The Cat Creeps

Reporter Terry Nichols (Frederick Brady, "Slightly Scandalous") is assigned to investigate the accusations made by a reputed crazy woman that a 15 year old "suicide" was actually a murder. He, his photographer (Noah Beery Jr., 'The Rockford Files'), and a boatload of suspects travel to the womans' island residence, and experience an eventful night as the attempts to unmask the killer are underway.

"The Cat Creeps" is moderately entertaining, mostly due to the supporting cast, although the comedy and the patter really aren't that funny and the "mystery" is rather obvious from the get-go. In lieu of a more fully fleshed-out plot and longer run time, we get a healthy amount of exposition laid out for us once the killer is revealed. Overall, the movie is competently made, capably directed by Erle C. Kenton ("Island of Lost Souls"), and reasonably paced, clocking in at just 58 minutes. The cat mentioned in the title figures into the story in that it is hoped that the feline will lead the characters straight to the evildoer.

Brady is unfortunately an annoying stereotype, overly obnoxious at first although also smarter and more savvy than anyone else in the room. Beery doesn't fare much better as the most blatant comedy-relief character. The other cast members are fine, though, treating the material with straight faces: the pretty Lois Collier ("A Night in Casablanca"), Paul Kelly ("Crossfire"), Douglass Dumbrille ("Mr. Deeds Goes to Town"), Rose Hobart ("Conflict"), Jonathan Hale (Inspector Fernack in the "Saint" series), Iris Lancaster ("West of the Alamo"), and Vera Lewis ("The Roaring Twenties").

"The Cat Creeps" may be nothing special as a movie, but it IS historically significant, seeing that it was the final genre feature film made by Universal after their decade and a half-long horror cycle. It was issued as a double feature with "She-Wolf of London", and after this, Universal wouldn't make another horror film for about five years (if you don't count the Abbott & Costello horror spoofs), starting fresh with "The Strange Door" in 1951.

Five out of 10.

Cat Creeps, The (1946)

* 1/2 (out of 4)

Poor Universal "B" mystery about a group of greedy folks trying to locate $200,000 at a creepy mansion. A reporter is also along for the ride as bodies start to pile up. Once again, if you've seen one of these "B" mysteries then you've seen them all. We get the same group a characters being led by the same smartass reporter who comes off dumb yet he's able to solve the case each and every time.

As of now Universal hasn't issued this on DVD. If you want to view the film there is an unofficial version floating around from 16mm prints.

This is probably one of the lowest budgeted films on that old "Low-budget-list" that film-buffs mentally keep track of.

It's a spooky-house murder mystery, with some sturdy studio character actors.

The victim dies early in the film, (twice, no less). A strange woman appears to tell the group that's spending the night in this house, that the dead woman's spirit lives on in her cat --a black cat, of course. The strange woman hints that the cat, or rather the spirit in the cat, will reveal the killer.

The story is ludicrous, with dialog to match, but everyone chases one another around the place, and there's enough shootin' and spookin' going on to make this film delightful late-night fare.

Like "The Cat and the Canary", this story takes place in a gloomy old home that can only be reached by boat. Also like "Canary", all the action takes place during the course of one night, with the killer revealed by sunrise. However, the similarity between the two films ends there.

This film is short and it's fast. It's dumb and it's fun.

I enjoy this sort of nonsense, and have watched my copy of "The Cat Creeps" several times over the years.-- Because I love ALL spooky-house B-movie murder-mysteries, anyway, I couldn't bring myself to rate this film any lower than 7.

I am a fan of the old Universal, Columbia, Monogram, PRC, etc. supernatural, suspense, and mystery thrillers from the 1930s and 1940s. I was wondering when or if this little "B" ( or "C" ) mystery was going to be on VHS and so I found it via Sinister Cinema.

This little thriller is worth watching to see due to the fact that it is a murder mystery with supernatural overtones. I first saw this at the age of 12 (when I started to become a fan of this genre) and found some scenes hair-raising. I think this is due to some of the acting and the way some of the action occurs, especially when Mrs. Williams talks about the creeping cat. Overall, it is not a bad film to have in one's collection and I recommend for other fans of Universal mystery and suspense.

"Universal" had an Image of "The" Horror-Mystery-Suspense-Supernatural Studio...It's Legacy to This Day.

The Result of Studio-Head Carl Laemmle and a Conscious, Hard-Working and Dedication to the Genre with an Emphasis on Production-Values, a High-Class Style while Dealing and Delivering His "Product", He would Label it "Art", with "Touchy", Sensitive, and Controversial, Edgy (some would say "Low-Brow") Material.

It Became Even More So as"The Movies" Gained an Influence as a Popular, Meaningful Media in America that Could Shape Consciousness, Life-Styles and Thought as, it No Longer could be Doubted, it would be Confirmed, both Commercially and Creatively as the"Art" of the Century".

But Conservatives "Cried & Whined", Protested the "Free Expressionism in Films" and Demanded , then Formed..."The Code"...The Historical Over-Reach and Abuse of Their Power, Now that "They" as Opposed to the "Creators" of the Art-Form Now had that Power to..."Control Men's Minds".

Universal Studios Legacy Established...It's Now 1946 and America has Entered an "Atomic-Age" and the "Old Dark House" seems a Template from Another-Age.

The Iconic "Famous Monsters" and Other Related Iconography that Universal Invented and then Employed in a Series of Movies for a "Never-Ending" Star-Creatures...Dracula, The Frankenstein, The Mummy...The Invisible Man, and The Wolf Man, at this Point in Time are a Legacy of the "Past" and would Finally "Die" and be Buried After "Abbott and Costello Meet Frankenstein" (1949).

This "Black Cat" Icon with "The Old Dark House" was so Old it had Grown Whiskers.

"Earl C. Kenton", would be Most-Noted for Directing an Undisputed Bona-Fide Masterpiece of Movie-Horror..."The Island of Lost Souls" (1932)...He also Directed for Universal, as Part of that Aforementioned Legacy,,,"The Ghost of Frankenstein" (1942),,,"House of Frankenstein" (1944)...and "House of Dracula" (1945).

He was Assigned to Direct "The Cat Creeps" and it was so Undistinguished, Lame, and way Past its Expiration-Date, and it Sent Earl C. Packing for Television.

This is All-Padding to Safely Say that "The Cat Creeps" is Mostly Forgotten , for Good Reasons...Worth a Watch...But Barely.