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The Devil Thumbs a Ride

  • 1947
  • Approved
  • 1h 2m
IMDb RATING
6.7/10
1.1K
YOUR RATING
Nan Leslie and Lawrence Tierney in The Devil Thumbs a Ride (1947)
Film NoirCrimeDramaThriller

Law-abiding Jimmy Ferguson soon regrets giving a ride to killer Steve Morgan.Law-abiding Jimmy Ferguson soon regrets giving a ride to killer Steve Morgan.Law-abiding Jimmy Ferguson soon regrets giving a ride to killer Steve Morgan.

  • Director
    • Felix E. Feist
  • Writers
    • Robert C. DuSoe
    • Felix E. Feist
  • Stars
    • Lawrence Tierney
    • Ted North
    • Nan Leslie
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    1.1K
    YOUR RATING
    • Director
      • Felix E. Feist
    • Writers
      • Robert C. DuSoe
      • Felix E. Feist
    • Stars
      • Lawrence Tierney
      • Ted North
      • Nan Leslie
    • 34User reviews
    • 16Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos10

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    Top cast36

    Edit
    Lawrence Tierney
    Lawrence Tierney
    • Steve Morgan
    Ted North
    Ted North
    • Jimmy 'Fergie' Ferguson
    Nan Leslie
    Nan Leslie
    • Beulah Zorn, alias Carol Demming
    Betty Lawford
    Betty Lawford
    • Agnes Smith
    Andrew Tombes
    Andrew Tombes
    • Joe Brayden, Night Watchman
    Harry Shannon
    Harry Shannon
    • Detective Owens, San Diego Police
    Glen Vernon
    Glen Vernon
    • Jack Kenny, Gas Station Attendant
    • (as Glenn Vernon)
    Marian Carr
    Marian Carr
    • Diane Ferguson
    William Gould
    William Gould
    • Police Capt. Martin, San Diego Police
    Josephine Whittell
    Josephine Whittell
    • Diane's mother
    Phil Warren
    • Pete, Roadblock Motorcycle Cop
    Robert Malcolm
    Robert Malcolm
    • Deputy Sheriff Grover
    Arthur Q. Bryan
    • Santa Ana Police Desk Sergeant
    • (uncredited)
    Roger Creed
    • Motorcycle Cop
    • (uncredited)
    Harry Depp
    Harry Depp
    • Belton Duncan
    • (uncredited)
    George Dockstader
    • Policeman
    • (uncredited)
    Dick Edwards
    • Nate Miller
    • (uncredited)
    Sarah Edwards
    Sarah Edwards
    • Minnie
    • (uncredited)
    • Director
      • Felix E. Feist
    • Writers
      • Robert C. DuSoe
      • Felix E. Feist
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews34

    6.71K
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    Featured reviews

    9secragt

    Scenery Chewing At Its Finest...Pick This One Up!

    Lawrence Tierney singlehandedly lifts this poverty row cheapie from lowbrow crime melodrama anonymity to the upper pantheon of low budget noir exploitation immortality. Bears some resemblance to other low budget limited set piece claustrophobic pics like THE DESPERATE HOURS or PETRIFIED FOREST, but don't dwell on that. There are a lot of strangled laughs given the tense set-up, but don't dwell on that, either. Ignore the implausibilities and wildly uneven acting and revel instead in young Tierney's charismatic menace and casual sadism. He so dominates the proceedings that any analysis of plot points (fairly lacking) or cinematography (surprisingly good) or direction (not so hot) really pales in comparison. One of those rare films that has such bad performances that it is an instant classic yet also featuring such a standout performance from Tierney that it is also an instant classic. Trust me on this one, brother... don't miss this obscure but vital piece of 50s Americrimedramacana. You will be amused and amazed, horrified and entertained, but most of all... you will not soon forget the experience.
    drednm

    Tierney is One Bad Dude!

    This little gem sure packs a punch---or a low blow. Lawrence Tierney is wonderful as the psycho who tricks a dope (Ted North) into giving him a ride from San Diego to Los Aangeles. Along the way they pick up two stranded women: a tough blond (Betty Lawford), and an innocent (Nan Leslie). Of course Tierney is on the lam from a robbery and murder but he fools them into dodging the cops (after he runs one down) by going to the dope's friend's beach house for the night. Several sub plots involve some interesting characters. No on is really what they seem to be. The dope is driving drunk across state but he's actually a devoted husband trying to get home. Tierney is a vicious killer. The blond is a willing accomplice, and the innocent wants to be an actress. The cops (especially Harry Shannon) are almost comical in their rapport, and the gas station kid (Glen Vernon) turns out to be a card shark. Great characters here with everyone having some nice screen time. Andrew Tombes is the night watchman who makes a spectacular drunk. Minerva Urecal is the widow with THE phone (Laguna Beach was the STICKS in 1947), and Marian Carr is the little wife who makes a surprise appearance. Josephine Whittell is the mother in law. Dick Elliott is the guy with the stupid dog.

    Tierney is the driving force and he's really good in his patented tough guy role. Lawford is surprisingly good. She hadn't made a film since 1937 and never made another after this one. She kept reminding me of Lizabeth Scott. Vernon almost steals the film as the gas station kid who goes along for a ride with the cops. North is the weakest actor but his dope part doesn't really call for much. Interesting little noir film with a totally unrepentant main character. He never even bats an eye!
    6ccthemovieman-1

    Fun, But Not As Good As Hyped

    With a title like that, incredible plugs from several film noir historians and the presence of Lawrence Tierney, I just had to find this movie and buy it, even if it was sight-unseen and hard to obtain.

    This had a "Detour" look to it, meaning a very low-budget film noir with a no- name cast except for Tierney, although he wasn't a big star anyway. I knew him from the film "Born To Kill" and was intriguing. Tierney played the same kind of psycho here. He was convincing, since he was mean and tough and nasty in real life, too.

    In this film, four people dominate: one good man, one bad man, one good woman, one bad woman. The bad people, of course, have the best lines. You know Tierney is not good because insults everyone he sees, even a little baby. The other people are idiotic and you want slap them and say, "Wake up!" before Tierney does something bad to them.

    The cops in here are also a bit strange. They would rather play poker than go chase a criminal. On second thought, maybe that was sensible. Anyway, it was odd to see.

    In a nutshell, Tierney is on the run, and winds up with these other saps who he cons into hiding out in someone's vacant house. Most of the film is talk, not much action, but it moves pretty well and it only lasts 62 minutes. There are laughs along the way despite the seriousness of the story but it still was disappointing overall. I guess I expected too much. The title is still the best thing about the film. See it, if you can, but don't spend money on it as I did.
    9existenz-6

    Classic noir

    I saw this many years ago on AMC. I barely remember the story, but I do remember that it was a very effective piece of noir. I've wanted to see it again, but it is extremely hard to come by. It isn't on video or DVD, and it rarely appears at revival theatres. If you ever have the chance to catch this on AMC or TCM, do whatever you can to see it. I definitely put it up there with "Detour" and "They Walked By Night". Great stuff.
    8bmacv

    A short, tightly crafted little shocker

    Over the decades, Felix Feist's The Devil Thumbs A Ride has gathered a fierce reputation as some sort of ultimate, quick-and-dirty film noir (like Detour). It's not quite that. Its dark star, Laurence Tierney, was more explosively, unpredictably violent in Born to Kill (and he had Claire Trevor at her malevolent best to play against). And Ida Lupino's The Hitch-Hiker corners the market on the terrors of the lonely road, come nightfall. (The better part of Devil Thumbs A Ride, by contrast, occur in a posh beach house somewhere between San Diego and Los Angeles). But the ensemble cast works well together -- Betty Lawford as good-time-gal Agnes is especially memorable. The end is somewhat troublesome; the necessary "restoration to normalcy" is abrupt and discordantly upbeat. The best films noirs close on a greyer, more ambiguous note. Still, this may be the finest 63-minute film ever made, and a key piece in the noir cycle.

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    Related interests

    Lauren Bacall and Humphrey Bogart in Le grand sommeil (1946)
    Film Noir
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

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    Did you know

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    • Trivia
      The house Lawrence Tierney and his unfortunate companions roll into for the final act, is the same as Verna's (Susan Hayward) house that she shares with her friend in They Won't Believe Me, also RKO and of the same year.
    • Connections
      Featured in Los Angeles Plays Itself (2003)

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    Details

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    • Release date
      • February 20, 1947 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Amenaza diabólica
    • Filming locations
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 2m(62 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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