L'oncle Harry

Harry Quincey is a bachelor who lives with his two sisters and is head designer in a small town cloth factory. When a New York colleague comes into town to design new fashions early in the production process Harry falls for her and soon it is evident that his relationship with Deborah is going somewhere in the longer term. This is seen as a threat by Harry's sisters, specifically the glamorous hypochondriac Lettie who selfishly guards her brother as her own and has no intention on ever losing him to another woman.

The title of this film and the early tone suggests an enjoyable if standard romantic comedy with some light wit, however it becomes much more dramatic and interesting with some good character development and themes. Harry's romance is indeed quite light and enjoyable but it gives way (well, produces) tension between the women in his life – specifically Deborah and Lettie, who is a wonderfully acerbic and possessive character that leads the film into darker territory towards the end. The film is driven by the characters and I was taken by Harry while enthralled by his relationship with Lettie. The ending is a bit of a cop out as it was selected to be the least controversial and meet the requirements of the moral code of the time; the fantasy ending suggests a dark conclusion but really it is a nonsensical cop out that didn't do the film justice.

With this the case it was important that the cast be able to produce the goods or else it may not have worked, fortunately the cast are roundly good. Saunders is best known to me as the Falcon and the Saint, perhaps roles that aren't the most demanding for an actor, but here he shows good touch and a subtly that works well with his character. He is more than matched by a wonderful Fitzgerald, who is convincing and complex with a performance that could so easily have hammy and OTT but one that she gets spot on. Support is good from Raines, MacGill and others but really the film belongs to the lead two and it is there strong performances that drives the film.

Overall this is a fine piece of drama that moves from a standard romance into a much more interesting character piece that draws out great performances from Saunders and Fitzgerald. The direction is good and the story drew me in well to produce a film that is well worth seeing if you can track it down.

I saw this movie last night at an Austin Film Society screening, with a very receptive audience. I'm sure someone else will write the in-depth, perceptive review, but I happen to like the shallow stuff:

Whether intended by the makers or not, this audience found some hilarious double entendres (e.g. George Sanders showing off his 9-inch telescope).

A scene with inappropriate dubbing of Mr. Sanders' singing voice brought groans. I would have liked to hear him sing. (Audrey Hepburn's real voice should have been used in 'My Fair Lady', too!)

The older sister of the main character looked so much like Jessica Fletcher that my husband suspected a relationship and we looked her up. The actress was Moyna MacGill, the mother of Angela Lansbury... it was fascinating to see the similarity in motions and gestures.

The family's cook was played by Sara Algood. One of her other roles was as the matron Morton in 'Roxie Hart', the forerunner to 'Chicago'.

There was something very charming about seeing George Sanders without the cynicism.

The Strange Affair of Uncle Harry (1945)

George Sanders is a wonder of subtlety, and he rules this movie almost from secrecy he's so quiet and nondescript to a T. He lives in a small town with all the usual small town ways, including insularity. There are three women around him: a plain sister who is simple and sweet and loves him, a beautiful sister who is obsessed with keeping him a bachelor, and a newcomer, a New Yorker who is in town because of the fabric factory that dominates the town.

This is pretty much the set up, and it's plenty because it is the subtle and not so subtle interactions and cross purposes of these three women and the somewhat hapless Mr. Sanders that makes the movie. It's really funny and sad and romantic in its own quirky way. It never loses its way, and the types that each women represent get developed with clarity enough to make you really want what Sanders wants. And doesn't get.

The director Robert Siodmak would be famous soon for a series of great film noirs, but it was his next film that seems to mark a transition, "Spiral Staircase." In that, the photography soars and the sinister aspects surrounding ordinary people add a level of intrigue and fear that this movie simply doesn't want to have. And so you might in some ways find it a little plain, a little sweet without the hard edge that the nasty sister is meant to alone supply. Still, she convinces me just fine, and I rather like the confident New York woman (a little like Bacall in this way).

It does come around to Sanders, the man who committed suicide with a note saying he was just a little bored with life. You can feel that in him here, remarkably. He's so perfectly weary, and yet rather content still. In fact, one treat in the middle of things is him playing piano (he does play) and singing. A remarkable man and unusual actor, worth seeing here.

I strongly disagree with Norm Vogel's comments regarding Leonard Maltin's remark about "censorship" and the ending. Without giving the ending away, I can only say that because of the strict censorship code that existed in 1945, the ending HAD TO BE CHANGED to conform with the rules involving crime and punishment. Thus, the film is weakened in straying from the original ending that was used in the stage play on which this is based--and which had more impact.

George Sanders gives a quietly effective performance as the harried man torn between two sisters, one of whom has a neurotic stranglehold on his affections (Geraldine Fitzgerald). Interesting melodrama given taut direction by Robert Siodmak. Ella Raines is effective in a sympathetic role and Geraldine Fitzgerald is fascinating as a hypochondriac, whining sister who makes Harry's life miserable.

Again, Leonard Maltin was right--censorship had everything to do with the ending.

From Malton and earlier comments it seems that the ending was changed. I read that there were 5 separate endings filmed and shown to test audiences over at 10 day period. Being unfamiliar with the stage play ending I can only say that this ending is excellent and highly effective.

The performances are excellent. The minute facial expressions are superb. There is also quite a bit of black humor in the performances. It is truly a work of art. Initially I was not expecting such a fine movie. It had been selected by the Austin Film Society. But I was very pleasantly surprised.

The story centers around Harry Quincy, played by George Sanders. His younger sister, Lettie, is deeply in love with Harry and feels she knows what is best for him. The whole situation changes when a beautiful young lady from New York enters the small New England town where they live, and she and Harry fall in love and decide to marry. Lettie must act to maintain the status quo. Harry is torn between his family obligations and his new found love.

The ending lead down one path only to discover that all is not as it seems. It is an excellent film.