IMDb RATING
7.5/10
23K
YOUR RATING
A man convicted of murdering his wife escapes from prison and works with a woman to try to prove his innocence.A man convicted of murdering his wife escapes from prison and works with a woman to try to prove his innocence.A man convicted of murdering his wife escapes from prison and works with a woman to try to prove his innocence.
John Alvin
- Blackie
- (scenes deleted)
John Arledge
- Lonely Man
- (uncredited)
Leonard Bremen
- Bus Ticket Clerk
- (uncredited)
Clancy Cooper
- Man on Street Seeking Match
- (uncredited)
Deborah Daves
- Child with Aunt Mary
- (uncredited)
Michael Daves
- Michael
- (uncredited)
Tom Fadden
- Diner Counterman Serving Parry
- (uncredited)
Bob Farber
- Policeman
- (uncredited)
Mary Field
- Aunt Mary
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe actual 1937 Art Deco apartment building used in the film (located at 1360 Montgomery St. in San Francisco) is still standing as of 2023. The apartment (No. 10) is marked by a cardboard cut-out of Humphrey Bogart, which can be seen from the street. The site is visited frequently by fans of vintage film noir. The unit has one bath, one bedroom and 861 square feet, and was last sold in 2016 for $1.5M.
- GoofsAfter Parry's bandages are removed, there are no stitches or bruises, nor is there the sort of facial swelling that always results from plastic surgery.
- Quotes
Vincent Parry: You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world.
- Alternate versionsAlso available in a computer-colorized version.
- ConnectionsEdited from La révolte (1937)
- SoundtracksToo Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits
Featured review
An escaped convict (Humphrey Bogart) undergoes plastic surgery and hides out with a pretty young woman (Lauren Bacall) while he tries to figure out who murdered his wife, the crime for which he was convicted. Excellent film noir written and directed by Delmer Daves with beautiful photography by Sid Hickox. It's the last film Bogie and Bacall did together and it's easily the most underrated of the four. Both are terrific here and have that same wonderful chemistry we all love, albeit with less sexy banter than their previous movies together. The real scene-stealer of the picture is Agnes Moorehead, who gets the juiciest role and one awesome scene in particular. Tom D'Andrea has a great bit as a talkative cabby and there are several other fine character actors in small roles.
The first forty minutes or so is filmed mostly from a first person point-of-view. We don't see Bogart's face until over an hour in, after his character has had plastic surgery. A pretty gutsy move at the time to have your big star, Humphrey Bogart, heard but not seen for such a large chunk of the movie. But it's so well-done and effective, it's probably my favorite portion of the film. Another favorite part is a little bit of business referring to a famous line of Bogie's from a past film. That sort of thing is commonplace today but wasn't then. It's a funny part in a terrific script by Daves. The movie does meander some, usually for little moments with side characters. While many of these scenes aren't necessarily needed they add something extra to the picture that I enjoyed. Definitely a must-see for Bogie fans.
The first forty minutes or so is filmed mostly from a first person point-of-view. We don't see Bogart's face until over an hour in, after his character has had plastic surgery. A pretty gutsy move at the time to have your big star, Humphrey Bogart, heard but not seen for such a large chunk of the movie. But it's so well-done and effective, it's probably my favorite portion of the film. Another favorite part is a little bit of business referring to a famous line of Bogie's from a past film. That sort of thing is commonplace today but wasn't then. It's a funny part in a terrific script by Daves. The movie does meander some, usually for little moments with side characters. While many of these scenes aren't necessarily needed they add something extra to the picture that I enjoyed. Definitely a must-see for Bogie fans.
Details
Box office
- Budget
- $1,600,000 (estimated)
- Gross worldwide
- $9,693
- Runtime1 hour 46 minutes
- Color
- Aspect ratio
- 1.37 : 1
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