Dancing with Crime

John Paddy Carstairs is not exactly the type of director I would normally associate with film noir, though some might argue that SLEEPING CAR TO TRIESTE (1948) fits that bill as much as DANCING WITH CRIME, and both are films of considerable quality. Carstairs I tend to connect more with the Norman Wisdom slapstick comedies of the 1950s and DANCING WITH CRIME is not without its comic moments.

Lamentably, baby-faced Richard Attenborough strikes me as too young and puny for his part. His fisticuffs with a couple of other fellows did not convince me, with quite a few clearly fake punches thrown in. That said, he comes across as quite likable, the main minuses being that he did not look like a soldier recently out of WWII action, too young to pair off with pretty Sheila Sim, and he disappears from the action for about 10' at a crucial point about three quarters into the flick.

Barry Barnes as the scheming and evil Baker warrants close attention but it is Barry Jones who steals the show as the slippery and clever top villain, who even gets to successfully impersonate a police inspector and so con Attenborough into disclosing some privileged information. Garry Marsh also plays with considerable verve and humor the role of Detective Sergeant Murray.

Typically competent cinematography, solid script, sharp dialogue.

Definitely worth watching.

Not really the best title for this ordinary British crime-noir, but Richard Attenborough ("Ted") and Shiela Sim ("Joy") put in a decent effort. He is a London taxi driver who finds himself embroiled in some criminal activities when his wartime friend is found murdered. The trail leads both him and the police to a nightclub run by "Gregory" (Barry Jones) and his MC "Baker" (Barry K. Barnes). The pair decide that "Joy" may be able to help their investigation by taking a job as an hostess at the club, but is she putting herself and him in even more danger as the gang soon realise that they are onto them? This packs quite a bit into eighty minutes and both at the top of the bill do their jobs efficiently - as does the under-stated Jones. The ending is a bit weakly predictable and it rather dialogue heavy, but it's still quite a watchable afternoon feature with a bit of menace, a little humour and a fine collection of hats!

Ted Peters (Richard Attenborough) plays a London cab driver who finds a friend of his dead in the back of his cab in "Dancing with Crime" from 1947.

Dirk Bogarde and Diana Dors were in this film, but I didn't see them. They were both uncredited.

Ted's friend was involved in some shady dealings. Much of the activity is traced to a dance hall, run by Paul Baker (Barry K. Barnes), and Ted's girlfriend (Sheila Sim) takes a job there in order to spy. Of course, Ted is supposed to stay out of it and let the police do their job, but then, we wouldn't have a movie.

The problem is, the criminals think Ted knows too much and are after him. Is Joy's cover safe?

The best part was seeing Attenborough in the fight scenes - he was a small man, and the script had him throwing people over his head, kicking his feet into them from the ground, all sorts of things. He was like Superman.

Run of the mill melodrama, but I still enjoyed it.

Not much mystery here as the crime and perpetrator is known from the start so more of a how-will-they-catch-him than a who-dunnit. Still, there is charm in the setting: a dancehall where girls work to dance with patrons serves as a cover for the HQ of the local kingpin: an aristocratic yet particularly wily chap, who seems to smuggle gin and trade in 'surplus' goods, among other things. Innocents get swept up in the milieu and, though painted as too goody-goody, have a close brush with both the criminal and police world which toughens them up a bit. Barry K. Barnes plays the kingpin's chief henchman and delivers a subtle psychopathic gentleman killer vibe. There is some nice framing here and there, plus you get 1947 London, and its various pubs and characters , which helps sustain the film through its lulls (here and there), and the ending has its own minor twists. Other little highlights are scenes with Richard Attenborough and Diana Dors. I can't say it held my full attention 100% throughout but I am not regretful about having seen it - just 83 mins long! It's an alright movie if you are looking for a quite gentle noir in an unusual setting and a little but not too much excitement.

Terrific to see the future Lord Attenborough in his cinematic infancy.

Add to its historical value the fact that it is an interesting story, well done by one and all that holds your attention from start to finish.

Convoluted plotting that is not so twisted that one gets lost in the minutia.

Reading the IMDb trivia explains the chemistry between the "boy and girl"... they were married in real life the and stayed married for decades.

Film is worth finding and checking out. I.