Les Trois Caballeros

This was my favorite movie when I was four. Now that I'm older, I still watch it every once in awhile, even though there are movies I like better. The Three Caballeros is full of cute humor early in the movie, and the rapport between Donald Duck and Joe Carioca is wonderful. The animated short `The Cold-Blooded Penguin' is *very* cute, and the song `Baia' is one of my favorite Disney songs of all time. Then Panchito arrives, and after the wonderful `Three Caballeros' song, things start to go a little bit crazy. The plot, such as it was, completely evaporates as Donald seems to descend into a girl-crazy madness. I'm not saying this is necessarily a bad thing, however; the final part of the movie is very entertaining, even though it's odd at the same time. I gave this movie an 8 out of 10.

It was a cold January Saturday evening. The park was beautifully lit. People were cheery. We could see the Matterhorn on our right hand side. Magical is the best description I could find.

Suddenly, I started singing...

"Somos los tres carros, los Tres Caballeros, y nadie es igual a nosotros..."

What do I know. My friends all knew the words. 4 guys, ranging from 27 to 31 years old, began forming a chrous line and singing off the top of our lungs...

I don't know how this happened. This is not, by any stretch of imagination, a popular or wildly succesful film. I guess it just touched us, the way Donald Duck had a mexican friend (Panchito), or the wild "Piñata" scene, or the strong latin flavour of the film.

Memories notwithstanding, we kept on singing... and singing... and singing.

People around us seemed to enjoy the show, too.

"Valientes brillamos, como brilla un peso

-Quien dice?!?

NOSOTROS, LOS TRES CABALLEROS!"

The Three Caballeros is a lot of fun, using a mix of live action and animation to bring Brazil and Mexico alive to birthday boy Donald Duck. As he's joined by Panchito and José he realises what he has been missing all these years, falls in love with Aurora Miranda (sister of Carmen), learns to dance, and much more.

With eye-poppingly beautiful animation and lovely colours, it is no surprise that that was the one cartoon Disney veteran Ward Kimball claimed he was truly proud of. The idea of the three birds as international musketeers living the good life is inspired and the running time is just about right.

Similar to it's predecessor, but with higher highs and lower lows. The first segment (Pablo the penguin) is my favorite and I gladly go back to it. It gives me cozy vibes and drives me down memory lane. The second segment (the flying donkey) is also good but not at the same level. The third one (Brazil) has great songs and interesting animation, but introduces the issues of the film. First, the blend between live-action and animation is subpar, as we are now used to the post-Roger Rabbit standard; secondly, Donald Duck turns into a horny beast who just wants to hunt pretty girls (??). And then comes the nail in the coffin, the final needlessly lengthy segment about Mexico: boring, uninspired, and with a Donald as turned on as he can get. It didn't age well, and I'm sorry because the first part is just so good.

Walt Disney's outreach to the South American market resulted in a couple of films--SALUDOS AMIGOS was the first, and THE THREE CABALLEROS came next. To make a comparison, I'd have to see "SA" again, but I do recall that it had some charming musical sequences.

The same is true of THE THREE CABALLEROS, especially when the musical score includes the title song (delightully done by Panchito, Jose Carioca and Donald Duck), and repeated throughout, and ballads such as YOU BELONG TO MY HEART and HAVE YOU EVER BEEN TO BAIA? All of them are performed with some fantastic art work and animation combining live action and cartoon characters.

The last fifteen minutes seems to be scrambling for a way to keep the viewer's attention with some explosive fireworks and a dazzling display of surrealism, minus any conception of a way to end the movie on a high note. The film itself is uneven, offering typical Disney animation for the flying donkey sequence and then resorting to over-the-top fireworks that outdo the Pink Elephants number from DUMBO.

But it's hard to resist the bouncy South American flavor of the score and the charming characterizations of Donald, Panchito and Jose Carioca. The stylized conception of a Mexican Christmas by artist Mary Blair is a standout among the art work involved here, although later the piñata sequence is a bit overwhelming in effects.

The dazzling color and the music make it worth watching at least once, although it's hard to make a comparison between this and other Disney full-length features. Some of the action is fast and furious but the sort of thing that will appeal to very young children.

Summing up: You will either love it or hate it, but if you're a Disney fan you should see it at least once.