La Chambre des Horreurs

The film concerns upon a gorgeous heroine(Anna Lee) who 's falsely accused as nutty and wrongfully jailed in famous Bedlam asylum governed by an evil ruler (Boris Karloff) in England during 18th century .

Suspense , macabre and horror is exposed lurking , menacing , harassing in rooms, stairs , doors and reflected on the sensationalistic and cruel interpretation by Karloff . Over-the-top terror picture filled with thrills , intrigue , drama , some moments of shock and results to be pretty entertaining . Atmospheric goings-on dominate this typically tasteful horror study from director Mark Robson . Movie scenarios are based on William Hogarth paintings that imaginatively bring to life scenes about madhouse ; besides it has ideas adapted from Edgar Alan Poe writings , especially in its final conclusion . There is a certain social critical referred to horrible and revulsive conditions in which the nuts are forced to live .

The motion picture has a dark atmosphere created by Nicholas Musuruca (Stranger on third floor and Cat people) , he makes an awesome camera work , along with John Alton are the fundamental creators of Noir Film photography . As cinematography is magnificent , lights and dark are originating an eerie and creepy scenario . The movie was produced by RKO and the last of the famed Val Lewton films , the biggest producer of horror classics (Iwalked with a Zombie , Cat people , Leopard man , Ghost ship), plus he produced for director Mark Robson various films (Isle of the dead , Seventh victim) with similar technicians and artists . R.K.O. gave Val Lewton little budget to make the film , resulting in "creative" producing . In fact ; because of the incredibly tight budget, sets from other films were re-used . RKO usual musician ,Roy Webb , creates a fine score with the habitual musical director Bakaleinikoff . Excellent set design at charge of Albert D'Agostino . The picture was rightly directed by Mark Robson . Addicts of Karloff and horror should no account miss this movie . The flick will appeal to classic cinema moviegoers .

Master George Sims runs the famous mental asylum Bedlam for his own personal amusement – using the inmates for his own ends (such as entertaining powerful guests) even if it means his patients die as a result; although even when they do, it matters naught to Sims or his political peers. However the arrival of Nell Bowen with Lord Mortimer exposes Sims to his first critical voice as she tries to reform the asylum to actual treat the patients rather than abuse them. Although Sims can initially control her by pushing the right political buttons on Mortimer, she continues to strive for change and Sims is forced to take further steps to protect his cruel way of life.

A strange mix of well-written dialogue with some comic touches, a solid story, an interesting debate and chiller; however I think those that are disappointed in the film tend to put to much onus on the latter rather than the former qualities. I agree that the film really does fall flat when it comes to drawing the horror and tension out Nell's imprisonment but there was enough going on to cover for it. The early stages are quite light, with flowing dialogue and some moments of wit that are enjoyable and offer a bit of menace just below the surface where I'd hoped it would gradually be revealed as more. Sadly in the second half this menace didn't come out enough and it wasn't as chilling as I would have liked. Despite this it is still interesting and is a polished film that is very engaging.

The basic story is simple enough and the debate over Sim's methods versus the "Quaker lies" is a nice addition despite it always falling on the side of Nell. The dialogue contains too many "thee's" and "thou's" for its own good but it is still nicely poetic and flows well, adding to the classy feel of the film. With these words the cast mostly stand up well to it. Karloff has fun with the words and enjoys mixing intelligent wit with his usual brand of menace. Lee is good despite being a bit too liberal for her won good, although she gets off better than Fraser, who stumbles across nearly every word he has to say and comes across about as natural as PVC. Hodgson, House and others all give good support but mostly the film is best when Karloff and Lee are on screen together.

Overall not a chiller or horror by any means, although you can see why people expect it to be. However it is still a professional period piece that flows well with the dialogue and most of the actors to produce an enjoyable story that is worth seeing.

In 18th century London, Nell Bowen the protégé of Lord Mortimer is confined by the malicious asylum master, for voicing her concerns about the condition of the Bedlam asylum.

This is a pretty interesting horror film by RKO studios and producer Val Lewton. Director Mark Robson gives a reasonable job in the use of setting and characters, though it does have its flat spots and may lack suspense at times- but not enough to damage the film.

The performances are perfect with the ever-reliable Boris Karloff as the evil Master George Sims, which he brings such an evoking presence of macabre. Billy House as the pompous Lord Mortimer who is easily influence, fit's the role perfectly. Richard Fraser as the ever-helpful Hanny, who befriends Nell Bowen and tries to help her out on her quest. The best performance would have to be Anna Lee as Nell Bowen who brings a spirited and caring vibe to her character, she is disgusted in the way the upper class treat the mentally insane and tries to change that, especially when she learns a great deal about them when she is confined.

The story of the mental institution is quite interesting though at times the pace seems to be to padded- but when it focus on the manipulative Master Sims and the institution, especially when Nell is detained it has a disturbing aurora that draws you in, though nothing that shocking. The grim atmosphere, especially the asylum is really top-grade, the cinematography is alright- with great use of lighting and shadows and the music score is nothing spectacular- but just right.

3.5/5

Boris Karloff stars as a sinister administrator of an asylum in the 18th century, who manages to manipulate a socially conscious young, and sane woman (Anna Lee) to be placed under his care.

Karloff is reliable as always,and Lee's character, while she can be somewhat ignorant of the mentally ill, does eventually realize that even the mentally ill are human beings and should be treated as such.

The movie doesn't seem to me so much a horror film, as much as a commentary on how insane asylums were run and the inmates treated in those days. But I think the movie falls a bit short on that. I realize that, because of the times and the Code, they couldn't show all the true horrors that went on in the mental wards in those days, but the inmates in here aren't actually shown to be mistreated all that much, save for being locked in a cage or chained to a wall.

Still the film is watchable, and Karloff makes it so.

There aren't many films that feature the mentally ill in institutions. One of the most famous is One Flew Over the Cuckoo's Nest. But that was mild compared to seeing how they existed in the 16th Century.

It wasn't too much better in the United States, and this created the push to Community Mental health instead of institutions. It was too easy in these facilities to abuse and neglect patients, and it was also too easy, as illustrated in the film, for families to quietly get rid of unwanted wives or barriers to wealth.

Boris Karloff is excellent in his role as the warden and the film does manage to keep from being too morose with attempts at humor, and what is probably a prettier picture of the institution that really existed.

Anna Lee, probably better known as Lila Quartermaine on "Port Charles" and "General Hospital," did a very good job as someone who was taken aback by the conditions at Bedlam and fought for reform to the point that she, herself, was committed. She then worked from within to defeat Karloff, and manged to endear herself to the residents to the point that the film had a really great ending.