Cab Calloway plays himself in a plot about jealousy, night clubs, and gangsters. Ends with a series of musical numbers.Cab Calloway plays himself in a plot about jealousy, night clubs, and gangsters. Ends with a series of musical numbers.Cab Calloway plays himself in a plot about jealousy, night clubs, and gangsters. Ends with a series of musical numbers.
Virginia Vee
- Self - Singer
- (as Virginia Peters)
Dusty Fletcher
- Dusty Fletcher
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well, you sure don't need to see it on the big screen...Hi De Ho is a slightly above average 'race' film that includes most of the trademarks of the genre: a slight story, a little comedy, and lots and lots of entertainment. Thankfully there's none of the moralising (well, not much) that characterises some of these films, like The Blood of Jesus. Cab Calloway is, of course, riveting, the music excellent, and the tap dancing scenes almost breathtaking --even when shot awkwardly.
As with all the reviews, there's no real storyline, but you MUST watch for all the great performances. One of the reviews mentions Dusty Fletcher's "blackface" performance "Open the Door Richard" is in this film - it's not on my copy. However, there seems to be earlier versions of Hi-De-Ho released with different plots (1934) and (1937) so I'm not certain if my copy is bad copy (although I have 2 copies of 1947) or if that particular act is in one of the earlier releases...whatever the case, if you are into Cab Calloway - the performances are phenomenal! The same goes for the Miller Bros. & Lois. I actually like the Peters Sisters - they had great voices and my favorite numbers were "Rainy Sunday" and "Old Lady From Baltimore"...hope this helps!
This was an all black cast platform to showcase the charismatic Cab Calloway. I think the best musical numbers were actually at the beginning, but it ends with a whole series of musical and tap dance numbers.
Thin on plot, this is a surprisingly violent story that even depicts violence against women. It pits two competing night clubs against one another and ends in a shoot out where a woman and the mob club owner are both shot.
"You think you'd be mine at dawn time."
"Every flower loves a few drop...Gumbo has it's New Orleans"
This is a great time piece and worth seeing for Cab Calloway alone.
Thin on plot, this is a surprisingly violent story that even depicts violence against women. It pits two competing night clubs against one another and ends in a shoot out where a woman and the mob club owner are both shot.
"You think you'd be mine at dawn time."
"Every flower loves a few drop...Gumbo has it's New Orleans"
This is a great time piece and worth seeing for Cab Calloway alone.
Cab Calloway is the center of this short film -- and just about the only thing it has to offer. As mentioned elsewhere, "Hi-De-Ho" is a genre piece weak on plot, acting and production alike. Folks who love the "King of Hi-de-ho", however, will relish his dancing, mugging, swinging and singing, oh singing! Uncredited in the opening titles except as "and his Orchestra" is a great line-up of jazz notables: Milt Hinton on bass and Cozy Cole on drums to name but two. If for no other reason, see "Hi-De-Ho" for the great big band numbers played as cool and hot as you could ask.
Hi De Ho is one more of the quick, cheap movies cranked out by Hollywood featuring black entertainers and designed to fill seats in the movie houses for the segregated black audiences of the south and the unofficially but just as segregated theaters everywhere else. Hi De Ho is exceptional in one regard. It features that great showman and entertainer Cab Calloway in his prime and a year before he decided to disband his orchestra because of changing musical tastes. Calloway had a long career, and had become a star by 1930. He sang, moved (not exactly danced), strutted and jived. White audiences most probably learned what they knew about jump jazz, scat singing and the hep cat beat from Calloway. He was a fine singer, wrote a lot of his own stuff, and led one of the best swing orchestras around. He also seemed to have inexhaustible energy. So fair warning...Calloway's high energy pours out of this movie; watching it can wear you down after a while.
The story line is little more than an excuse for Calloway and his orchestra to perform some great, driving, swing numbers. The movie is little more than an hour long and the plot is over in the first half hour. For the last half hour we watch a non-stop performance of some great music and specialty acts. The idea is that Cab is just starting out in the business. He has a jealous girlfriend, Minnie (Jeni Le Gon) and a new, young manager, Etta (Ida James), who is as pretty as his girlfriend. Etta wangles a gig for Cab and his orchestra at a new nightclub, but it's right across the street from one owned by a gangster. Minnie thinks Cab has fallen for Etta, so she convinces the mob boss to eliminate his new competition by shooting Cab. Then Minnie realizes her mistake, tries to save Cab and takes the bullet meant for him. This is the plot, and in 30 minutes it's all squeezed in between eight full musical numbers of him and his orchestra rehearsing or playing at the nightclub. Now we learn that Cab has become a huge success. For the next 30 minutes we're in a plush nightclub where we watch nine terrific numbers, including the rotund Peter Sisters, singers, and the extraordinary The Miller Brothers and Lois, tap dancers. A highlight is Calloway doing St. James Infirmary Blues. Another is a full-throttle, sophisticated arrangement of At Dawn Time. Although his now- dead former girlfriend was named Minnie and was something of a moocher, Calloway never sings his signature, Minnie the Moocher. The closest we get is Minnie Is a Hep Cat Now.
The acting, except for Calloway, is dismal. But Cab Calloway and His Orchestra show why they were first-class musicians as well as first-class entertainers. If you've ever heard Cab Calloway sing, you'll hear his voice...
"I was walkin' up the street feelin' bad and bold. Deep down in my pockets I didn't have no gold. I looked up to the skies and to my surprise I saw a million dollar bill floatin' before my eyes. Hey now..."
The story line is little more than an excuse for Calloway and his orchestra to perform some great, driving, swing numbers. The movie is little more than an hour long and the plot is over in the first half hour. For the last half hour we watch a non-stop performance of some great music and specialty acts. The idea is that Cab is just starting out in the business. He has a jealous girlfriend, Minnie (Jeni Le Gon) and a new, young manager, Etta (Ida James), who is as pretty as his girlfriend. Etta wangles a gig for Cab and his orchestra at a new nightclub, but it's right across the street from one owned by a gangster. Minnie thinks Cab has fallen for Etta, so she convinces the mob boss to eliminate his new competition by shooting Cab. Then Minnie realizes her mistake, tries to save Cab and takes the bullet meant for him. This is the plot, and in 30 minutes it's all squeezed in between eight full musical numbers of him and his orchestra rehearsing or playing at the nightclub. Now we learn that Cab has become a huge success. For the next 30 minutes we're in a plush nightclub where we watch nine terrific numbers, including the rotund Peter Sisters, singers, and the extraordinary The Miller Brothers and Lois, tap dancers. A highlight is Calloway doing St. James Infirmary Blues. Another is a full-throttle, sophisticated arrangement of At Dawn Time. Although his now- dead former girlfriend was named Minnie and was something of a moocher, Calloway never sings his signature, Minnie the Moocher. The closest we get is Minnie Is a Hep Cat Now.
The acting, except for Calloway, is dismal. But Cab Calloway and His Orchestra show why they were first-class musicians as well as first-class entertainers. If you've ever heard Cab Calloway sing, you'll hear his voice...
"I was walkin' up the street feelin' bad and bold. Deep down in my pockets I didn't have no gold. I looked up to the skies and to my surprise I saw a million dollar bill floatin' before my eyes. Hey now..."
Did you know
- GoofsWhen Cab takes the wounded Minnie back into his room, the furniture has changed position - the bed is now away from the wall and in the middle of the room, and the chair is in the corner of the room where the bed used to be.
- ConnectionsEdited into Open the Door Richard (1947)
- SoundtracksMINNIE'S A HEPCAT NOW
Written by Cab Calloway (uncredited), Clarence Gaskill (uncredited) and Irving Mills (uncredited)
Sung a capella by Cab Calloway
Details
- Runtime
- 1h 12m(72 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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