Rhapsodie à quatre mains

This is a truly wonderful and imaginative cartoon. The animation is very effective and beautiful if rather simple. The music is a real highlight, I love the cartoons that feature classical music, and this is no exception. Franz Lizst's "Hungarian Rhapsody no 2" (amongst others) is a real treat, but extremely complicated to play on the piano and put to really clever use. Bugs is not as funny as he usually is, but he does a stellar job, courtesy to some brilliant vocal characterisations from Mel Blanc. During his performance of "Hungarian Rhapsody no 2", Bugs has to overcome many obstacles, such as the coughing audience member and being upstaged by a musical (and cute) mouse in a Tom and Jerry-like scenario. The minimal use of dialogue is good, the funniest gag of the cartoon was the telephone call where Bugs says "Franz Lizst? Nah, never heard of him!" Overall, I thoroughly enjoyed this, it mayn't be Bug's very best but it is great fun. 10/10 Bethany Cox

Bugs Bunny in tuxedo plays a grand piano in a concert. He must overcome various disruptions including a mouse in the piano. The mouse starts causing problems. The music is Franz Liszt's "Hungarian Rhapsody No. 2". I don't know anything about classical music except this sounds good. Otherwise, this is a fine Bugs Bunny cartoon. The mouse is a no-name character. Maybe they could use another character to be sleeping in the piano. It doesn't even have to be a mouse. Why not Daffy Duck hiding from his work? This is fine for a Bugs Bunny cartoon which means it is superior than most other cartoons without Bugs.

This early Bugs (you always tell because his head is shaped more oblong and his ears are longer) has him in tuxedo and on stage ready to play Lizst's Second Hungarian Rhapsody on the piano.

After he warms up with some knuckle-crunching, he gets set to play but some idiot makes a loud coughing noise and stops him. After the second time, Bugs takes out a gun and shoots him. That's funny - something we wouldn't advise or condone but think about doing. Anyway, he then performs, hams it up a bit, and then bothered by a little mouse who pops out of the piano right above the keys.

The by-play between Bugs and the mouse is very reminiscent of some Tom and Jerry cartoons, most notably "Cat Concerto." The latter might have been considered a better work of art, but I laughed at more things in here as the mouse made the music change to jazz, then chopsticks, then taps, etc. There is more humor in this one and it's more fun to watch, especially with the fantastic artwork.

What I liked best about this animated short wasn't the solid humor or the music but the colors. This was a nicely drawn 'toon. The bright golden hued drapes and the dark piano, tuxedo, green floor, reflections on the piano, etc., all made for some nice visuals.

The 'toon got better and better as it went on with the last few minutes extremely creative and colorful.

Somewhat controversial Merrie Melodies short, directed by Friz Freleng and featuring Bugs Bunny. The controversy stems from its similarity to another short from MGM, the Oscar-winning Tom & Jerry classic The Cat Concerto. It's been debated for decades who ripped off who, and we'll likely never know the truth. This short was released first, and that would seemingly answer the question, but there is something very 'off' about this cartoon as it's about Bugs versus a mouse and that's most definitely more suited for the Tom & Jerry series. The gags are also more suited to Tom & Jerry, not the usual verbal trouncing and outwitting of a dumber opponent that one associates with Bugs. On its own merits, it's an enjoyable cartoon, but it is lacking compared to The Cat Concerto, in my opinion. Again, part of the problem is that it doesn't feel like a cartoon that's the right fit for Bugs, especially in 1946. It's something you will want to check out and watch, along with the Tom & Jerry short.

A ghoulish mixture of Liszt, murder, violence and carrots, 'Rhapsody Rabbit' is an exuberantly inventive Bugs Bunny cartoon which manages to explode the boundaries of its single setting. Bugs is a famed pianist, the kind of fastidious virtuoso you still find today, but worshipped in the 40s because arrogant eccentricity somehow signalled class. Having removed his many gloves, Bugs, a proto-Glenn Gould seats himself down in near-religious preparation, only to be interrupted by two loud coughs. He shoots the culpable party.

The film is full of gloriously unpredictable moments like this, helping it transcend the immediate object of satire, which has dated, now that Hollywood has given up as unprofitable the attempt to educate audiences in high culture. So Bugs interrupts his playing to chomp on a carrot, or play with his feet. One lovely sequence has him gathering all the keys and throwing them back in perfect rhythm. Like Fischinger's 'Allegretto', 'Rhapsody' is animated music, full of a strange, mercurial, yet elegant fluidity.

The centrepiece is a Tom-and-Jerry-like battle between Bugs and a small mouse who tries to undermine Bugs' pretensions, changing the solemn rhapsody for swing at one point. Despite the violence and disruption, conflict, as so often in music, leads not to chaos, but harmonic rapture. Freleng is no Tex Avery - his use of colour and camerawork is restrained - but the relative plausibility of his composition have a pleasure all of their own.