Les Aventures du Faucon

I am watching this one right now on TCM. The Falcon's Adventure finds our hero helping Brazilian beauty Louisa Braganza (Madge Meredith) deliver her father's formula for making industrial diamonds. And she really needs the help after her father gets pistol whipped by a bad guy trying to steal the valuable piece of paper. The adventure takes Tom and Goldie to Miami where Professor Dennison is supposed to take possession of the formula. In addition to Madge Meredith, hard looking but gorgeous Myrna Dell has good role here after just having a bit part in the previous Falcon film, The Falcon in San Francisco. Carol Forman plays Helen Ray, Louisa's maid. Carol is best remembered for her villainous leading role in the 1947 serial, The Black Widow. Phil Warren and Steve Brodie are the hoods. Joseph Crehan and Harry Harvey play the bumbling cops. RKO churned out three more Falcon movies after this one with a different actor as The Falcon. Tom Conway didn't get away from a crime fighter, though. He played Bulldog Drummond in two 1948 movies. The Falcon's Adventure is fast paced with good dialogue and a story that's easy to follow. Watching it is a good way to spend 61 minutes on a summer Saturday morning.

BBC2 have been showing several Falcon movies recently in the afternoons and I have taped most of them. They are worth having as they are not available on VHS or DVD anywhere. The Falcon's Adventure was the 13th and final Falcon movie.

In this one, The Falcon rescues a woman from kidnappers who want her father's secret formula for making diamonds but he gets blamed for his murder. The pair of them then flee to Florida where he gets blamed for another murder! He is cleared at the end though.

Tom Conway plays the Falcon well and is joined in this one by Madge Meredith, Edward Brophy and Ian Wolfe.

Though not brilliant, This and all of the Falcon movies are worth watching and are not too long either.

Rating: 3 stars out of 5.

This film is a fun little private eye detective story like they aren't made any more. It's all there: Tom Conway is the suave detective called The Falcon, Goldie Locke (what's in a name) is his wisecracking bumbling sidekick, Louisa Braganza is the damsel in distress, and of course there are the damsels maid, the professor with the secret formula, the bad guy that wants the formula, and the police inspector who's after The Falcon. There is a murder, and The Falcon gets implicated. The scenery is night clubs, expensive hotel rooms, a luxury train, the suburbs, and beautiful cars. Go watch this little gem when you see it pass by on afternoon TV!

Both the Falcon series and the Boston Blackie series are guilty of re-using a plot more than once - I wouldn't be surprised if that were true of many series.

In this one, the MacGuffin is the formula for industrial diamonds which I am pretty sure was used before. The Falcon (Tom Conway) saves a kidnapped woman and winds up being framed for the murder of her uncle, who owns the formula and is trying to get it to someone in Miami that has arranged for backers.

Some clever moments, one regarding a blonde the Falcon saves from someone harassing her on the train.

Tom Conway does a good job - it was his last foray as the Falcon. He's charming, but this wasn't very exciting.

Of interest, pretty Madge Meredith's career was derailed a bit when she was sentenced to five years in prison on an assault charge - it turned out that in fact she had been framed and was released. She worked into the '60s.

This is the thirteenth Falcon film. Tom Conway has lost none of his humour and style, and is not showing signs of getting tired. The film has a very satisfying story, with lots of red herrings, suspects, and dames. Madge Meredith is the good girl of the story, she plays it adequately but by no means sets the screen on fire. Myrna Dell is a bad girl, and she puts on an excellent face of stone, with eyes of agate, and you are just waiting for her to kill as many people as possible to cheer herself up. Edward Brophy is back as Goldie the sidekick, but surprise surprise, his manic over-acting has stopped, and he is actually under control. This is a fine tribute to the directorial skills of William A. Berke, who had done so many Westerns he probably was not prepared to take any nonsense from a Brooklyn dummy. The result is that for the first time, possibly in his career, Brophy was toned down enough actually to add something to a film rather than try the viewer's patience with the irritating behaviour of a retarded but unruly six year-old. It all goes along very well, and is thoroughly entertaining.