Breakfast in Hollywood

This unpretentious film with a remarkable cast features one of the last movie appearances of Bonita Granville, who deserves rediscovery through everything from the newly released "Nancy Drew" DVDs to a very effective performance in "These Three." Here she boosts a simple programmer with charm and conviction.

It's also a film where such contrasting acts as Spike Jones and Nat King Cole appear,and as bonus there's Hedda Hopper, who I always thought had a very interesting screen presence. I'm not familiar with the radio program the film ostensibly showcases, but it was evidently a popular fixture in its day. But it's Granville who anchors the film with her appealing manner and sincere acting.

As with several movies I've reviewed for the last several days, this one has an It's a Wonderful Life connection which I like to cite as it's my favorite one: Beulah Bondi plays a lonely 82-year old woman with only a dog living with her who just wants to attend the film's title radio show hosted by one Tom Brenenan during the one day setting this takes place in. Other audience members that abound in this movie are a discharged sailor (Edward Ryan) in love with a young woman (Bonita Granville) whose fiancée she's trying to reach, an eccentric woman trying to get attention for a most outrageous hat (Zazu Pitts), and famous gossip columnist Hedda Hopper with the mothers of Gary Cooper, Joan Crawford, and Brenenan sitting with her. I didn't think Ms. Pitts was too funny with her hat story but I was a bit touched by that of Bondi's condition after she was hit by a car whose owner (Raymond Walburn) touched another story of his gallivanting with young women while neglecting his wife (Billie Burke). That one was a little funny to me. The most touching was the one with that sailor and that young woman with Ms. Granville really charming in her wholesome beauty. Those subplots weren't too bad but it was largely the musical performances that I was interested in particularly that of The King Cole Trio that had a nice brief moment in the beginning with "Solid Potato Salad" and great second set with "It's Better to Be by Yourself". I especially loved when the camera showed close-ups of Nat King Cole's hands on the keyboards and that of the guitarist's as well. Then, there's Spike Jones and his City Slickers with their hilarious brand of music which is particularly funny on their second set when the only female in the band warbles her tune. Finally, there's Andy Russell, a regular on radio's "Your Hit Parade" who I previously watched as a much older man on a special edition of Richard Dawson's "Family Feud" on YouTube a couple of years ago, whose romantic croonings must've melted many a woman's heart especially when he sang in Spanish. So in summary, Breakfast in Hollywood is slight fluff that should provide at least some interest for some fans of the icons that appear here. P.S. Ms. Granville was another born in Chicago where I also was native to.

I occasionally comment on films I find interesting, and it always comes down to- either you 'get' it or you don't. I have a sneaking suspicion those that don't are younger viewers. It was common practice in the 30s and 40s to take a popular radio show and bring it to the big screen. Why? For profit, of course. This being pre-TV, it also created the opportunity for radio listeners to see their favorite performers. These were pop movies, 'programmers'- meant to make a quick buck and capitalize on a radio show's popularity. I find many of them sweet, though not the best quality. Where else are you going to see Tom Breneman, a popular host of BREAKFAST IN HWOOD? The plot of BIH is completely unrealistic (fine w/ me)in that it has Brenemen getting involved in the lives of several of the people that come to see his show. Doesn't know them of course, but wants to help anyway! I found him affable and pleasant- just the kind of host you'd want to listen to shortly after waking up. Other reviewers have told the plot, so I'll stop here. Worth seeing for nostalgia fans, and that's a darn good reason!

Film adaptation of a popular radio show, from United Artists and director Harold Schuster. Tom Breneman stars as himself, the host of a very popular early morning radio show broadcast from his restaurant. The film tracks the lives of a few of his guests from one morning's show: young romance between Minnesota farm girl Dorothy (Bonita Granville) and US Navy man Ken (Edward Ryan); an elderly widow (Beulah Bondi) who gets hit by a car on the way to the show; Elvira (ZaSu Pitts) who wants to win the show's weirdest hat contest; and Frances (Billie Burke), who doesn't know that her husband (Raymond Walburn) is cheating on her. Also featuring musical performances from Andy Russell, Spike Jones & His City Slickers, and the King Cole Trio. With appearances by Herman Bing, Byron Foulger, Minerva Urecal, and Hedda Hopper as herself.

Breakfast in Hollywood was one of the most successful radio shows of the 1940's, running from 1941 to 1949, and broadcast on three networks simultaneously. Judging by the film, the show was a mix of musical performances and host Breneman wandering around the restaurant floor where the show originated, asking humorous questions of the audience, and holding various lottery drawings and contests for minor prizes. The radio show was at its height of popularity when this film was produced by Breneman. The various fictional storylines are goofy fluff, but I enjoyed seeing this snapshot of an American cultural relic that seems largely forgotten today. Add the music performances from Russell, Spike Jones' comedic band, and Nat King Cole in his early days, and this is a worthy pastime, saved from the waste bin of history. Breneman, who in the film looked at least 15 years older than his actual age, died suddenly in 1948 at age 45, and his show soon followed.

To demand greatness of a film like this is to misunderstand the function of a programmer. Breakfast in Hollywood is popcorn for the mind, a pleasant interlude with some great characters actors (ZaSu Pitts, Beulah Bondi, Billie Burke, Raymond Walburn, Hedda Hopper) and a chance to see Nat "King" Cole and the King Cole Trio on the screen very early in his career (though carefully segregated from the rest of the cast.) Spike Jones does two numbers with the City Slickers, a wartime romance provides a bit of drama although the war is technically over, and there is even a cute dog. The inimitable ZaSu Pitts is worth the price of admission all by herself! The plot, such as it is, is a sort of comedic Bridge of San Luis Rey, following the lives of A HALF DOZEN people attending the radio broadcast. The stories are funny, romantic, or dramatic -- and no one dies at the end! Pure escapism, nicely done.