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Le mur invisible

Original title: Gentleman's Agreement
  • 1947
  • Tous publics
  • 1h 58m
IMDb RATING
7.2/10
19K
YOUR RATING
Gregory Peck and Dorothy McGuire in Le mur invisible (1947)
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DramaRomance

A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.

  • Director
    • Elia Kazan
  • Writers
    • Laura Z. Hobson
    • Moss Hart
    • Elia Kazan
  • Stars
    • Gregory Peck
    • Dorothy McGuire
    • John Garfield
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    19K
    YOUR RATING
    • Director
      • Elia Kazan
    • Writers
      • Laura Z. Hobson
      • Moss Hart
      • Elia Kazan
    • Stars
      • Gregory Peck
      • Dorothy McGuire
      • John Garfield
    • 176User reviews
    • 78Critic reviews
  • See production info at IMDbPro
    • Won 3 Oscars
      • 17 wins & 9 nominations total

    Videos1

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    Photos34

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    Top cast82

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    Gregory Peck
    Gregory Peck
    • Philip Schuyler Green
    Dorothy McGuire
    Dorothy McGuire
    • Kathy Lacy
    John Garfield
    John Garfield
    • Dave Goldman
    Celeste Holm
    Celeste Holm
    • Anne Dettrey
    Anne Revere
    Anne Revere
    • Mrs. Green
    June Havoc
    June Havoc
    • Elaine Wales
    Albert Dekker
    Albert Dekker
    • John Minify
    Jane Wyatt
    Jane Wyatt
    • Jane
    Dean Stockwell
    Dean Stockwell
    • Tommy Green
    Nicholas Joy
    Nicholas Joy
    • Dr. Craigie
    Sam Jaffe
    Sam Jaffe
    • Prof. Fred Lieberman
    Harold Vermilyea
    Harold Vermilyea
    • Lou Jordan
    Ransom Sherman
    • Bill Payson
    • (as Ransom M. Sherman)
    Ed Agresti
    • Waiter
    • (uncredited)
    Monya Andre
      Edward Biby
      Edward Biby
      • Nightclub Patron
      • (uncredited)
      Louise Buckley
      • Mother
      • (uncredited)
      Patricia Cameron
        • Director
          • Elia Kazan
        • Writers
          • Laura Z. Hobson
          • Moss Hart
          • Elia Kazan
        • All cast & crew
        • Production, box office & more at IMDbPro

        User reviews176

        7.218.6K
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        Featured reviews

        8WilliamFallsJr

        Short and to the Point

        I'll make this review short and to the point. I'm 55 and I've watched this movie for the first time. All I can say is it really opened my eyes. I'm not Jewish, but this quote from the movie really makes a lot of sense and can be used today for any race, religion, or sexual orientation. Professor Fred Lieberman: "Millions of people nowadays are religious only in the vaguest sense. I've often wondered why the Jews among them still go on calling themselves Jews...Because the world still makes it an advantage not to be one. Thus it becomes a matter of pride to go on calling ourselves Jews." I would highly recommend this movie.
        7lawrence_elliott

        A Good portrayal of indiscriminate prejudice that leaves lifetime damage

        Gregory Peck is slick as a writer for a publisher who is trying to find something to inspire him after his wife dies. He must take care of his young son and has his mother in New York to help him out. Anti-Semitism hits a chord as WWII has just ended with news of the Holocaust just barely starting to sink into the national consciousness. The timing for release of this movie is obvious, but it is carefully thought out as the director tries to convey the sinister and insidious way in which prejudice worms its way into the mainstream of everyday life. A well done film that works! A clever and intelligent portrayal that deserved the attention it received. Not an entertaining movie in the strictest sense, but one where the audience must do the work of thinking their way through it. It is a film worth navigating, however, because the ugly mirror of prejudice is held up to us all who are watching. It makes you feel uncomfortable because most of us are guilty of witnessing prejudice but we end up doing nothing about it.

        I recommend this film, but it won't be for everyone and many of us would rather just pass this one by. But we shouldn't even though it holds up this mirror making us feel guilty and uncomfortable. I should point out that the ending relating to the love interest in the story just doesn't work, but then that is not the purpose of the film. Prejudice, anti-Semitism and discrimination are, and these elements are worked out well. A disturbing but intelligent portrayal which is worth taking in for what it is worth.
        Mankin

        Much better than its reputation

        In his commentary for the DVD of `Gentlemen's Agreement,' critic Richard Schickel spends some of it criticizing the flaws in the movie (something I wish more commentaries would do). Mostly I disagreed with him, especially about Dorothy McGuire's fine performance. She has by far the toughest role in the picture as Gregory Peck's conflicted fiancée, whose complacent belief that she doesn't have an anti-semitic bone in her body is severely tested when he decides to pretend to be Jewish for a newspaper article. I often think of prejudice as the act of automatically assuming something is fact about someone we don't know, based on stereotypical preconceived notions. Anti-semitism is the reference point for the movie, but what it really does is examine the subject of prejudice from many different angles, from its most virulent to its most subtle forms. It even explores the role played by Jewish self-hatred in exacerbating the problem. The only time the film begins to resemble an `After School Special' is in Ann Revere's preachy speech towards the end. On balance, however, `Agreement' is much more complex than it's been given credit for. (I may be too late, but in answer to the User Commenter who wanted to know the name of the main title theme: it's an Alfred Newman original that is only heard that one time in the film. He developed it more extensively a couple of years later in Kazan's "Pinky.")
        lord_shatner

        A 50+ year old contemporary movie

        I've seen a lot people describe this movie as "a period piece" and a great movie but irrelevant in our time.

        However, this movie has lessons that every new generation should learn.

        The lessons taught in this movie can be applied to other forms of prejudices such as sexism, racism, and homophobia among others.

        Our society today is still full of "nice" people who detest bigotry and intolerance, but stand idly by while it happens right in from of them. Watching this movie could change all that.
        10chevyblue-86998

        Powerful? 75 years later and it still changes people.

        I often hear movies described as powerful. Most of the time the word is misused. Not this time.

        It's 2021 as I write. I watched this movie last night for the simple reason that there was nothing else on tv worth watching at 1 AM other than reruns of The Monkees. Seeing as how I love The Monkees, it's weird that I chose to watch this movie instead. I think I know why though.

        The description doesn't do this movie justice. I almost changed channels after reading it, but one of the early scenes caught my attention and every scene after kept it. The more I watched, the further from shore I walked until it was impossible to swim back.

        I am 62 years old and more set in my way of thinking than any other white male Georgia boy there is. Or so I thought. Thank God I was wrong. Born and raised a small town Confederate Conservative. Nuff said? No. That's one of the truths of this movie. Watch it and quit putting people in the groups that even today's society say are morally correct. Lesson learned.

        Just by being who I am and where I'm from, I know what it's like to be stigmatized.

        I'm a racist. That's the box the world says I belong in. That's the label in big bold letters that I wear every where I go. I always took pride in knowing the label was wrong. From that day long ago when I made friends with the first black kid to be placed in my elementary school after segregation, I have lived my life riding a different wave. The road I took led me on different paths. Racist was the opposite of who I am. 62 years of living this life proved it. This movie made its way deep inside and for the first time I realized I have spent my life seeing my reflection in a fun house mirror. The image of my reflection was distorted. That's a hard truth to swallow. I knew everyone else was wrong, (yes you are), the reflection you see is warped, but mine? Yes. Even mine.

        Watch this movie alone. Don't let anything disturb you. And hopefully you will see your true self for the first time. I did. Maybe it will change you. Hopefully, it did me. Time will tell.

        If this movie is in book form, it should be required reading for every high school student. If not, it should be recommended that every college grad watch it before receiving their diploma. The world would be so much closer to God's intent if we did.

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        Storyline

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        Did you know

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        • Trivia
          In 1984 Gregory Peck claimed to have been misquoted in a 1967 interview in which he said Elia Kazan was the wrong director for the film. The actor said, "That's a misunderstanding. I don't think there could have been a better director for the film. What I meant was that he and I didn't have a rapport; emotionally, we were not on the same wave length. I don't think that I did my best work for him. If I worked with him now--as a mature man--I think I would give him everything he would want."
        • Goofs
          Early on, when Phil reminisces about his Jewish friend, Dave, he looks into the mirror and assesses his own features as being consistent with those of the Jews. This reveals his own experiences of having been influenced by the false stereotype of there being a "Jewish look". This is antithetical to his attacking anti-Semitic thoughts and actions in others, throughout the film. This, however, should not be considered a "GOOF" as many people are guilty of hypocrisy.
        • Quotes

          Kathy Lacey: You think I'm an anti-Semite.

          Phil Green: No, I don't. But I've come to see lots of nice people who hate it and deplore it and protest their own innocence, then help it along and wonder why it grows. People who would never beat up a Jew. People who think anti-Semitism is far away in some dark place with low-class morons. That's the biggest discovery I've made. The good people. The nice people.

        • Crazy credits
          The main title theme begins with the Fox logo, replacing the usual Alfred Newman fanfare.
        • Connections
          Featured in Precious Images (1986)
        • Soundtracks
          Street Scene
          Composed by Alfred Newman

          Played during opening scene

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        FAQ17

        • How long is Gentleman's Agreement?Powered by Alexa

        Details

        Edit
        • Release date
          • September 24, 1948 (France)
        • Country of origin
          • United States
        • Language
          • English
        • Also known as
          • La luz es para todos
        • Filming locations
          • Darien, Connecticut, USA
        • Production company
          • Twentieth Century Fox
        • See more company credits at IMDbPro

        Box office

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        • Budget
          • $1,985,000 (estimated)
        See detailed box office info on IMDbPro

        Tech specs

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        • Runtime
          • 1h 58m(118 min)
        • Color
          • Black and White
        • Aspect ratio
          • 1.37 : 1

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