Leo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, ... Read allLeo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, but also that she expects a quick divorce. Both Mr. and Mrs. Gogarty must find their place... Read allLeo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. Upon his return, he is surprised to discover that his bride is not what she led him to believe, but also that she expects a quick divorce. Both Mr. and Mrs. Gogarty must find their place with or without each other in a society still adjusting to peace.
- Process Server
- (uncredited)
- Junior League Girl
- (uncredited)
- Servant
- (uncredited)
- Marine
- (uncredited)
- G.I. Bill's Wife
- (uncredited)
- Bit Role
- (uncredited)
Featured reviews
The story begins during WWII. Leo (Gene Kelly) and Margo (Marie McDonald) falling in love. But since it is the war and Leo is soon shipping out, they impulsively get married despite barely knowing each other....and he's sent overseas before they can even consummate the marriage.
The story now skips to just after the war has ended. Leo is looking forward to a life of wedded bliss with Margo. But when he seeks her out, he finds she's NOT the poor girl he thought she was...she's a rich model used to a life of ease.
Now at this point, the story was quite good. But Margo's reaction to her husband's return is bizarre and shows her to be an awful person. She apparently already has a NEW fiance picked out and informs Leo he's unwanted and he should get a divorce. Now, I CAN understand a woman thinking they made a bad and impulsive choice...that's understandable. But not even wanting to talk with him makes her seem like a real jerk. Soon, you learn she ALSO had a very cute mutt...and got bored with it and gave it away. So, you've got a leading character who is selfish and self-absorbed.... NOT what you'd want in a leading lady in a romance. Can the film be saved?
The story gets better later....so I still gave it a 5. But Margo was just unlikable....very unlikable. Also, while there were some dance numbers here and there, they weren't integrated into the story well at all and just seemed slapped there in order to give Kelly a chance to show off his talents. Overall, not the worst sort of romance but not a very good one either.
There are pleasures here. The best thing about 'Living in a Big Way' is the dancing, which is memorable and a sheer delight. The sequence on the construction site sends up an absolute storm, and it is difficult to resist the adorable one with the dog. Kelly is charismatic in the lead and dances a dream as always, he's never put a foot wrong when it comes to dancing and has dazzled more often than not as a choreographer. Jean Adair and Spring Byington are breaths of fresh air in support, and Phyllis Thaxter charms even with a limited character and a subplot that is not developed that well.
You can't talk about a musical without mentioning the music/songs, and while only "It Had to Be You" is a classic all of them are very pleasant to listen to with nothing coming over as a dud. Gregory La Cava does reliably direction-wise with what there is, and the production values are lovingly done if not spectacular.
On the other hand, Clinton Sundberg falls completely flat and is not funny at all, what was intended as sardonic comes over as mean-spirited and Sundberg just grates to maximum effect. Outside of the musical numbers and the dance sequences, the story is nowhere near as memorable and can drag, suffering also from a lack of chemistry between Kelly and Marie McDonald, who is very sympathetic and cold with little charm or range.
Coming off worst is the script, which tonally is very confused, inept at worst, and doesn't seem to be able to decide what it wanted to be. It tries to be comedy, drama, a musical and social message film, and only really succeeds at the musical. The comedy has fleeting good moments, mainly with Adair, but frequently grates and lacks wit particularly with Sundberg. The drama lays it heavy with the sentimentality and the over-maudlin quality is hard to stomach on occasions, while the social message element was forced and unnecessary.
On the whole, an obscure with pleasures, like the memorable dancing, but because the script is as poor as it is, is worth it for curiosity value and for Kelly completests but not much else. 5/10 Bethany Cox
Did you know
- TriviaThis box-office failure was the last directorial credit (he did some uncredited work on Un caprice de Vénus (1948)) for director, screenwriter and occasional producer Gregory La Cava, who had begun working in the film industry as an animator in 1916.
- GoofsAt about the 1 hour 27 minute mark while dancing, Gene Kelly shoves a handkerchief into his back pocket (with part of it showing), but in the next immediate shot the handkerchief is gone.
- Quotes
Margaud Morgan: Is that the only reason you like me Leo? Because I don't step on your toes?
- ConnectionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksFido and Me
(uncredited)
Music by Louis Alter
Lyrics by Edward Heyman
Sung and Danced by Gene Kelly and a dog
Details
- Release date
- Country of origin
- Language
- Also known as
- Life's for the Loving
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,839,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1