Bandleader involved in political campaign.Bandleader involved in political campaign.Bandleader involved in political campaign.
Harry James and His Orchestra
- Music Makers
- (as Harry James' Music Makers)
Ben Erway
- Headwaiter
- (scenes deleted)
Frank Ferguson
- Statistician
- (scenes deleted)
Charles Tannen
- Secretary
- (scenes deleted)
John Ardell
- Voter
- (uncredited)
Herman Boden
- Dancer
- (uncredited)
George Bruggeman
- Trainer
- (uncredited)
Harry Carter
- Jimmy - Attendant at Race Track
- (uncredited)
Harry Cheshire
- Phil Gargan - State Engineer
- (uncredited)
Kay Connors
- Miss Magee - Gillingwater's Secretary
- (uncredited)
Roy Damron
- Dancer
- (uncredited)
Featured reviews
Vivian Blaine, looking lovely at age 25, has the lead role in this musical, which also stars Perry Como, and both of them perform their musical numbers pleasantly and competently.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.
It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.
Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.
Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.
The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.
Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.
Silly but pleasant little Fox B trifle. A Carmen Miranda musical in B&W is an oddity but in B&W or color she is always Technicolor and is as full as sass as ever and her headgear is as truly astounding. Perry Como sings well and is certainly attractive but he is missing that big screen charisma needed for major stardom. It is easy to see why he was a big hit on TV, he possessed a very warm and friendly presence that makes you feel right at home. Vivian Blaine is lovely and Edgar Buchanan is always a welcome addition to any movie but Phil Silvers is an acquired taste, there's no in between either you like him or not. For me he's hard to take but if you're a fan than he can be amusing. One big plus this has is that Harry James and his band provide the music and that's always a good thing.
'If I'm Lucky' is the name of a mediocre song as well as the 1946 picture it appears in. 'IIL' is one of Fox's lesser musicals saved by the talents of Carmen Miranda and the song and dance pros, Phil Silvers. Vivian Blaine, Harry James and a very young Perry Como. Collectively, they help right this almost sinking ship. 'IIL' is a love story with a political campaign backdrop. The musicians are hired for $1,000 ($17,500 in today's market) to travel with the campaign for the express purpose of wooing voters. Romance of course blossoms as the political candidate, played by the irreplaceable Edgar Buchanan, has to be bailed out of problem after problem. Will the musical group succeed in its mission despite issues with that keep erupting? You'll have to find out for yourself. It will only cost you 80 minutes which go quickly.
The music and cast make this movie. "If I'm Lucky," is one of the lighter musicals of the 1940s with thin or silly plots. It's in the field of musical review, with a plot just to tie together the songs, music and dance numbers. And this film has some very enjoyable entertainment.
Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs.
Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"
Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs.
Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"
If a film was described as "made by 20th Century Fox, featuring Vivian Blaine, Carmen Miranda, Phil Silvers, Harry James, and Perry Como," you might reasonably expect the sort of bright, brash, and breezy Technicolor musical of which TCF were the masters during the 1940s.
If a film was described as "a black and white political satire about an upright young man duped into standing for office only to find that he was intended to front for a gang of corrupt politicos," you might reasonably expect the sort of film of which Frank Capra was master, perhaps starring James Stewart and Jean Arthur.
It is unlikely that you would envisage one film to fit both descriptions, but "If I'm Lucky" does just that. Perhaps we shall never know what prompted TCF to produce this unlikely hybrid, but surprisingly it works quite well. The musical numbers are neatly integrated into the plot, Phil Silvers' usual over-exuberance is kept in check, one misses Technicolor only during Carmen Miranda's numbers, and the political shenanigans are carried mainly by Edgar Buchanan, Reed Hadley, and other supporting players, thankfully making little demand on Perry Como's acting abilities.
This is not a particularly good movie, but nor is it a bad one, and it is sufficiently unusual to warrant attention.
If a film was described as "a black and white political satire about an upright young man duped into standing for office only to find that he was intended to front for a gang of corrupt politicos," you might reasonably expect the sort of film of which Frank Capra was master, perhaps starring James Stewart and Jean Arthur.
It is unlikely that you would envisage one film to fit both descriptions, but "If I'm Lucky" does just that. Perhaps we shall never know what prompted TCF to produce this unlikely hybrid, but surprisingly it works quite well. The musical numbers are neatly integrated into the plot, Phil Silvers' usual over-exuberance is kept in check, one misses Technicolor only during Carmen Miranda's numbers, and the political shenanigans are carried mainly by Edgar Buchanan, Reed Hadley, and other supporting players, thankfully making little demand on Perry Como's acting abilities.
This is not a particularly good movie, but nor is it a bad one, and it is sufficiently unusual to warrant attention.
Did you know
- TriviaOriginally called "You're For Me".
- Quotes
Michelle O'Toole: Baby, don't forget my harp, Wally.
Wallingham M. 'Wally' Jones: [as picks up her huge harp] Oh, yes. Why didn't you play a piccolo?
- ConnectionsReferenced in Le Miracle sur la 34ème rue (1947)
- SoundtracksFollow the Band
(uncredited)
Music by Josef Myrow
Lyrics by Edgar De Lange
Performed by Phil Silvers, Carmen Miranda, Vivian Blaine and Harry James
Also performed by Phil Silvers, Carmen Miranda, Vivian Blaine,
Perry Como and Harry James
Details
- Release date
- Country of origin
- Languages
- Also known as
- Un joven de suerte
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 18m(78 min)
- Color
- Aspect ratio
- 1.37 : 1
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