The Bamboo Blonde

Hollywood was turning out these slightly built musicals by the score during the war. Though this one wasn't released until mid-'46, it has all the markings. Hotshot bomber pilot Pat (Wade) meets nightclub singer Louise (Langford) and, guess what, they fall in love. Trouble is he's already engaged to conniving, snooty Eileen (Greer) who won't let him go. So romantic complications ensue. In between these, Langford gets to warble a few tunes, while the fast- talking Edwards gets to act the bigshot promoter. Add the always wise-cracking Iris Adrian as somebody or other named Montana, and you've got an entertaining cast. Sure, it's all forgotten 10-minutes later, but in the meantime, the shenanigans go down like a pleasant little snack.

As a masterclass in what a great auteur can do with trite, uncharacteristic material, 'The Bamboo Blonde' is a must see. With a bizarre mixture of war propaganda, romantic comedy and musical, Mann manages to offer a prototype of the frayed masculinity so familiar from his noirs, Westerns and historical epics (see the final third, the ritual humiliation of the amiable hero); as well as his subversive interest in signs (see especially the musical number where the heroine walks through a landscape of labelled props), and the gaping difference between their value and the reality they hide. All this AND Jane Greer, as duplicitous a nay-sayer here to American masculinity as she would be a year later in the greatest ever noir, 'Out of the Past'.

I would listen to Frances Langford sing the Albanian phone book. Here we have Frances set in a movie that is perfect for her. Looking absolutely beautiful, appealing, sounding like the Golden voiced song bird that she is. Her voice is almost too beautiful, her delicate phrasing along with her melting pianissimo's makes the heart flutter. Of all the great female singers of the 30's and 40's Frances, all five feet of her, stands head and shoulders above the rest. Frances isn't just a 'pleasant little snack,' she's a full course meal. You keep rooting for her and the flier to get together. There is just enough mischief to keep you guessing. The movie is what it is, an entertaining, morale boosting romp, where all ends well. See this movie, by all means, and be transported into a different time and place

Okay, this movie isn't Citizen Kane. But it is an hour of so of zippy well-produced entertainment -- and I think you have to say it is one of the most perfectly typical movies of its time. I mean, it has every stereotypical character, traditional plot device and normal production touch you might expect in a light comedy produced during wartime. We have a fast-talking and slightly corrupt nightclub promoter. We have an adorable torch singer with a heart of gold. And we have a somewhat naive leading man who nevertheless possesses the sterling qualities that will make him a war hero. Oh, and don't let me forget -- we also have a beautiful and manipulative woman, the sort who doesn't like to lose.

The plot is your basic boy-meets-girl stuff. It concerns a man who meets a nightclub singer -- very cutely, of course. They have a nice long chat over dinner and fall deeply in like. The fellow goes to war the very next day. Boy and girl secretly pine for each other, even though each of them knows they really don't have a right to do so. The girl's lovely face gets painted on the nose of our hero's B-29. The plane and crew becomes famous for heroic exploits (which consist mainly of surviving) and then hero and torch singer are reunited for a bond tour. They have to pretend to be lovers. The problem here is that the hero's rich-bitch fiancé intrudes. She doesn't love the guy at all, but now that he's a war hero, she demands that the big lunk go through with the ceremony.

You can kind of guess how this one ends. Can't you? Oh, please. And there's a big twist at the end, when we find out about the fellow's family background -- but if you don't see this one coming a half-hour in advance, you probably haven't seen enough thirties and forties movies.

Naturally the lovely Miss Langford has some elaborate production numbers, with a wonderful big-band soundtrack.

Now, this sort of summary might make this movie sound like the oldest and tritest story ever filmed. But the fact is that every now and then someone produces a movie that so perfectly encapsulates every convention of its genre that you stop seeing a lack of originality as a flaw. Instead you can marvel at its perfection, the way you can admire a perfectly cut diamond. Nothing original about a perfectly cut stone, is there? But it sure looks purty.

So of course the boy and girl fall in love. Of course they conquer all. Of course Frances Langford gets to wear skimpy outfits and sing her lungs out. No wonder Bob Hope took her on so many USO tours.

I gather that Anthony Mann's involvement is one of the reasons this movie works so well. He became a noted director in the years after this film was made, and while I can't count myself as one of those who is obsessed with his work, I know that there are many who are. Suffice it to say that some directors might have made a mess of a movie like this one, but Mann keeps it moving right along, and the level of acting is pretty much what it ought to be.

Okay, so maybe the critics were right when they called this movie clichéd and hackneyed. But there was a reason for those clichés: Sometimes they actually worked. Next time this one shows up on cable, put your feet up, put your mind on hold and let yourself enjoy the darned thing.

With only a 67-minute run time, this must have been made as a B movie, something that alternated with a feature with a better-known cast and a longer run-time in houses that showed double features.

It's primary purpose is to feature Frances Langford, the very popular singer from radio and World War II Bob Hope tours overseas. She was an attractive woman and a wonderful singer - though she isn't given anything memorable here to sing, which largely negates her potential contribution.

Whether she was a good actress we can't tell from this movie either. It gives her nothing to work with.

But the problem here is with the character of the man she falls for, a bomber pilot. He's nice looking in a generic sort of way. But he has all the backbone of a wet noodle, leaving us to wonder what she could see in him. We know that he allowed himself to become *almost engaged* to a gold-digging social climber before he was sent overseas, even though he admits he doesn't love her.

This comes to a head - sort of - near the end of the picture when the gold-digger invites Langford, her nightclub friend, and the pilot to a dinner party, telling them that she has also invited the pilot's parents. (Not true.) The pilot thinks this will be a chance for his folks to get to know Langford, so he convinces her to come.

When they get to the party, the gold-digger says that the pilot's parents couldn't come after all. Rather than escorting Langford away to a private dinner, the pilot allows himself to be dragged into the party by some of the gold-digger's scheming guests, leaving Langford (almost) alone with the gold-digger. If he's not going to stand up for her, why should she be interested in him?

Then the gold-digger tells Langford and her friend to change into their costumes so they can perform for the guests. (Langford is a singer at a night club.) Rather than pointing out that they had been invited as guests and not as performers, Langford and her pal go along with it. Why?

Then, because she is angry at an imagined slight from the pilot's parents, Langford changes into something mildly slinky - but only mildly - to perform what is an only mildly hot - let's say luke-warm - torch song. This makes no sense, because that was not the sort of song we had seen her perform - or the sort of dress we had seen her wear - when we saw her perform in a nightclub previously.

It's a manufactured climax that goes nowhere, because the pilot doesn't seem to care about the dress - and his parents didn't see it anyway.

That's all there is to this movie, I'm afraid. If you like to listen to Langford sing, you'll be disappointed with her material here. If you want a good plot, ditto.