Cynthia

Elizabeth Taylor in the title role plays an overprotected 15-year-old who has lengthy bouts of illnesses seemingly due to a compromised immune system. She yearns to do normal teenage activities, but keeps having these setbacks related to her illness that constantly worry her parents (played by George Murphy and Mary Astor) and her doctor uncle (played by Gene Lockhart). Their strategy to prevent the illnesses from happening is to isolate her from her friends at school, have her come straight home, and forbid her from participating in school activities. Of course Cynthia is not going to be a wallflower forever, because this is a young Elizabeth Taylor here and the one thing she does not suffer from, even at 15, is awkward teenager syndrome compared to most. Noticing this right away is Ricky Latham (played by Jimmy Lydon, who was not the Zac Efron of the 40's, but somehow managed to play Taylor's love interest in "Life with Father" as well), who looks past the sicknesses and sees a beautiful, smart, charismatic young girl that just needs to get out of the house. Noticing this as well with jealousy is her cousin Fredonia (played by Carol Brannan), who has eyes on Ricky also, despite the fact she has a boyfriend of her own. Eventually, Cynthia's mother realizes that babying her will never teach her to overcome her problems, and hatches a plan with her daughter to get her to the Prom without Dad and Uncle knowing. Elizabeth Taylor shows her acting is beyond the capabilities of most other teenage actors of her day, but still displays the girlish charm of someone coming into her own. The movie has a fair amount of fretting and whining, but it does come out of it with some fine comedic scenes throughout the film and underrated performances from the supporting cast.

At the height of her film career Elizabeth Taylor was one of the most famous women in the world, and even after she retired from acting she remained famous, largely because of her notoriously complex love-life. And yet there are a surprisingly large number of films on her CV which today are virtually forgotten and which even when first released probably did not arouse a great deal of interest. "Cynthia", dating from 1947 when Taylor was only fifteen, is a case in point.

Cynthia Bishop is a beautiful teenage high school girl from the small town of Napoleon, Illinois. Most of the plot revolves around the point that Cynthia is supposedly physically frail and suffers from health problems and is therefore not allowed to do many of the things that teenage girls normally do, such as attending the school prom. There is also a sub-plot dealing with the frustrated dreams of her parents Larry and Louise, both of whom once dreamed of going to Vienna, Larry to study medicine and Louise to study music. They never, however, realised these ambitions, and today Larry is a badly-paid assistant in a hardware store and Louise a housewife.

The film was based on a play called "The Rich, Full Life", and although I have never seen it- indeed, I had never previously heard of it or of its author, one Viña Delmar- that title seems to sum up the general theme. The idea is that one can still live a rich, full life even if one is an invalid or if one's youthful ambitions have been thwarted. The screenplay, however, does not fully realise the potential of either of the two plotlines, and too much is left unclear. We are never told exactly why Louise and Larry were unable to study in Vienna; the implication is that Louise accidentally became pregnant out of wedlock and that theirs was a shotgun marriage, but in the moral climate of the forties, with the Production Code still in full force, this could not be made explicit. (There is no acknowledgement of the fact that the Vienna of the 1930s, torn by political strife between Nazis, Communists, Socialists and Austro-fascists, might not have been the most congenial place in which to study, nor of the fact that there are perfectly good medical schools and colleges of music in America itself; the "Vienna" of this film is simply a romantic symbol of youthful illusions, not a real-life city).

Cynthia is the title character, and most of the action revolves around her, but the healthy-looking Taylor never makes a convincing invalid. It is never made clear exactly what illnesses Cynthia suffers from, beyond the fact that she tends to catch cold easily- Taylor spends a lot of the film sneezing- or whether her status as an invalid is genuine. It is strongly hinted that she may in fact be the victim of obsessive concern on the part of her over-protective parents, backed up by the local doctor (who also happens to be Cynthia's uncle)- what one might call hypochondria by proxy.

The film-makers never seem quite clear whether they are making a comedy or a serious family drama. The overall theme is a basically serious one, but in many parts, especially those scenes dealing with the rivalry between Cynthia and her insufferable cousin Fredonia, they are obviously aiming for laughs. (Whether they actually achieve them is another matter). Taylor displays both the beauty and the charisma which were later to make her a big adult star, but not unfortunately the talent, and there are no performances of any particular merit from anyone else in the cast. It is not difficult to understand why "Cynthia" is today one of the most obscure entries in Taylor's filmography. 4/10

Elizabeth Taylor seemed to go almost overnight in films from child to voluptuous young woman. But in this nice low-budget (for MGM) movie, made when she was 15 at most, there is something of the sweetly awkward colt about her, in the title role. There are scenes in which she sort of oscillates between childhood and adulthood--the visual equivalent of an adolescent's voice cracking--and it was in this movie that she got her first screen kiss (from an engaging James Lydon).

It's a bittersweet movie, about the deferrals and compromises that one has to make in life--the parents who don't continue their higher education, the soldier who resumes his, the refugee professor. As Cynthia's mother, Mary Astor brings her usual warmth and common sense, and there are vague echoes of her questing, yearning character in "Dodsworth." Cynthia's illness is used as something of a metaphor for domestic discontent, and in view of Taylor's chronic health problems is a little unsettling in retrospect.

Elizabeth Taylor still a sweet young thing stars in the title role of Cynthia, a teen thought of as sickly by her over doting parents George Murphy and Mary Astor. I have to say that Liz looked pretty healthy to me.

A short prologue tells some of the answer. Mary Astor marries big man on campus George Murphy and both as it turns out are planning to study in Vienna, him medicine, her music. But the Great Depression happens and both return to the USA with a baby daughter and worried most of all about security.

I'm sure that the baby in its early years gets doted on and may have had more than her share of illnesses. But the parents develop an overprotective attitude and a hypochondria about her. Which is making Dr. Gene Lockhart who is married to Spring Byington, Astor's sister practically a practice of his own.

Kids do grow out of these things. One of my nieces was very sickly as a child, but she's 32 now and quite healthy. My brother and his wife never developed the attitude that Murphy and Astor have. She was not the hot house geranium that Murphy and Astor have raised.

Lockhart and Byington have a daughter Carol Brannan and Brannan as Liz's cousin thinks of nothing but boys 24/7. There's one special boy in Jimmy Lydon who lied about his age and went to war. Now he's back in high school and seen as the catch of the year.

Lydon never really rings true as a character. He surely doesn't show any of the maturity that one would have after war service. I can't see how he would fit into high school. Just get a GED and go claim your GI benefits would be more realistic. Lydon doesn't seem that much more mature than Scotty Beckett who is Brannan's ever reliable boyfriend and playing awkward as he always did as a teen. Lydon's character is a weakness that the movie Cynthia has.

It's biggest strength is Taylor of course. It's really heart warming to see her emerge from the hot house. Also S.Z. Sakall as a sympathetic music teacher who remembers old Vienna steals every scene he's in as he always does.

Cynthia is a film as old as I am. It's also holding up in far better shape than this author. Elizabeth Taylor's legion of fans will still love it.

ELIZABETH TAYLOR's fans are really the only ones who will find any reason to watch CYNTHIA, a sugar-coated confection about a sickly girl churned out by MGM for the fast developing teen who was turning into a woman almost overnight.

Here, at fifteen, she's still got a lot of her girlish charm, exhibits a modest singing voice (is that her???), and portrays a girl who's so fragile that her parents hold her back from doing anything more strenuous than going to the corner store.

Ironically, it foretells Liz's own lifelong struggle with illness. GEORGE MURPHY and MARY ASTOR are her rather stern but loving parents and JIMMY LYDON is the boyfriend who gives Taylor her first screen kiss. S.Z. SAKALL is her encouraging music teacher.

It's all very downbeat without a sense of humor, too straightforward in the telling for its own good. Unimaginative and more of a B-film than anything else.