L'amour d'un inconnu

Unlike many of the writer's plots,it is not a whodunit but pure thriller ;"Philomel cottage" was a short story which was often transferred to the screen (there's another version featuring Ann Harding );It's possible that the author was inspired by Charles Perrault 's fairy tale "Bluebeard" ,the basement replacing the bedroom the heroine must not enter.(a dark room in the 1937 effort) They also hint at "Blue beard " (reportedly inspired by one of Joan Of Arc's companions,Gilles de Rais) in this adaptation.

Probably to capitalize on the success of "gaslight" ,they set the action in the Victorian era and the hero became "Manuel Cortez ". But,and it's the main flaw :one knows from the start that the handsome soon-to-be-husband will do away with his spouse to latch onto her fortune;only "where " and "when" remain and it spoils the suspense which could have been successful ,a la "suspicion" ;John Hodiak is efficient with his beaming mile and his strong appeal,and ,furtively ,a hard look in his face .But Christie buffs will be better off with the first version (aka "a night of terror")starring Ann Harding and Basil Rathbone.

The short lived Trans-Atlantic studio Eagle-Lion produced this film for British and American audiences about a serial killer of wives, his own. His latest victim is Sylvia Sidney who has inherited a windfall and she's a target for fortune hunters.

Coming from America is John Hodiak playing Manuel Cortez who has already murdered two wives after draining them of their assets. His sights are set on Sidney.

I'm at a loss as to why Eagle-Lion did not cast a Latin charmer like Gilbert Roland, Cesar Romero or best of all Anthony Quinn in the lead. Saying that though Hodiak exudes a menace throughout the film. Unfortunately I mean that literally as we know from the beginning that Hodiak is up to no good and is the serial killer.

Menace we have, but suspense is flattened somewhat as we know from the beginning exactly what Hodiak's character is. Still Love From A Stranger is a good thriller

LOVE FROM A STRANGER begins with the news that a notorious murderer in NYC has been killed by the police. Then, a series of new murders occur in London, where Cecily Harrington (Sylvia Sidney) has just had her love life turned upside down by a man named Manuel Cortez (John Hodiak).

In a whirlwind romance, Cecily is swept away by the mysterious, passionate Cortez. Before she knows it, they're moving in to their honeymoon house.

Utter bliss ensues, right up until the secrets and strange behavior begin!

This is an effective suspense / thriller based on the story by Agatha Christie. Hodiak is sublimely devilish, and Ms. Sidney plays her clueless role to perfection!...

This movie "Love From a Stranger" is based on a story written by Agatha Christie. It is similar to "Love From a Stranger" made in black and white in 1937 starring Basil Rathbone and Ann Harding.

This one is from 1947 black and white. The stars of this movie are John Hodiak as Manuel Cortez and Sylvia Sidney as Cecily Harrington.The premise is the same in both movies.

A woman wins a sweepstakes/lottery, drops her boyfriend, and meets Mr Wonderful who sweet talks her, marries her in a short time and prepares to kill her at sometime in the near future at 9:PM.

Cecily is the target. She finds out more about Manuel her husband while he is away one night and gets scared. She sees a hole like a burial hole down in the cellar where no one is allowed to go. I like the ending in this one too is was like a bar fight but much better. The one with Basil Rathbone had a ironic ending too. You can watch this with John Hodiak on this IMDb site http://www.imdb.com/title/tt0039586/ which will link you to Hulu.

You can download the one with Basil Rathbone at Archive.org for free or watch it on line with the same name. http://www.archive.org/details/LovefromaStranger

As an admirer of Jennifer Jones (JJ) who has collected all her films and read all her biographies etc, I wanted to see an example of one of my heroine's idols of the stage and screen - Sylvia Sydney who plays "Cecily Harrington".I looked up this film on the Imdb and noticed another actress who had worked with JJ - Ann Richards who played Dilly Carson in "Love Letters" (1945).They appear together in this film, "Love from a Stranger" from 1947 opposite John Hodiak.Incidentally, I was very impressed with the speed of dispatch of this video to London from Amazon.com in the U.S.A. considering they acted as agents for my American vendor.Fortunatly my vcr is adapted to play both NTSC & PAL video formats so I can also obtain and enjoy films from the States which never seem available here in the U.K.

Considering Sylvia was born in 1910 in the Bronx, NYK from foreign parents i.e. not native born Americans (which I only discovered after watching this film), I marvelled at her English accent and only suspected she could be American when she uttered a short "a" instead of the longer English vowel towards the end of the film.I could well see how Sylvia could have been an influence on JJ in her portrayals of English ladies, e.g. in "Cluny Brown" from (1946).Once again Ann Richards plays the best friend role but here she is only required to do a straight reading of her undemanding part.This is one of those films where you find yourself screaming at the screen "Don't do it"!!!! when she is obviously ditching her regular fiance (no attempt at an English accent here) and goes for the "Bluebeard" she has just met (John Hodiak) whose provenance is unknown and who is obviously intent to everyone except Cecily Harrington, on relieving her of her recent Calcutta Sweep winnings of £50,000 (a National Lottery type fortune in 1901).Will he just be content with that?

I could not help thinking that with a story by Agatha Christie, what Alfred Hitchcock could have done as director if he had been given this film, (probably substituted brunette Sylvia with his usual cool blond for starters) as the direction was very average and I felt there were many points where more suspense could have been engendered into the plot than was the case in the direction by Richard Whorf.The denoument at the end had all the hallmarks of an amateur dramatic performance when the goodies arrive just in time to save the heroine.

So I agree 5.1/10 is a fair rating but it was my first opportunity to study Sylvia Sydney's work and was gratified she had such a long life, only dieing in 1999, so she was 89, and apparantly was working professionally towards the end - read her biography.Finally I try to spot jobbing actors, in this case Ernest Cossart who plays "Billings".He played the hilarious reverse snobby butler in "Cluny Brown" and a bishop in "Love Letters".