White Pongo

This is another story of a jungle expedition that runs across a legendary white ape that may or may not be the missing link. There has got to be five or six of these films floating around in the film vaults and everyone of them is a turkey or a close cousin.

The problem here, as in almost every jungle movie, is that the gorillas look like what they are, men in suits. Worse if the fact that the suits are absolutely terrible and so unconvincing that anyone watching it is going to laugh rather than scream.

This movie isn't too terrible, and is actually okay if you have a love of bad movies, especially ones that you can talk back to and make fun of. As these things go its not a movie that I' search out, but it is one that I'd put on if I was in need of some unintentional laughs.

A group of explorers embark on a journey into the middle of the African jungle in search of a fabled white ape; a creature thought to be the missing link.

The idea that a white ape would be closer to man than a black one is possibly a little bit subconsciously racist if you were to choose to over-analyse this movie. But it's really best to take this detail with a pinch of salt as White Pongo is resolutely not a film to take seriously at all. It was one of dozens of adventure films from the 40's that were set in exotic and unchartered locations. Back in those days before the advent of television audiences certainly seemed to get a kick out of seeing stories set in the wild. There was still something mysterious about these places and the world hadn't been so fully explored that it didn't seem impossible that a large hitherto unknown gorilla could be out there somewhere. White Pongo like others of its type pandered to these kinds of feelings.

The film itself is a quite typical adventure film from the time. Men-in-monkey-suit movies were ten-a-penny back in the 40's and this is simply another one in the cycle. It's a fairly enjoyable one though. Aside from White Ponga (it's never actually referred to as 'Pongo' for some reason) there are other typical black apes. The latter are nastier, baser creatures. White Ponga by contrast is relatively noble. He kills bad guys and, like King Kong before him, is somewhat obsessed with the white woman of the party, whom he captures. Aside from the monkey mayhem there is strife and underhand dealings happening amongst the explorer outfit; while there is the requisite smattering of stock footage of wild animals thrown in for good measure. Overall, it isn't exactly a bad way to spend an hour of your time.

Sam Newfield, director of White Pongo, had a long and productive career, spanning from the mid-1920s to the mid-1960s. Averaging 3-4 films per year (a total of 7 in 1951), he apparently did not have a great deal of time to waste with art, script refinement, and cinematography. His most well-known films achieve a relatively high rating here on IMDb (4), and are all within the horror genre (e.g. Dead Men Walk), but he did occasionally branch out into Sci-Fi (Lost Continent) and made a decent number of respectable war and western films in the last ten years of his career. Although I have not seen many of Newfield's films, and remember even fewer, I am willing to wager that White Pongo is fairly representative of the lot.

There are essentially two weakly developed plots. First - an expedition of upper crust white guys and a beautiful young woman are out in the jungle searching for a missing link (an albino gorilla whose only truly distinguishing characteristic is bad costuming). Since this plot had been done several times previously in equally bad films and the excellent King Kong, the screenwriter included a rather over-dramatic romantic quadrangle between the young lady, a privileged jerk to whom she is apparently betrothed, a decent young laborer, and - of course - the albino gorilla. Raymond Schrock, who had been writing for film since the teens gets the only credit I can give anybody in the production team for giving the actors something reasonable to work with. Schrock is an interesting character. Most of the films he was involved with are very obscure and difficult to find, but those which remain in the light seem to rate pretty highly here on IMDb. Sadly, White Pongo was made within the last five years of his career. and, in terms of plot, it's a very predictable, unoriginal, mess.

The cinematography is fairly standard for the jungle adventure genre as it stood in the middle of the 20th century. In other words, it is quite limited by available technology and set problems. The directing exemplifies the term "pedestrian", and the acting, though uninspired, is not nearly as bad as might be expected from the largely unknown cast. Those interested in the history of African American participation in film may be interested to see activist actor Joel Fluellen playing an unfortunate stereotype "Mumbo Jumbo" in this film, and will appreciate the irony that the only two 'ethnic' actors in this film (Fluellen and Al Eban) outlasted the rest of the cast. Fluellen appeared in some fairly good roles in Oscar and Grammy nominated films late in his career.

Best viewed with the aid of intoxicants and friends with good senses of humor. Otherwise - to be avoided.

This is the kind of film that kids will enjoy and does not contain a lot of violence. The setting looked good with a lot of jungle greenery and men in gorilla suits. There is actually a plot to this thing. I would have rather had the plot revolve around looking for and trying to capture a rare white gorilla than looking for a white ape that they suppose to be the 'missing link',,,but I guess the 'link' bit adds something(??). Check out the filmography of Wrixen and Fraser, the native safari guide named, believe it or not..Mumbo Jumbo, they were accomplished actors and played in many notable films. White Pongo is not bad but not good either. There is decent character development and a slight surprise near the end. Ape gets girl, ape looses girl, guy gets girl. Happy ending. Good clean fun.

One of many Poverty Row jungle films, this has to be one of the truly "so bad it's good" films of its era. A Chief Native Bearer named "Mumbo Jumbo" -- addressed by the other actors with a straight face! Pongo is a white gorilla, and one of the natives points to the ground and cries, "B'wana! B'wana! Pongo tracks!" Normal gorillas leave recognizably different tracks? Pressing through the jungle on their trek, they pass the same tree multiple times.

I have a copy of the film on videotape. One of my favorite scenes was edited out of the print it was made from. The hero and heroine are drifting down the river on a boat. They're sitting in the moonlight, and Pongo is following the boat in the jungle, making quite a racket as he snaps small trees, hurls aside boulders, and rustles through the underbrush, to keep up with the boat. He's framed by the profiles of the hero and heroine, in the background. The hero looks deeply into the heroine's eyes and says, dreamily, "Quiet out here in the river, isn't it?" I hope the DVD has that one left in.

This is not a great film, and all of its humorous scenes are intended to be serious. But because of that, it's a fun film.