Mélodie du sud

I am really annoyed by Disney's decision to withhold Song of the South from release. They seem to think that by banning this film they could appease the charge of spreading racism. In fact, by banning this film they have given the false impression that Song of the South is a racist film that would corrupt children.

As a previous viewer pointed out, the film does NOT depict slavery. It takes place in the years following the civil war. Yes, it shows blacks as servants of whites, but this did indeed occur didn't it? Nor does it depict blacks as entirely submissive servants to whites. Look at the way Uncle Remus defies Johnny's mother by covering for him. Uncle Remus has his own subtle ways of rebelling against his white employers. What's more, Uncle Remus is not a racist caracature. He is a kind and smart man with a lot of common sense.

The film even takes on race relations in the friendship Johnny strikes up with Uncle Remus and a black boy. We end of disapproving of Johnny's mother's narrow minded attitude toward their relationship. This is probably the closest the non-political Disney studios could come to making a liberal film.

It's incredible therefore that it is the NAACP that protested this film whenever it was released instead of the KKK. The NAACP reminds me more of little Johnny's white prejudiced mother than campaigners for racial equality.

I am even more angered by Disney's decision to keep this film off the video shelves. They probably could have gotten Song of the South out on video after it's 1986 release with minimal controversy. Instead, by banning this film they have helped to harden opinions on both sides between those who want to keep this film off the video shelves (many of whom probably haven't even seen it), and those who want it released. They have made a political firestorm of their own creation.

The black people in this movie aren't depicted as lazy or stupid or criminal. Uncle Remus is depicted as a wise and caring man. It's true that the black people are depicted as subservient, but what movie from this period doesn't portray them as such? It would be historically inaccurate to depict the opposite. Should EVERY movie from this period with black people in it be banned? Disney is run by politically correct buffoons. Ironically, the song Zip-a-Dee-Doo-Dah. is played at Disneyland. The animation in Technicolor is beautiful. Some of the acting is rather stiff, but it's a warm hearted tale, and the Bre'r Rabbit stories are fun.

For its time, a time when segregation was still aggressively enforced in the United States, 'Song of the South' was likely a progressive film, a major family film many of whose main characters were black, and whose animated characters were voiced by a black performer. Now, of course, 'Song of the South' is considered problematic due to its depiction of black slaves as happy and complacent, and its portrayal of them as Uncle Tom stereotypes.

Look closer, however, and you'll see a fine family film, warmhearted and gentle, both a technical landmark and a dazzling series of fables as told by Uncle Remus, the movie itself serving up a number of its own morals -- like the fact that a parent's good intentions can unwittingly stifle their child, or that storytelling is key to one's moral and social development.

None of this matters, of course. Walt Disney has now chosen to ignore the film on the basis of its reportedly offensive depiction of African-Americans in the post-Civil War era. For one, this film was not intended as propaganda or considered offensive at the time, and was merely the product of American perceptions of the 1940s; it's not any worse than the scores of westerns that depicted Native Americans as savage Injuns. Of course, Native Americans were and continue to be a marginalized group while African-Americans have maintained a desire to assimilate and have. Being that African-Americans have been far more vocal in their rejection of the injustices committed against them, it goes without saying that white-on-black bigotry is a far more sensitive issue than white-on-Indian bigotry (despite the fact that the Native Americans have suffered just as greatly at the hand of The Man as African-Americans), and therefore, we're less willing to excuse movies like 'Song of the South' than we are films like 'The Searchers.'

But then why is 'Gone With the Wind' still given the green-light and not 'Song of the South'? Well, the answer is simple: The Walt Disney Corporation. Walt Disney will go to any length to keep its reputation clean, and 'Song of the South' is construed as a serious threat to it -- therefore, placing the film on moratorium and making it unavailable simply deters controversy. They can't undo it, but they can certainly hide it. It matters not the value of the film. In a heartbeat, Disney would withdraw something as beloved as the 'The Little Mermaid' if it were one day decided that the film was unfair or offensive in its depiction of mermaids. In 'Song of the South,' one sees an innocence and warmth. In current Disney films, one sees a lot more of the cynicism and calculation of a soulless capitalistic corporate entity.

The depiction of blacks in current cinema is a lot more shameful and offensive than anything in 'Song of the South.' Consider personalities like Chris Tucker, Martin Lawrence, and films such as 'Phat Beach' and 'Friday,' which depict African-Americans as lazy, dope-smoking ne'er-do-wells who treat women badly and have no morals. I guess the fact that these films are largely created by African-Americans for African-American audiences gives them a dubious seal of authenticity, being that African-American entertainers are, ostensibly, no longer being exploited by the white man and have developed their own independent voice. If that's true, why is it so much more difficult for black filmmakers such as Charles Burnett and Julie Dash, filmmakers with a truly independent voice, to either find financing for their films, or be met with commercial acceptance? 'Song of the South' might be inaccurate in its depiction of slavery, but it never makes a point of being *about* slavery, and it's no more inaccurate than hundreds of Hollywood's historical epics and costume dramas.

By making 'Song of the South' unavailable, Disney is doing a disservice to those involved in the film and, more importantly, to the millions who harbor fond memories of it.

I think it's a great shame that the 1946 Walt Disney classic, "Song Of The South," has been banned in the U.S. because some civil rights groups **15 years ago** complained that the movie was racist and they did not want it to be shown anymore. And Disney, not wanting to offend anyone, bowed down to their demands and yanked the film from public viewing in North America, where it has not been seen since. The only way you can watch "Song Of The South" now is if you still own a laserdisc player and you're willing to spring for a costly Japanese import disc, OR if you manage to track down a UK VHS copy of the film released in 1997 and have it transferred. Well, having viewed a transferred VHS copy of "Song Of The South" recently, I can honestly say that this is a marvelous Disney movie that is NOT racist and does NOT deserve to be hidden away.

While I can certainly understand the concerns of the civil rights groups over "Song Of The South," the fact that the movie is set during the turn-of-the-century South when many blacks served subservient roles is NOT a good enough reason to hide the film away from the public. This is not an issue of racism, it is simply a historical fact. Furthermore, the black characters in "Song Of The South" are all treated with respect. They are not treated badly, nor are they spoken to badly. Further still, are we going to destroy all copies of "Gone With The Wind" just because it features a black maid? Think about it.

What also upsets me about the shunning of "Song Of The South" in the U.S. is that most Americans will now never get to see anymore the marvelous performance of James Baskett as the loveable storyteller Uncle Remus (and Baskett DID win an Honorary Oscar for his fine work in this film, lest we forget). Nor will Americans ever get to see again the wonderful Disney artistry on display in "Song Of The South" that perfectly blends live action with animation (the very first film to do so, if I'm not mistaken). They won't get to enjoy the hilarious adventures of Brer Rabbit ever again. Nor will they be able to sing along with the Oscar-winning song, "Zip-A-Dee-Doo-Dah" anymore. All of this, in my opinion, is very, very shameful.

I strongly implore Walt Disney Productions to reconsider re-issuing "Song Of The South" in North America, if *only* for a limited time on home video, so anybody Stateside who wants the film can finally have it. And with all due respect to the civil rights groups who complained about "Song Of The South" back in 1986, I strongly implore them to seriously rethink the ban that they had Disney place upon the film. On the Grammy telecast this past year, just before mega-controversial rapper Eminem took the stage to perform "Stan," the Grammy president came onstage to give a little pep talk about freedom of speech & freedom of expression. He said that we cannot ban certain artists and their work just because it makes certain people uncomfortable. The EXACT same thing can be said for Walt Disney's "Song Of The South."

I am a lifelong Southerner. No one can gainsay that slavery was a terrible thing. It is our great national sin. But to dump all of that on these delightful folk stories seems to me a bit much.

I saw Song of the South as a small child. I didn't once think how dumb Uncle Remus was; I thought how dumb the smart aleck fox was! According to the foreword in my copy of Joel Chandler Harris' volume, these stories came from Africa originally where the characters were the lion, the jackal and whatever else they used. They are the Aesop's fables of a whole culture and they deal with how one who is weak and powerless--say a slave or a small child trying to survive his parents' problems--can deal with a world and come out with a whole skin. The race is not always to the swift nor the battle to the strong is the whole theme of the Uncle Remus tales. And everybody's gotta have a laughing place if they want to stay sane in this old world.

Good on you, Uncle Remus! Good on you!