Tarzan et la femme léopard

Tarzan and the Leopard Woman (Kurt Neumann, 1946) - This is a touch better than Amazons, with plenty of action (quite well done) and a lively performance by Weissmuller, who'd looked a bit out of sorts in the previous entry. The plot, by now following a path through the jungle wilds so well-trodden it resembles a motorway, sees the Ape Man battling a weird cult with silly leopard costumes that's really into robbery and human sacrifice. Considering the movies were aimed at kids, their marketing is curiously sexualised, with the poster art invariably flagging up the boobs of whichever minor character was most well-endowed. Here it's Acquanetta, who gets shared billing. Her leopard bikini is at least a bit better thought-out than those ridiculous capes the other cult members are wearing.

I rather enjoyed the film, particularly its adherence to near wall-to-wall action, but it provides quite a bit of unintentional hilarity. That comes partly from its incredibly low opinion of natives (who are all duplicitous, hateful savages) and partly from the barely-choreographed dance the leopard men do around the fire. They look like drunk clubbers wearing their wives' coats. One interesting element of the film is "half-native" Edgar Barrier, a Western-educated cultist who denounces the decadence of the imperialists and leads the fight against them. All the RKO series regulars return here: Brenda Joyce is still somewhat one-note as Jane, Boy is entering puberty (giving him an all-new voice and face) and Cheeta hogs the limelight once more. I'm going to be an old cynic and suggest that it's not really him playing that music on the trumpet, though.

The Johnny Weissmuller Tarzan series continues at RKO with the fourth film (tenth overall, counting the MGM films). This one's pretty different from those that came before it. There's a different vibe to it, particularly in the early scenes where Tarzan acts as a sort of jungle detective. He's asked by a commissioner (of what I don't know) to look into a series of leopard attacks on travelers. Tarzan doesn't believe leopards are the cause of the attacks and, as you might have guessed by the title of this picture, he's right. So it's Tarzan versus leopard skin-wearing cultists, led by Queen Lea (Acquanetta).

I'm used to seeing Acquanetta in Universal films from around this time. They tried to make her a star in their horror stable but it didn't really work out. She's very attractive but not the strongest actress. This is arguably the best acting job of her short career, for what that's worth. Dennis Hoey is amusing as the commissioner. He's best known for playing Inspector Lastrade in Universal's Sherlock Holmes series. Tommy Cook is very creepy as Kimba, the Leopard Boy. What a little psycho. Brenda Joyce appears as Jane for the second time and does a fine job, although she's nowhere near the presence Maureen O'Sullivan was in the role. Johnny Weissmuller and Johnny Sheffield are both good, as usual. Weissmuller's first scene has him wrestling hirsute Tongolo the Terrible, whose voice I strongly suspect was dubbed. Speaking of voices, Johnny Sheffield's voice continues to change. Puberty's rough on us all, Boy. Cheeta is still lots of fun, which I'm sure surprises no one.

It's one of the better Tarzan RKO films. Personally I like them all but you have some fans who think of the RKO films as nothing but kiddie stuff. Then you have the people who don't like any Tarzan movies, RKO or otherwise. I try my best to avoid people like that. If you can't enjoy the adventures of Tarzan and his family, you're probably not much fun to be around.

This was a little strange to view at first because I had never seen a Johnny Weismuller-Tarzan film of the 1940s. I was only familiar with the earlier stuff with Weismuller and Maureen O'Sullivan as "Jane." By the mid '40s when this was made (and others), Brenda Joyce had replace O'Sullivan. A blonde-haired "Jane" looked strange to me. Their son, "Boy," still played by Johnny Sheffield, was another shock of sorts. He now was a teenager with muscles and a changing voice. That didn't look or sound right!

Tarzan himself had become a regular English-speaking person, even though he still lived in the jungle. He came into town and everyone knew him and talked to him as if he was one of them. It was just all too strange.

Meanwhile, "the leopard woman" (Acquanetta) wasn't as mysterious as she was billed nor was she much of an actress, just a pretty face. She didn't have that big a role, anyway.

All in all, not a video worth keeping.

TARZAN AND THE LEOPARD WOMAN (RKO Radio, 1946), directed by Kurt Neumann, brings forth Tarzan, the jungle lord, in another Saturday afternoon matinée adventure story.

The story opens with Tarzan (Johnny Weissmuller), Jane (Brenda Joyce) and Boy (Johnny Sheffield), along with Cheetah, strolling through the village doing some afternoon shopping. Tarzan is seen having fun by wrestling with a strong man named Tall Bull the Terrible (Tor Johnson), while Cheetah watches a snake charmer and nearly getting bitten by one of the snakes. Then comes a wounded man riding on an elephant who soon succumbs from wound scars acquired by a leopard. Tarzan examines the dead man and tells the authorities that the man's death was not caused by a leopard, but by people dressed in leopard skins and iron claws. Aside from solving the mystery, Tarzan and his family find themselves in danger after taking in Kimba, a native boy (Tommy Cook), who not only happens to be the brother of the evil high priestess (Acquanetta) of the leopard tribe, but trouble to all those around him.

The supporting cast includes Edgar Barrier as Lazar; Dennis Hoey as The Commissioner; Anthony Caruso as Mongo; and Doris Lloyd as the Superintendress. Acquanetta, best known for her role as Paula, the Ape Woman in Universal's CAPTIVE WILD WOMAN (1943) and JUNGLE WOMAN (1944), makes a fine tribe leader this time around.

With the Tarzan movies being distributed in theaters on an annual basis, the writers attempt to come up with new and fresh ideas surrounding the old, familiar characters, headed by Weissmuller. Brenda Joyce returns as Jane for the second time, while the teenage Johnny Sheffield, outgrowing his part, appears to be a bit too old now to be called Boy. One scene in the shopping village finds young native girls giving Boy the eye, but Boy becomes bashful and passes up on them. The native tribes from the MGM movie days seem to have moved to another part of town, thus, being substituted by a jungle shopping mall. Another noticeable change finds Tarzan acquiring neighbors with each passing film, this time a Leopard tribe who don't seem to be the sorts to be calling on Tarzan and Jane at their treehouse for a cup of sugar this time around. For the first time since TARZAN'S SECRET TREASURE (MGM, 1941), Boy is able to bond with another lad close to his own age, but with friends like Kimba, who needs enemies? One highlight finds Boy in a fight to the finish with Kimba attempting to endanger Jane with a knife, with Boy subduing Kimba, having his hands tied behind his back and placing the little demon in a cage like a wild animal. As for Tarzan, he's captured by the leopard tribe and held captive by the priestess.

Not bad entry in the long running series, but by this time, the yarns are becoming routine and still quite watchable by fans of the series. Aside from commercial television revivals during the 1960s to 1980s, this and the other Tarzan adventures did enjoy frequent reruns on American Movie Classics (1997-2000) before moving to Turner Classic Movies (TCM premiere: June 11, 2011). TARZAN AND THE LEOPARD WOMAN has been distributed to video cassette but did become part of the Tarzan/RKO package on DVD around 2009. Next in line: TARZAN AND THE HUNTRESS (1947). (**1/2)

This Tarzan adventure is about a cult of leopard worshipers who are incited by one of their own to kill outsiders who want to civilize jungle inhabitants. An educated doctor plots the killing of neighboring tribes to make it look like the work of killer leopards. The killers attack other tribes and caravans as they travel through the jungle until Tarzan figures out that the killings are done by man instead of the big cats. The film has some good moments but the plot is rather silly and illustrates how this venerable series seemed to be winding down after many years of popularity with audiences. Johnny Weissmuller reprises his role as the fearless jungle man, with Brenda Joyce along as Jane. Johnny Sheffield and Cheta round out the usual cast of characters.