed on The Gypsy but there are others who have been pinning the blame on this hot-blooded guy. Can Roy get to the bottom of what's really happening?

The problems with the film are many but let's discuss just a few. The film has even more songs than usual and none of them are particularly good. There was even a moment when they captured The Gypsy and he agreed to come along peacefully IF they first sang him a song!! There also is a girl who is in love with The Gypsy and Estelita Rodriguez is nearly as stereotypically offensive as the Frito Bandito! I am sure Hispanic viewers would cringe every time she comes on the screen and Miss Rodriguez must have cringed every time she had to utter her fiery dialog. And finally, Rogers' behaviors towards The Gypsy make no sense--at some points he wants to capture him and yet, for no discernible reason, he later tells everyone he thinks Rico is innocent! Overall, this film just isn't that enjoyable. While I will be quick to admit that his films are pretty formulaic, they have a certain charm and likability about them. This one, on the other hand, just never was particularly good and the real baddies were just too obvious.