The Chinese Ring

Blow darts and air rifles seem to abound in the Charlie Chan series. It seems that those most vulnerable are not protected very well. So often, someone dies with a cop standing guard outside the door. People are able to shoot through windows or off balconies without any trouble. They then escape without a trace. Even if they are caught, the person lies dead. In this one, a Chinese princess has come to see Charlie with what appears to be important information. Birmingham goes to get Charlie and while they are putzing around, the unfortunate lady gets shot with a dart. It turns out that there is some big money involved with airplane contracts. A Chinese ship and some banking mishaps are at the center. Enter another of those dull 1940's policemen and an overly aggressive female beat reporter who has the hots for him and Chan is left having to handle the situation. As usual, Mantan Moreland and Tommy Chan get in the way for the most part. Roland Winters has replaced the late Sidney Toler and doesn't seem to have any chemistry with the secondary characters. Several people die as a result of carelessness. One thing I have noted before is the general insensitivity of Charlie and the gang. But then it's not Shakespeare.

I cannot say that "The Chinese Ring" is a bad mystery movie, because it isn't. The production values are good enough, especially considering the studio that made it. Although the story and some of the dialog is literally a remake of an older Monogram "Mr. Wong" film, the producers seem to be trying to put forth a dignified continuation of the established Chan series; I do not believe that this is a "take the money and run" fast-buck ripoff (like say Jaws 4,5, 9 etc). It is a legit effort and William Beaudine was probably as fine and established a director as Monogram could afford to hire.

Roland Winters was a good actor who had a long and distinguished career. He was the studio's choice to continue the Chan character and probably wasn't the best choice but I guess he is adequate. Winters seems tentative here but has the thankless task of following up his two beloved and deceased predecessors in the ongoing role of Charlie Chan. His acting approach here is too careful and very deliberate but doesn't lack skill, and he manages to avoid what could have been career suicide. He does become a little more forceful and lively in his subsequent Chan films.

Moreland and Sen Yung are capable in support and manage to avoid the outright buffoonery that was required of them in previous Chan outings. Phillip Ahn is a very recognizable actor in a villain role. He does a good job and he is another example of the studio's commitment to the Chan project, since they could have used a much cheaper unknown actor if so inclined.

This is an OK mystery story (after all, its a tried-and-true story from a good prior film). It works as a mystery and moves along at a brisk enough clip for the most part. Overall not a great film, but not a bad one.

As Chans go, not the best, but the story itself is fine. Roland Winters is a perfectly good Chan - the role was defined by the time this episode in the series was made, so he basically just had to show up and recite the lines to get the job done. Although Victor Sen Young shows up as Tommy, he plays a very small part in the film - a good thing in my opinion. Birmingham Brown is present as comic relief, but doesn't shine in this one. Sargent Bill Davidson and plucky girl reporter Peggy Cartwright play the clichéd role of battling couple with unfortunate results. After the third or fourth exclamation of "Bill Davidson!" by our intrepid girl reporter, I was ready to strangle her. By the sixth or seventh time, I was ready to strangle myself. You'd think the writers were paid to keep the word count down. Worse, while the two argue in Davidson's office, he grabs her and shakes her in a rage, nearly knocking her off her feet. Of course, that's what men do to women they love, right? Don't worry, it all ends up in a kiss. Good God.

That's what you have to deal with when watching sixty year old movies - sometimes there's a real culture shock.

Okay entry for Winters in his debut as Chan, following Sidney Toler's death. Plot is almost line-for-line copy of MR WONG IN CHINATOWN. Byron Foulger nearly steals show as nervous banker, and Louise Currie is gorgeous, but material and pedestrian direction sink production. Watchable, but the nap monster will probably get you.

A Chinese princess (Barbara Jean Wong) visits Charlie Chan (Roland Winters) on a matter of urgency where she says her life is in danger. She is then murdered by a blow dart.

Screenwriter Scott Darling re-cycles his own script from MR WONG IN CHINATOWN (1939) here. This was Winters first of five outings as the famous Chinese detective and is an okay end of franchise addition.