Love Laughs at Andy Hardy

Andy Hardy (Mickey Rooney) is home from the war. His mind is mostly stuck on marriage and his college girlfriend Kay Wilson (Bonita Granville). Misunderstandings, chaos, and heartbreak ensue.

Andy is just not Andy when he is focused on one girl. There is something off about this one. This temporarily ends the series until 12 years later when the final movie fails to revive the franchise. I never really liked Kay. She always seems to have one foot out the door. In the previous movie, I would be perfectly happy with Wilde twins. There is a fun gag with a very tall girl. Otherwise, this is fairly blah.

In the last decades of his life, I came to dislike Mickey Rooney. This was based on what I heard about the man, which gave me the impression that he was a delusional, self-aggrandizing, and self promoting, jackass.

However, I started to reevaluate him after I heard the director of Breakfast At Tiffany's say that he always regretted casting Rooney in that picture.

I had always thought that Rooney did a great job as the Japanese clown character he created for Tiffany's. He seemed to me to be the perfect counterpoint to Hepburn's pseudo-sophisticated New Yorker character.

Then tonight I saw Love Laughs at Andy Hardy (1946)and I was blown away by Rooney's command of the screen, and the poise he had in the character he created. The movie itself was just OK. But Rooney drew my attention in every frame he was in. For someone as young as he was in that movie, to have that kind of screen presence, really surprised me.

There was a reason he was a big deal back in the day. There was a reason he was a big box office draw back in the day. I have a new found respect for the man who's shadows I see flicker away at me in those old movies.

Tony

Andy arrives back in Carvel, tumbling off the back of an army truck in front of his folks. The family reunion in the middle of the main street, blocking the traffic flow to the amusement of all concerned, is the best scene in the movie. Andy's been separated (demobbed) from the Army and has but one thought on his mind, proposing to Kay Wilson who he'd met at college.

'Kay Wilson' is played by the (in this movie) maternal Bonita Granville who unfortunately doesn't sing for once. Mickey Rooney looks appropriately much older than his previous movie (he has, after all, come back from service in the Army) in the series but still manages to play the irrepressible 'Andy' as only he could. Lewis Stone and Fay Holden as his folks are wonderful as usual, despite the often insipid script. That's the main problem with this movie. The script is at times puerile and it's only the mostly excellent cast which makes it worth watching. We miss 'Marion' and Polly', while the charming Sarah Haden as 'Aunt Milly' is given few lines. She might as well not be there. Marion is apparently working in New York (it is she who wires the family that Andy is on his way) while we, so far as I noticed, are given no reason for Polly's absence, despite her father's presence.

The standout guest in this movie is the stunning Dorothy Ford as 'Coffy Smith'. Not only is Dorothy tall at 6ft 4", she is both graceful and beautiful. Though as before (and after), the script remains puerile, but the cast do their best to rise above it.

The high point in most Hardy movies - those without Judy Garland, anyway - is the father and son or rather 'man to man' talk between Lewis Stone and Mickey Rooney. In this movie it's on the subject of Andy either going to college and following in the Judge's footsteps, or running off to South America to make his fortune. Unfortunately, the problematic script results in an awkward, almost embarrassing scene between the two. Lewis Stone doesn't look at all well; he was in his late 60s at the time but looks much older (he died in 1953, chasing vandals off his property). Lina Romay as 'Isolbel' sings on two occasions but she's an unsatisfactory substitute for Polly. Hal Hackett as 'Duke' is unimpressive but again, maybe that's the fault of that script.

Overall, this is a necessary part of the Hardy series but it deserved a much better script. Despite this reservation, I can still recommend it.

My copy came as one half of a double bill region 4 DVD (with 'The Perils of Pauline'). It was made from an extremely poor print and should be avoided at all costs.

Mickey Rooney made about a dozen and a half Andy Hardy films--and this is among the very last. Because of this, it's certainly far from original and lacks the energy of the earlier entries. It's also oddly depressing at times.

This installment finds Andy returning home from the war...and it was sure swell. However, instead of dealing with PTSD or the looming threat of international communism, Andy is in a daze--obsessed with his latest love, Kay Wilson (Bonita Granville). His plan is to go off to college using the GI Bill and marry Kay the co-ed. However, soon his plans fall apart, as it turns out that Kay has other plans. Additionally, although he goes to school, oddly, you never see him attend any classes! By the end, the audience is feeling a bit uneasy about his pain as well as a sense of déjà vu, as Andy is ALWAYS having girl trouble.

Aside from a cute side story about Andy dating a gigantic lady, the film has little in the way of interesting content or originality. It's clearly a film for the die-hard Hardy groupies and is reasonably entertaining but nothing more. And, incidentally, it's in the public domain and may be copied and viewed for free following the links on IMDb...though I wouldn't necessarily rush to do this.

...and the Hardys seem as uncomfortable and out of place in 1946 as MGM did, with the changing times that they just couldn't seem to quite tap into from this point forward.

Andy comes home to Carvel after two years as a soldier, and he seems to have matrimony on his mind, specifically his college girlfriend Kay. They didn't call it the baby boom for nothing. There are several endearing and humorous moments, but something is just missing from the old formula. For one thing, everybody is noticeably older. Mickey Rooney is obviously a man in his mid twenties, and Lewis Stone is obviously elderly. They would look rather silly having their old man to man talks at this point, and to a large degree the film avoids that. It does tap into a conversation lots of returning soldiers were probably having with themselves - whether or not to take advantage of that GI bill and finish a college education, or go out into the world without it and start trying to make a mark right now, which everybody had usually done up to this point in time.

One rather humorous incident - Andy is fixed up on a date with a girl who is a foot taller than he is. How did this happen? The guy who did the fixing had them both in the swimming pool at the time, thus avoiding the issue of the height difference.

This will be the last Hardy family film for 12 years, so this is pretty much an end to the franchise.