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Legendary film editor Thelma Schoonmaker will return to the Edinburgh International Film Festival (Eiff) this August for a special In Conversation tribute to her late husband, acclaimed British filmmaker Michael Powell.

The event, taking place Aug. 17 at the city’s Tollcross Central Hall, will see Schoonmaker reflect on Powell’s pioneering career from early independent features to his celebrated collaboration with Emeric Pressburger and his enduring influence on generations of filmmakers, most famously Martin Scorsese.

The tribute also includes a newly restored screening of Powell’s 1937 breakthrough feature “The Edge of the World,” introduced by Schoonmaker on Aug. 16 at Cameo 1. Shot in the remote Shetland Islands, the film explores the tension between tradition and change in an isolated Scottish community, and is widely regarded as a defining early work in Powell’s filmography.

“We are over the moon that the living legend Thelma Schoonmaker will be returning to Eiff this...

This year, the Edinburgh International Film Festival will welcome acclaimed film editor Thelma Schoonmaker for a special “In Conversation” event to discuss her late husband Michael Powell’s life and filmmaking career.

Schoonmaker — best known for her Oscar-winning work on Raging Bull, The Aviator and The Departed — will take the audience through her partner’s career, which started with him directing low-budget films in the 1930s prior to his acclaimed 1937 film The Edge of the World (also screening in a restoration at Eiff 2025).

Powell is perhaps best known for his creative partnership with Emeric Pressburger, which produced some of the most brilliant British films of the 20th century, including The Life of Death of Colonel Blimp (1943), A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948).

Public outrage at Powell’s solo directorial effort, the disturbing horror Peeping Tom (1960) has since turned to praise and Powell is now...

Marlene Warfield, the New York actress known for her feisty turns as the prostitute ex-girlfriend of James Earl Jones’ boxer in The Great White Hope on Broadway and the big screen and as a young revolutionary in Network, has died. She was 83.

Warfield died April 6 of lung cancer at a hospital in Los Angeles, her sister, Chequita Warfield, told The Hollywood Reporter.

Warfield also recurred as Maude’s third and last regular housekeeper, the Jamaica-born Victoria Butterfield, on the sixth and final season (1977-78) of the famed Norman Lear-created CBS sitcom that starred Bea Arthur.

After appearing in the East Village at St. Mark’s Playhouse in French dramatist Jean Genet’s The Blacks — where she understudied for Cicely Tyson and also worked alongside the likes of Jones, Godfrey Cambridge and Maya Angelou — Warfield made it to Broadway in October 1968 when she was cast as Clara in The Great White Hope,...

Exclusive: The Red Sea International Film Festival has announced its seven honorees for its annual Women in Cinema Gala, which spotlights contributions of female filmmakers, creators, actors and executives to the entertainment industry.

This year’s roster includes Zambian-Welsh writer-director Rungano Nyoni; South Asian actress Jacqueline Fernandez; Egyptian actress Amina Khalil; Saudi actress Elham Ali; Thai actress Engfa Waraha; Syrian filmmaker Gaya Jiji; and Saudi filmmaker and artist Sarah Taiba.

Established in 2022, the Women in Cinema Gala is an annual event hosted by the Red Sea Film Foundation in Cannes during the film festival, at the iconic Du Cap Hotel. As part of the event, a cohort of women who are making waves in their careers across the Arab world, Asia and Africa are selected each year.

Nyoni is a Zambian-Welsh director, screenwriter and actress, who gained recognition with her early shorts, including The List, which won a BAFTA Cymru Award,...

When Richard Attenborough first read Louis Fischer’s biography of Indian activist and attorney Mahatma Gandhi in the early 1960s, he was around 20 years into an acting career that included work with David Lean (“In Which We Serve”), Michael Powell and Emeric Pressburger (“A Matter of Life and Death”), and John Sturges (“The Great Escape”). Attenborough hadn’t directed anything himself at that point, but discovering Gandhi’s story gave him the desire to mount a biopic on the epic scale of his mentors.

It would take Attenborough another couple of decades to find the necessary funding, but when he finally made “Gandhi” in 1982, it was worth the wait, both for him and for audiences worldwide. A literate three-hour drama for adults that was, amazingly, a box-office blockbuster as well as an awards behemoth, “Gandhi” was one of those rare films that seemed to please just about everybody.

That must...

Quick Links What is The Steel Helmet About? The Steel Helmet's Complicated Critical Reception

One of the best things about film as a hobby is that there is a seemingly endless supply of fantastic gems to discover. Hundreds of films are released in theaters every year, with thousands more floating around somewhere on streaming, hard drives, and television. Some cinephiles with thousands of films under the belt may feel like they've "seen it all," but that could not be further from the truth. If legendary filmmakers like Martin Scorsese are still on the quest of discovery at the age of 82, then there is undoubtedly something out there for everyone to discover. The sheer number of masterpieces that have yet to be seen is simultaneously a blessing and a curse because no one film fan can catch everything on their watch list before their time expires. Every subgenre has its fair share of hidden classics,...

Kidnap thriller Fourth Wall starring Emma Roberts, produced byGreg Silverman’s US outfit Stampede Ventures, is set to be the first feature to shoot in the new AlUla Studios in Saudi Arabia.

Fourth Wall is written by Jerry Kontogiorgis and will be produced by Silverman and Grant Torre of Los Angeles-based Stampede, and directed by Alexis Ostrander. It is set to go into production in the first quarter of 2025.

Roberts, whose credits include Stampede’s Space Cadet, plays a former child star from a popular TV sitcom who is kidnapped and wakes up in a complete recreation of the show...

Egyptian producer Mohamed Hefzy, CEO of Cairo-based production company Film Clinic, received the Variety International Vanguard Producer Award at the Red Sea Film Festival on Dec. 9, prior to the screening of his black and white silent film “Abdo & Saneya.”

Hefzy has just launched a Film Clinic outlet in the Saudi capital of Riyadh, and production is ramping up in the kingdom. Recent projects with Saudi Arabia include the Saudi-set adventure movie “Hajjan,” which had its world premiere at Toronto.

Film Clinic is one of Egypt’s biggest production houses and has played a key role in supporting emerging and independent talent, including Hani Khalifa’s recent thriller “Flight 404.” Egypt’s candidate for the 2025 International Feature Oscar, the film grossed over $4 million in Saudi Arabia alone.

Film Clinic has six films at Red Sea this year, including three in official competition: Khaled Mansour’s “Seeking Haven for Mr. Rambo,” Mahdi Fleifel...

Mbc Studios, the production arm of Middle East broadcaster Mbc Group, has partnered with leading Saudi production firm Telfaz11 Studios to co-develop and co-produce multiple projects built around Saudi storytelling.

While details of initial projects have to be revealed, an announcement made during Red Sea International Film Festival said that one was “based on a compelling true story”, which highlighted the shared ambition of both companies to create “meaningful content that captures the richness of Saudi culture and resonates deeply with audiences across the region”.

The partnership is aimed at nurturing Saudi talent, encouraging creativity and contributing to the region’s film and television industries.

Prominent Egyptian producer Mohamed Hefzy is branching out into Saudi Arabia by setting up an outpost of his prolific Film Clinic shingle – which has six titles at Saudi’s Red Sea Film Festival – in the Saudi capital of Riyadh.

The milestone move comes after Hefzy has been busy forging rapports with Saudi’s film community on a number of projects including Egyptian director Abu Bakr Shawky’s high-end Saudi-set adventure movie “Hajjan” – which had its regional premiere at Red Sea last year after launching from Toronto. “Hajjan” was produced by Film Clinic in tandem with the King Abdulaziz Center for World Culture, known as Ithra.

“This is something that’s been in the cards for a couple of years,” Hefzy told Variety. He added that though Film Clinic’s Saudi base will be in Riyadh, the idea is to be active throughout the entire kingdom. “We’re talking about Riyadh.

Film Clinic and Front Row Productions have teamed up with Arabia Pictures Group and Rotana Studios to produce the offbeat Saudi rom-com A Matter of Life and Death, written by Sarah Taibah (last year’s Red Sea International Film Festival opening film Hwjn, Jameel Jeddan) and directed by Anas Ba-Tahaf (Fay’s Palette, Jameel Jeddan).

Starring Taibah (Mandoob, Jameel Jeddan) and Yaqoub Alfarhan (Norah, Rashash and the upcoming AlGhaid), the film is “a quirky tale involving Hayat, a superstitious young woman who is convinced she’s cursed, and Yousef, a shy heart surgeon dealing with a bafflingly slow heartbeat,” according to a synopsis. “Their fates collide in the most peculiar way: she’s wishing for an end, while he’s wrestling with even darker thoughts.”

The creatives promise “a rollercoaster journey through love, destiny, and the surprising connections

that can sprout from life’s craziest twists all told through the...

Long-time collaborators Cairo-based Film Clinic and Dubai-based Front Row Productions are joining forces with Saudi Arabian companies Arabia Pictures Group and Rotana Studios to produce local rom-com A Matter of Life and Death.

The Jeddah-shot feature will revolve around the romance between two unconventional characters: Hayat, a superstitious young woman who is convinced she’s cursed, and Yousef, a shy heart surgeon dealing with a bafflingly slow heartbeat. Their fates collide as she is wishing for an end, while he is wrestling with even darker thoughts.

The feature will be directed by Anas Ba-Tahaf, whose 2021 drama Fay’s Palette, about a girl cloistered in her home by a controlling brother, was one of the first Saudi features to be made following the lifting of the country’s 35-year cinema ban in 2017.

Writer and actor Sarah Taibah, who took co-writing credits on Saudi fantasy drama Hwjn, is lead writer. She and...

Courtesy of StudioCanal

by James Cameron-wilson

I think it’s fair to say that if you poll any film critic or historian and asked them what were the five most notable films to have come out of this country last century, they would count Brief Encounter, A Matter of Life and Death, Kind Hearts and Coronets, Lawrence of Arabia and The Third Man. As such then, it is always a welcome opportunity to return to any one of the gilded quintet, particularly if they have been painstakingly restored to their former glory, as well as top-loaded with reams of informative and educational bonus material, of which the extras here are an embarrassment of riches. In short, released to celebrate the film’s 75th anniversary as part of StudioCanal’s Vintage Classics Collection, this 4K Uhd package is a gift to film buffs: the picture quality is so sharp you can...

Courtesy of BFI

by James Cameron-wilson

Between the years 1931 and 1937, Michael Powell directed twenty-three films: twenty-three films in six years. Sadly, ten of those works are no longer with us due to the fact that they were printed on the highly volatile nitrate film stock, which was not only extremely difficult and expensive to store, but was highly flammable. Michael Powell, who went on to direct such classics as The Red Shoes, A Matter of Life and Death, Black Narcissus and The Life and Death of Colonel Blimp, was still in his twenties when he started directing but was known for his sense of economy and swiftness of turning a project around. Thanks to a government initiative set up to boost British cinema by establishing a quota system – so that a proportion of British films had to be shown in British cinemas alongside the big-budget Hollywood releases – the ‘quota quickie’ was born.

For over 15 years, a remake of “The Crow” has been in development with countless directors and stars cycling in and out. A new spin on the stylistically influential comic book movie from 1994 that is mostly remembered for the tragic on-set death of star Brandon Lee would fall apart just as quickly it would generate heat or a star to coalesce in some way. At various points in time actors like Bradley Cooper, Jason Momoa and Luke Evans were attached to prior iterations of the project. All of them went away.

But now, a new version of “The Crow” finally opens wide courtesy of Lionsgate Friday, with Bill Skarsgård as the doomed title character and pop star FKA Twigs as Shelly, his equally doomed fiancée. The story follows these doomed lovers who are murdered, only for Skarsgård’s character to get a chance at revenge by sacrificing himself, traversing the lands...

Here is another film that ponders the big life-or-death existential questions, in the grand cinematic tradition of 1946’s A Matter Of Life And Death or, say, 1990’s Ghost. Tuesday, the ambitious debut feature from Croatian filmmaker Daina O. Pusić, in fact bears most similarities to 2016’s A Monster Calls: as with J.A. Bayona’s tear-jerking drama, this is a devastatingly moving fairy tale about a gravelly voiced, anthropomorphised fantasy character making friends with a human grappling with the terminal illness of a family member. Unlike that film, this comes from A24 and is decidedly made for adults rather than children, being distinctly, deliciously oddball.

It begins with a montage of people about to die. Cheerful stuff. Facing their end, this cavalcade of poor souls beg for mercy from Death, who takes an unlikely form: a shapeshifting CG macaw parrot, voiced by British actor Arinzé Kene (Connor from EastEnders). Who needs a cloak and scythe?...

Martin Scorsese’s deep love of film shines through in his exploration of the marvelous movies by Michael Powell and Emeric Pressburger. As directors with a true artist’s eye, Powell and Pressburger crafted some of Britain’s most imaginative and meaningful pictures. Through their company, The Archers, they strove to elevate cinema as an expressive art.

In Made in England, Scorsese brings their extraordinary body of work to new viewers. With infectious passion, he shares insights into their techniques and themes—and how deeply their films enriched his own career. At the documentary’s heart, of course, are illuminating clips and discussions that bring Powell and Pressburger’s brilliance alive. From The Red Shoes to Black Narcissus, their images leave a lasting imprint.

What makes this documentary so wonderful is Scorsese’s obvious joy in celebration. He treats cinema not as formula but as expressions of life. With Made in England,...

Chicago – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on Wbgr-fm on July 25th, reviewing “Made in England: The Films of Powell & Pressburger,” in theaters beginning July 26th, and will be playing throughout August in select markets.

Rating: 5.0/5.0

Michael Powell and Emeric Pressburger teamed up as filmmakers just before World War 2 began, and in that timing managed to make artistic war propaganda films that allowed the citizens of England and the world to get through that era with some creative integrity. They are best known for the ballet movie “The Red Shoes,” but also scored with the classics “The Life and Death of Colonel Blimp,” “Black Narcissus” and “A Matter of Life and Death.”

“Made in England: The Films of Powell & Pressburger” is in theaters on July 26th, and in select markets in August. See local listings. Featuring Michael Powell and Emeric Pressburger.

Made in England: The Films of Powell and PressburgerImage: Cohen Media Group

Michael Powell was born in the coastal English county of Kent. He started in the silent-era film industry of the 1920s, working countless studio odd jobs before he was promoted, in the 1930s, to directing low-budget “quota quickies,...

Given the sense of wonder and promotion of emotion over reason that courses through Michael Powell and Emeric Pressburger’s work, it’s appropriate that David Hinton’s Made in England: The Films of Powell & Pressburger starts with a recollection of a defining childhood moment. The film’s narrator and one of its executive producers, Martin Scorsese describes himself as an asthmatic child confined indoors and thunderstruck by these old films he was seeing on television. Giddy with the memory of being a young boy accidentally coming across fantastical mindblowers like The Thief of Baghdad, Scorsese says there was simply “no better initiation” into what he calls “the mysteries of Michael Powell.”

The film that follows does a thoroughly commendable job of providing that same initiation for unwashed viewers. But because Made in England is structurally a somewhat staid illustrated lecture from Scorsese on Powell’s directing career, and to...

"What they offer is a vision of love... of longing and loss, hope and expectation of wonder... I've watched these movies so many times, they've become part of my life." Cohen Media Group has also released their own official trailer for the wondrous documentary film titled Made in England: The Films of Powell & Pressburger, set for a run this summer in limited theaters. The doc is a cinema history look back at the iconic Powell & Pressburger filmmakers. Narrated and presented by Martin Scorsese, this explores the history of the two famous filmmakers Michael Powell & Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships" with Scorsese taking us through his own admiration for their creations. Drawing on a rich array of archive material,...

Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.

Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”

“Made in England” begins...

Two for One returns to TCM with a brand new episode on Saturday June 8, featuring David Byrne presenting two films: A Matter of Life and Death (1946) and Wings of Desire (1987). In this episode, David Byrne, the iconic musician and creative force behind Talking Heads, steps into the spotlight as a film curator. […]

Two for One: David Byrne – A Matter of Life and Death (1946) & Wings of Desire (1987)...

Quick Links Pilot Peter Carter Cheats Death in A Matter of Life & Death A Matter of Life and Death Is Similar to Captain America A Matter of Life and Death Is a Timeless Film Marvel's declining popularity is evident in titles like Ant-Man and the Wasp: Quantamania and The Marvels. However, many films in the franchise still hold up. Captain America's iconic film moments are reminiscent of A Matter of Life and Death, a timeless British classic. A huge escalator, "Ethel," connects worlds in A Matter of Life and Death, showcasing Powell and Pressburger's wonderment.

There is no question that the Marvel Cinematic Universe has been declining in popularity these days. Without speculating on future releases, already released titles like Ant-Man and the Wasp: Quantamania and The Marvels (along with Echo and Secret Invasion on Disney+) have not come to see anywhere close to the same level of success as pre-Endgame titles.

While filmmaking duo Michael Powell and Emeric Pressburger — aka The Archers — may be best known for their extravagant color films like “The Life and Death of Colonel Blimp,” “A Matter of Life and Death,” “Black Narcissus,” and “The Red Shoes,” their underseen black-and-white, post-wwii potboiler “The Small Back Room” may be their most daring.

Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.

The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...

"A valentine to British cinema's greatest dreamers." This one is for all the die-hard cinephiles! Mubi has unveiled the official trailer for the cinema history documentary film called Made in England: The Films of Powell & Pressburger, made by filmmaker David Hinton. This originally premiered at the 2024 Berlin Film Festival earlier this year, and it's next screening at the 2024 Tribeca Film Festival in NYC coming up this June. The doc is narrated and presented by Martin Scorsese, who explores the history of these two famous filmmakers: Michael Powell and Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships." Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and Hungarian Pressburger who thrived in...

David Niven and Kim Hunter of the set of A Matter Of Life And Death (1946). Photo: courtesy of Altitude

Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.

Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...

Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest directors of all time, Michael Powell and Emeric Pressburger, the duo responsible for The Red Shoes, Black Narcissus, A Matter of Life and Death, and The Life and Death of Colonel Blimp. Considering Scorsese’s close connection to their work, from being captivated at a young age and much later becoming friends with Michael Powell (who was married to Scorsese’s long-time editor Thelma Schoonmaker), he’s the perfect guide through their filmography.

Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...

A movie marathon with our favorite auteurs? Where do we sign up?

Turner Classic Movies’ latest limited series “Two for One” features curated double features coupled with commentary from select guest programmers like Martin Scorsese, Paul Thomas Anderson, Steven Spielberg, Spike Lee, and more. The upcoming TCM series is hosted by Ben Mankiewicz, who will interview each director about why they chose to highlight their two chosen films.

“Two for One” will feature 12 nights of double features, beginning April 6. With the logline “two films, one filmmaker, countless perspectives,” the series is set to span all of cinematic history. Directors will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

Martin Scorsese kicks off the show with a conversation comparing “Blood on the Moon” and “One Touch of Venus.” The following week, actress/director Olivia Wilde picks “Auntie Mame” and 1976 documentary “Grey Gardens.

Turner Classic Movies have announced a new limited series, Two for One, that will feature 12 nights of double features curated by some of the most celebrated filmmakers in Hollywood beginning April 6. TCM Primetime Host Ben Mankiewicz will be joined by each director, including Paul Thomas Anderson, Steven Spielberg, Martin Scorsese, Todd Haynes, Spike Lee, Nicole Holofcener, and Rian Johnson, to introduce the two films they chose. They will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

“This was such an eclectic group of filmmakers to sit down with, which was invigorating, from Martin Scorsese talking about a Robert Mitchum western, to Spike Lee discussing Elia Kazan, to Olivia Wilde’s breakdown of Rosalind Russell in Auntie Mame,” said Ben Mankiewicz. “In these double features, these 12 directors lead us on an insider’s journey through cinematic history.”

See...

For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin Scorsese Through American Movies” — or both, as for this writer — “Made in England: The Films of Powell and Pressburger” arrives as an unmitigated treat.

A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.

Exclusive: Ahead of its world premiere today at the Berlin Film Festival, Cohen Media Group has secured all North American distribution rights to Made In England: The Films Of Powell And Pressburger.

Martin Scorsese narrates the film, which is directed by Emmy winner David Hinton.

Cmg negotiated exclusive theatrical and ancillary rights in North America with a planned release in 2024 in an exclusive window prior to TCM’s subsequent TV premiere.

The film puts a spotlight on Brit filmmakers Powell and Pressburger who created some of the most revered films of the British golden age, including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”

You can check out an exclusive clip of the film here and read our...

Without Michael Powell and Emeric Pressburger, the films and career of Martin Scorsese would be very different. “Mean Streets” would be less red (thank those titular “Red Shoes”), the title fight in “Raging Bull” wouldn’t have been preceded by that thrilling oner (thank the duel in “Colonel Blimp”), and we wouldn’t have that audacious flash of yellow in “The Age of Innocence,” an idea swiped from the red-hot climax of “Black Narcissus.”

Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.

These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...

‘Made in England: The Films of Powell and Pressburger,’ the documentary executive produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival.

The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.

Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”

Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.

The European Film Market is heating up as it winds to a close, with several major deals coming out of chilly Berlin. On Monday, art house streamer Mubi announced its first big buy of EFM, snatching up David

Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.

Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.

The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...

Exclusive: Martin Scorsese is returning to the Berlin Film Festival tomorrow for the first time in a decade. The cinema legend, currently on the awards circuit with latest epic Killers Of The Flower Moon, will be feted with the Berlinale’s highest honor, its lifetime achievement Golden Bear.

Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.

Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...

Courtesy of Studiocanal

by James Cameron-wilson

1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.

Both films were about serial killers and both showed the murderer as a self-effacing,...

There’s quite a lot going on beneath the shiny, fun surface of this animated comedy, though some of the questions it deals with — animal mortality, the world’s fragile eco-system — might be too much for younger children to process. For older, smarter kids, it could be a gateway film, a way to turn young cinephiles onto Powell and Pressburger’s 1946 masterpiece A Matter of Life and Death, with which it shares a little DNA. It also, like the brace of Chicken Run movies, raises the subject of nature conservation in a way they will respond to, thanks to Bill Nighy’s deliciously machiavellian uber-villain and his killer horde of robot bees.

The star of the show is a stray cat played by British comedian Mo Gilligan, who also narrates the film with a Goodfellas-style voiceover. When we meet him, he’s at the end of his lives, having been abandoned by his owners,...

February––particularly its third week––is all about romance. Accordingly the Criterion Channel got creative with their monthly programming and, in a few weeks, will debut Interdimensional Romance, a series of films wherein “passion conquers time and space, age and memory, and even death and the afterlife.” For every title you might’ve guessed there’s a wilder companion: Alan Rudolph’s Made In Heaven, Soderbergh’s remake, and Resnais’ Love Unto Death. Mostly I’m excited to revisit Francis Ford Coppola’s Youth Without Youth, a likely essential viewing before Megalopolis.

February also marks Black History Month, and Criterion’s series will include work by Shirley Clarke (also subject of a standalone series), Garrett Bradley, Cheryl Dunye, and Julie Dash, while movies by Sirk, Minnelli, King Vidor, and Lang play in “Gothic Noir.” Greta Gerwig gets an “Adventures in Moviegoing” and can be seen in Mary Bronstein’s Yeast,...

With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and those we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.

Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).

100. Civil War (Alex Garland; April 26)

A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...

Now available as part of the company’s Black Friday Sale, Michele Soavi‘s Cemetery Man (aka Dellamorte Dellamore) makes its 4K Ultra HD debut courtesy of Severin Films.

It’s been called “stylish and gruesome” (Washington Post), “grotesque and touching” (Av Club) and “an experience unlike any other” (Bloody Disgusting). Now this magnum opus by director Michele Soavi – “the best Italian horror film of the ‘90s” (Fangoria) – can be experienced fully restored in Uhd for the very first time.

Rupert Everett stars as cemetery watchman Francesco Dellamorte, tasked with dispatching the recently deceased when they rise from their graves. But when he falls in love with a beautiful young widow (Anna Falchi), will his resurrected lust for life become greater than his bond with death?

François Hadji-Lazaro co-stars in the finest erotic romantic existential black comedy zombie gorefest of our time, with a Soavi-approved 4K scan from the Cinecittà...

There’s a scene in the Paul Reubens-starrer Pee-wee’s Big Adventure that finds its titular character setting off on a vagabond adventure. He hops aboard a train to sit side-by-side with a grizzled, toothless man known as Hobo Jack, and they sing camp songs until Pee-Wee suddenly sours on the moment. The disgust radiates from his face and he makes a rash decision to jump off the moving train and tumble into the dirt below. The scene lasts all of 53 seconds.

“It’s such a committed, incredibly short joke that takes so much effort and I think that that has embedded somewhere deep inside me,” Greta Gerwig explained from the podium inside Tcl Chinese Theatre in Hollywood on Thursday night while introducing a screening of Tim Burton’s 1985 film as part of AFI Fest. The blockbuster Barbie director turned up as part of her guest-directing duties for the Los Angeles-based festival,...

This year’s AFI Fest is back in full glory, featuring a rich lineup of critical favorites plus a slate of five films curated by guest artistic director Greta Gerwig, whose latest film, “Barbie” has grossed $1.4 billion.

Returning to Hollywood’s Tcl Chinese Theatre and screening films from October 25-29, the event will feature Gerwig’s curated list of films: “All That Jazz,” “An American in Paris,” “A Matter of Life and Death,” “Pee-Wee’s Big Adventure” and “Wings of Desire.” AFI Fest will also screen the U.S. premiere of “Lee,” starring Academy Award-winner Kate Winslet, who is a producer on the project as well. The biopic follows the life of Lee Miller, a wartime photographer who documented the Dachau and Buchenwald concentration camps, London Blitz and liberation of Paris during WW II.

“I think AFI Fest and all film festivals are monuments to the inspirational power of film, the healing restorative power of film,...

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSubscribe to Notebook magazine before November 1 to receive Issue 4, which explores cinematic soundscapes in their diverse sonic forms and includes contributions from filmmakers like Pedro Costa, Garrett Bradley, and Dominga Sotomayor, pop musician Julia Holter, plus a wide range of artists, writers, and scholars. Subscribers will also receive with this issue a very special gift, a seven-inch record featuring a song by filmmaker Gus Van Sant and a field recording by sound designer Leslie Shatz.This week brought the sad, shocking news that the legendary Taiwanese director Hou Hsiao-hsien has retired from filmmaking due to illness. Hou's family confirmed in a statement that he is battling Alzheimer's, and the effects of long Covid have forced him to stop making films; they requested privacy during this time, adding that he is healthy overall, in the presence of family.

They made 24 often morally complex pictures before falling out of fashion. Now, as a monumental BFI retrospective kicks off, can their stricken pilots and posh ballerinas speak to our divided era?

It is May 1945 and night has fallen across Europe. The world is at war, cities are aflame and a Lancaster bomber is falling from the sky. Inside the burning cockpit, squadron leader Peter Carter gives his name and age then outlines his politics. “Conservative by nature,” he says. “Labour by experience.” Played by David Niven, the hero of A Matter of Life and Death is your emblematic Englishman – in that he is a muddle. He is trad and prog, romantic and practical, and amiably optimistic even in the teeth of disaster (and perhaps then most of all). He is describing himself as the plane goes down. By proxy, he is describing the film-makers Michael Powell and Emeric Pressburger, too.

Foo Fighters busted out a portion of the Led Zeppelin opus “Stairway to Heaven” during a break in their headlining set at the Ohana Festival on Sunday (October 1st).

The surprise rendition took place toward the end of the set. Dave Grohl appeared to stop the show while a member of the audience apparently was receiving medical attention, and he broke the silence with the opening arpeggios of “Stairway.”

“Did you figure that shit out or do I have to play fucking ‘Stairway to Heaven’?” asked Grohl, apparently addressing festival staff while still playing the song’s intro. “‘Cause I’ll fucking play this motherfucker, you know that, right?”

The band fell in, with keyboardist Rami Jaffee adding the iconic mellotron flute accompaniment as Grohl sang the opening verse. Finally, whatever was causing the delay got sorted out, and Grohl cut the song off before the chord change.

“Is that situation figured out?...

Ed Sheeran was found not liable in the copyright lawsuit trial that accused his song “Thinking Out Loud” of infringing on Marvin Gaye’s “Let’s Get it On.”

After three hours of deliberations that followed a two-week trial in New York from April to May, the jury announced their verdict in favor of Sheeran, finding that he independently created his 2014 single and did not copy Gaye’s hit.

While Sheeran was pleased with the outcome (he won’t have to retire now, as he threatened during his testimony), he...

It’s the year of color/black-and-white hybrid films, led by such Best Cinematography Oscar contenders shot on Kodak film as “Oppenheimer” (Universal), “Poor Things” (Searchlight), “Asteroid City” (Focus Features), and “Maestro” (Netflix). In addition, there are two other contenders of interest: “The Zone of Interest” (A24) contains a series of striking monochromatic moments, while the black-and-white “El Conde” (Netflix) offers a lone color sequence.

They are part of a great stylistic tradition of intermingling color and black-and-white to evoke heightened states of mind in such films as “The Wizard of Oz,” “A Matter of Life and Death,” “Bonjour Tristesse,” “Wings of Desire,” “JFK,” “Natural Born Killers,” and “Pleasantville.” It can be real or imaginary, but the aesthetic differences help drive the narratives.

By contrast, “A Haunting in Venice” (20th Century), shot by Kenneth Branaugh’s go-to cinematographer, Haris Zambarloukos, utilizes conventional black-and-white flashbacks to recap a mysterious murder. This...

The new documentary Mr. Jimmy tells the story of a Japanese kimono salesman named Akio Sakurai, who worships Led Zeppelin guitarist Jimmy Page. For three decades, Sakurai has adopted the persona of “Mr. Jimmy,” playing guitar like Page and attempting note-for-note recreations of Led Zeppelin concerts in Tokyo clubs. After Page encouraged him, he moved to Los Angeles and joined a tribute act, Led Zepagain, to continue his idol worship. The picture, distributed worldwide by Abramorama, is in theaters now.

Filmmaker Peter Michael Dowd tells Rolling Stone he made the...

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Whether you want to become the next Neil Young or Joni Mitchell, or maybe just learn a few new chords, picking up an acoustic guitar is easier than ever thanks to their portability, great sound, and price. But knowing which guitar to start with can feel as intimidating as memorizing the intro to “Stairway to Heaven.”

The good news: When it comes down to buying a new acoustic guitar,...