Voyage sentimental

"Sentimental Journey" is a 1946 film starring Maureen O'Hara, John Payne, Connie Marshall, Cedric Hardwicke and William Bendix. Set in New York City, it's the story of an actress, Julie Beck (O'Hara) and her director/producer husband Bill Wetherly (Payne). They have an idyllic marriage, but Julie has a precarious heart condition. Realizing she may die and leave her husband alone, she wants to adopt a child. She meets Hitty (Marshall), who was very much like her as a child, filled with fantasies and dreams, and the two hit it off immediately. However, her spoiled and somewhat jealous husband finds he isn't totally happy with the arrangement.

"Sentimental Journey" is a slow-moving film with a very attractive cast. It's not for people who, as Margo Channing said, "detest cheap sentiment." Whether you like the movie or not, you'll find yourself drawn into the story, so have a box of tissues nearby. I blubbered like a baby.

Maureen O'Hara is stunningly beautiful and gives a very gentle performance as Julie; handsome John Payne is just right as her husband, a man whose world centers around his wife. William Bendix has a film-stealing role and is terrific as Donnelly, an associate of Bill's and friend of the family. His sense of comedy is great. Cedric Hardwicke is too much of a big gun to play a small part like the doctor; he plays it beautifully, but he's wasted. Connie Marshall is Hitty. She's not only adorable, but she has to run a gamut of emotions and pulls it off very well.

Nice movie.

Wonderful film with John Payne and Maureen O'Hara, one year before they made the successful "Miracle on 34th Street." Amazing that Connie Marshall, who played the part of their adopted daughter in "Journey" didn't get the Natalie Wood part in "Miracle."

This film is literally a 4 star tear jerker where an ailing Broadway actress and her director husband adopt a child only to see the mother die shortly afterwards. Both the father and daughter are devastated but use the memory of his wife and mother as a link to be drawn together.

Payne has never been better as the embittered husband who lost his wife so unexpectedly. Maureen O'Hara, with that Irish brogue, conveys the part of the doomed mother and wife so beautifully that tears shall come to your eyes.

In a complete departure from his usual roles, William Bendix is just marvelous in a supporting role as the couple's friend who attempts to bring comic relief to the film. Some memorable scenes show him trying to buy toys for the child, as well as discussing child psychology with Payne.

Nevertheless, the film belongs to the touching performance of child actress Connie Marshall. Coming into a home as an adopted young child only to lose a mother so fast afterwards is preciously captured by Marshall's performance.

There are definitely sentiment in tears but the film is engrossing and well worth the effort in watching. Sadness is so beautifully depicted here.

SENTIMENTAL JOURNEY (20th Century-Fox, 1946), directed by Walter Lang, based on the story by Nella Gardner White, became the studio's answer to Columbia's earlier hit, PENNY SERENADE (1941), starring Irene Dunne and Cary Grant, which borrows a similar theme about a young couple adopting a child, only to lose it in death. In this presentation with a mild twist, the mother is the one who dies, leaving the child to not only cope with the loss, but to help her adoptive father overcome his bereavement. As with the Irene Dunne character in PENNY SERENADE, the mother in this production, wonderfully played by Maureen O'Hara, enjoys listening to records, particularly her personal favorite hit tune of the day, "Sentimental Journey." Besides the occurring underscoring to "Sentimental Journey," the movie also includes a haunting instrumental score, used during the emotional scenes, lifted from THE BLUE BIRD (20th Century-Fox, 1940) starring Shirley Temple.

As for the story, Maureen O'Hara plays Julie Beck, a stage actress, married to her producer, Bill Weatherly (John Payne) for five years. After going through rehearsals for the upcoming play, HAPPINESS, Julie starts feeling strange and weak. Doctor Miller (Sir Cedric Hardwicke), her physician, informs her that she must take things a little easier now mainly because she is suffering from a heart ailment. Not only does she intend on continuing on with her career, she keeps her condition a secret from Bill. During an out-of-town tryout, Julie decides to take time away from the theater and stroll on the beach where she encounters numerous children at play, little girls from the Fresh Air Fund Campers gathered together playing in the sand. She then comes across one particular child named Hittie (Connie Marshall), who's part of the group of children but happens to be sitting a lonely child sitting all by herself on the rocks overlooking the ocean. Almost immediately Julie bonds with this precocious child who looks up to Julie as the lovely "Lady of the Shiloh." Later that night, Julie, discusses with Bill about the possibility of adopting a child. Overriding Bill's objections, the couple come to an agreement and stop by at the Martha Stone Orphanage where arrangements are made to adopt young Hitty. All goes well with this union until Julie is stricken with a heart attack and dies. In the final half of the story, it is Hitty who tries to keep her final promise to Julie in watching over Bill, who by then, is so depressed by his wife's sudden death that he plans on sending the child away, especially after she admits to him that she sees and communicates with Julie's spirit.

Sentiment, tragedy and a touch of comedy (thanks to William Bendix as Donnelly, the family friend) combine beautifully in this tearjerker. What really holds the movie together is the natural presence of little Connie Marshall, who is given special introduction presentation in the opening cast credits. Sad eyed and sincere in appearance, Marshall almost resembles that of future child actor Haley Joel Osmond, famous for his role in THE SIXTH SENSE (1999). What's even more ironic that both characters in which they play communicate with the dead, in this case, Marshall with her adoptive mother. While Marshall's film career was limited, it is with this movie she would be best remembered.

Adding a touch of humor in between these touching scenes is William Bendix, who shows a rough exterior but under that rough and tough face is a kind-hearted man who loves children. At times Bendix physical appearance comes to mind of an actor of the past named Louis Wolheim (1881-1931), who had played similar likable character-types in the silent screen and early talkies. Also seen in the supporting cast in smaller roles are Glenn Langan as Judson; Mischa Auer as Lawrence Ayers; Kurt Kruegar as Wilson; Ruth Nelson as Mrs. McMasters; with Dorothy Adams, Trudy Marshall and Mary Gordon. Look for George E. Stone in a small role as a toy hawker who sells a miniature horse to the Weatherly couple as a gift for Hitty in Central Park.

In 1947, Maureen O'Hara and John Payne would reunite together again in MIRACLE ON 34th STREET, their the best known of their four screen collaborations. While MIRACLE has its share of frequent television showings and the presence of another little girl and future star, played by Natalie Wood (1938-1981), SENTIMENTAL JOURNEY, while popular during its initial release, has today become an almost obscure film. I seem to recall reading an article in Reader's Digest some time back about Maureen O'Hara and her career. In the article, she lists SENTIMENTAL JOURNEY as one of her personal favorites, and the one most sadly neglected. Fox Movie Channel occasionally plays SENTIMENTAL JOURNEY, and some years later, Turner Classic Movies (TCM premiere: July 1, 2014).

SENTIMENTAL JOURNEY, released at the time when tough film noir mysteries, dramatic realism and war time propaganda were common place in neighborhood movie theaters, this screen treatment, which consists some contrived plot twists (especially with its opening scene), and clichés, it remains a winning and charming story that would leave even the most unmoved individual in holding back some tears. SENTIMENTAL JOURNEY was remade twice, first as THE GIFT OF LOVE (20th-Fox, 1958) with Robert Stack and Lauren Bacall; and as a 1984 television movie under its original title featuring Jaclyn Smith and David Dukes. Of the three carnations, the first one, which runs at 94 minutes, seems to hold up quite well. (***1/2)

This was my first "grown-up" movie - my mom let stay up late to watch it with her. We just cried & cried & cried. I didn't know a movie could do that to me-much less my mother. It has such great memories for me and is such a classic love story. No sex, no violence, just emotions and attitude and fun writing and great acting. I wonder if the movie has been preserved anywhere. I haven't seen it on TV in decades.

This is indeed a sadly neglected film and the fact that it has never been made available on either video tape or DVD must remain a matter of deep regret. I must wholeheartedly agree that the performance delivered by child actress Connie Marshall is quite outstanding. Cinematic depictions of the effects of bereavement upon children are of necessity somewhat difficult to portray with any degree of conviction and the pitfall of lapsing into overt sentimentality must be avoided. However, certain films, including this one,I think convey something of a young child's pain and confusion regarding death and its consequences without becoming too morbid or sentimental. The scenes where Hitty is apparently visited by the spirit of her adoptive mother remind me very much of the closing sequences in Jacques Doillon's "Ponette" (1996) Are both of these little girls really experiencing a much longed for reunion, if only transitory, with their beloved mothers or does the whole thing exist solely within the realm of imagination a mere psychological device enabling them to accept and so come to terms with their loss? It is up to each individual viewer to construe such matters for themselves.