Sister Kenny

I wasn't expecting much from a biography of Sister Kenny, an Australian nurse who developed a method of treatment for children stricken with poliomyelitis. I could see it all. One child after breathing his last, "God bless Sister Kenny," while she sobbed at his bedside and held his hand while he slipped away. At the end, after her apotheosis, during a triumphant crescendo, a crippled boy throws away his crutches and cries, "I can WALK, mein Fuhrer!"

But no. Sister Kenny, knowing nothing about infantile paralysis, begins fiddling around with it in the Australian outback and develops a theory that is, in some senses, the exact opposite of the medical establishment's. That establishment is really "pig-headed", as she puts it. Well, they have to be, actually. The experts and their received wisdom can't be successfully challenged by a mere mortal. If they were, they wouldn't be "experts" anymore. She's successful, of course, or there would be no movie. All this takes place during the first half of the 20th century and has Sister Kenny traveling from Australia to Europe and to Minnesota. Old friends die. Children are apparently cured.

There are a couple of things that lift the film out of the ordinary biopic genre. One is Rosalind Russel's performance and the way her role is written by Dudley Nichols. She's impertinent and sarcastic. In fact she reminded me a lot of Margaret Mead, acerbic and distant, putting family life second to her career. Russel has never been better in what is a fairly demanding role.

Another point in its favor is that we are mercifully spared the sobbing and the dying and the children begging for help from a mothering figure. Russel is hardly maternal. Multiple opportunities for pointless and sentimental scenes were eschewed. Her humanity is on display in abundance but it's in code.

Nice job.

This film is about a real-life nurse named "Sister Kenny" who came from the Australian Outback and made a name for herself in the early days of Polio treatment. The only problem with the film is that they made it look like her way of treating patients through body massages and hands on treatment was super effective. While it WAS a significant improvement over the care received by doctors at the time, preventative vaccines and the elimination of the disease would not occur until later. However, what the film shows so well is the fight she experienced from conservative doctors unwilling to try new methods--especially ones espoused by a lowly nurse! The film also excels because it does not give in to sentimentality like so many schmaltzy biopics from the 30s and 40s. An excellent and easy to enjoy film.

In early 20th century, Sister Elizabeth Kenny (Rosalind Russell) decides to be a bush nurse in the Australian outback far from the closest hospital. She treats a child with a case of Infantile paralysis and develops a treatment but the medical establishment is resistant to her work due to her lack of formal medical education and its direct opposition to medical orthodoxy.

This is one of those biopics where the lead spends all her life struggling without realizing that she had been doing great work over a lifetime. These are uplifting sentimental fares and that's mostly what this movie is. Sister Kenny is a bit vinegary but not really. The biggest problem for me is the moniker Sister Kenny. I assumed that she was a nun. The movie should really explain that Australian terminology much earlier. I thought that I was missing something for most of the movie. Geez.

I like this film, but it's hard to believe that it's set in Australia.

It has a strange idea of what Australia was like in the early 20th century. A bush dance is filled with Scots and Irish folk, and the music is bagpipes?! The accents are mostly British with the exception of the title role, which is played by Rosalind Russell, who has a distinctly American accent. Place names are mispronounced (like "Bris-bane" instead of "Bris-ban" for Brisbane).

And yet, there's a charm to this film. The real Elizabeth Kenny was an outsider who used unorthodox techniques and terminology to treat polio. It didn't cure the condition, but alleviated the symptoms. In the film she resolutely persists in practicing this and opposing the medical establishment, at a cost of her personal life.

Well worth watching.

Rosalind Russell is "Sister Kenny" in this 1946 film also starring Alexander Knox, Dean Jagger, and Philip Merrivale. It's the romanticized story of Australian Sister Kenny, a "bush nurse" who developed an alternative treatment for polio that was met with great controversy from the medical profession, even though it worked.

The film chronicles the personal sacrifices Kenny made, giving up a chance at marriage, in order to help the children she encountered with polio and to try to convince the medical profession that her treatment was viable.

Rosalind Russell, whose nephew was helped by the Kenny Method, plays Sister Kenny, and she's wonderful. She ages during the film, but it's more than gray hair and some shadows drawn on the face - the age is in her walk, her attitude, and her carriage. A fantastic job that earned her an Oscar nomination.

Actor Alan Alda, opera star Marjorie Lawrence, and "Li'l Abner" creator Al Capp all were treated with the Kenny Method. Though the medical profession attempts to blow off alternative treatments, I've seen them work. This film is a reminder of the wall they put up, and one person's determination to break through it.