L'Esclave du souvenir

From the late 1930's until well after World War Two was over, the stories of women left behind as their men went off to war has been told. The best of the bunch "A Guy Named Joe" with Spencer Tracy, Irene Dunn, and Van Johnson, "Young Widow" isn't one of the best but it's not at the bottom either. Jane Russell broadens her acting range beyond playing the tough broad who has no time for male advances, in adding a soft vulnerable side. Louis Hayward plays her stalker/Love Interest doing all he can to break open the hard shell. It's just a tad ackward in having a British guy in a US Army Air Force uniform and flying a B-24, poor casting that doesn't work well. Dindbat Marie Wilson, Penny Singleton and Faith Domerque play housemates to Russell's character and they are the best, more comical, part of the film. It's not a bad film, it's watchable but it drags in places, the dialogue isn't great, and Russell's character broods far too much. It's as if the director and playwright regard the viewer are terribly slow forcing them to keep up the sad, moody and sour characterization for 3/4's of the picture or the folks won't understand. Check out Van Johnson in "The Miracle of the Rain" or "A Guy Named Joe" first, and then look for "Young Widow".

Jane is gorgeous in this her second film but wasn't ready for a part that required a haunted bruised quality like this does. Missing from her performance is the permeating sadness of a woman who has lost her true love, something that Barbara Stanwyck could have injected in the part without breaking a sweat, still she makes a good try and practically glows on screen. The real reason to watch this is for the supporting cast. Connie Gilchrist and Cora Witherspoon make a fun pairing as Jane's opposite sides of a coin aunts back on the farm. Marie Wilson is charming as her usual ditzy blonde but it's Penny Singleton of Blondie fame who really delivers the best performance as an old friend of Jane's character who provides a nest for her to recover from her heartbreak. She's funny and strong by turns and enjoyable throughout.

I was 9 years old when I first saw this movie. I am 64 years old now and I have never forgotten the feeling I had when I saw Young Widow. I was too young to understand the feeling of Love, but it effected me enough that I have never forgotten the movie or the actors and I have not seen Young Widow since 1946.

'if my tires hold out' er

According to the IMDb trivia section, it sure sounded like Jane Russell didn't like this film...saying "Young Widow should have died with her husband"! I just cannot understand this, as it's clearly one of her better films. Perhaps she was just self-conscious since it was one of her earliest performances...but I sure liked it. Much of this is because unlike most of her films where here characters have a hard edge to them, this one features a more vulnerable and likable character.

Joan Kenwood (Russell) is a newly widowed lady. Her husband was killed in the war and she is determined to make herself a miserable spinster instead of getting on with her life. However, try as she might, she becomes bored and wants to return to work...but still, she does NOT want another man in her life. Too bad that Lt. Cameron (Louis Hayward) is interested in her and thinks she needs him in her life.

This is a nice romance and I was happy that Lt. Cameron was insistent BUT not a boorish jerk who just wouldn't take no for an answer (a pretty common type of character in films of the day). No, instead he's just decent and kind...and the movie is likable and seems realistic and I enjoyed it throughout.

By the way, late in the film a male friend offered to give Joan a ride "...if my tires hold out". This is a reference to the fact that during WWII, tires were in very, very short supply and were often patched and re-patched and re-patched because almost all the tires were designated for the war effort.

This is Jane Russell's one serious film, or at least it begins as such, on the brink of turning into a downrightr noir, but then Louis Hayward appears, a man was missing in her life, and here he is. But he doesn't come alone. Along there is a whole bunch of merry war pilots with their girls crowding into the apartment which she has to stay in with a friend for want of vacansies in all hotels in New York, and so it turns into a brilliant, ebullient and very enjoyable comedy.

Many have said that this is Jane Russell's best film, and it couldn't be otherwise. She is as beautiful as Hedy Lamarr and Linda Darnell, and her grief as a widow becomes her more than well and adds to the attraction - Louis Hayward's reactions are perfectly natural and logical.

Still, the serious background remains, many war pilots never return, and they still all have to return to battle. This was made towards the end of the war, but although it is closing on the finish (with bombings of Tokyo), it isn't quite over yet, and the Gerry Taylor subplot stresses the concerns. It's a wonderful film, the dialogue is like crossfire all through but positively witty all the way, and it will be a joy to once return to this film once more.