A traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.A traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.A traveling saleswoman convinces an army lieutenant to pose as her husband so that she can rent an apartment during the World War II housing shortage.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Louis Armstrong
- Louis Armstrong
- (uncredited)
Lynn Baggett
- Disgruntled Traveler
- (uncredited)
Leah Baird
- Sailor's Mother
- (uncredited)
Robert Blake
- Wilbur
- (uncredited)
Eddy Chandler
- Oil Well Foreman
- (uncredited)
Pat Clark
- Sergeant's Girl
- (uncredited)
Joyce Compton
- Gertrude Wilson
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This wartime romcom is about Jean Howard (Ida Lupino), the daughter of an oilfield supplies company owner. Though she is feminine and delicate, she volunteers to handle field sales and sets off to deal with roughnecks out west. This fish out of water story is secondary to the humor that evolves from a falsehood she employs.
She needs a room to operate out of, but like almost every other commodity, rooms are scarce and (practically) rationed. Out of necessity, she pretends to be the wife of an army lieutenant to get accommodations in an auto court. Then she sets off to find a lieutenant to play along with her charade. She finds Don Mallory (William Prince), who becomes trapped in her lie.
Lupino and Prince have excellent chemistry. This is a cute film that is well written. Though its stage play roots are evident, the screenplay is very entertaining. It also does a good job of demonstrating wartime exigencies and the resulting culture.
Willie Best plays the role of Lucille, the all-purpose fixit-man and gopher for the auto court. He is mystified by some of the goings-on that surround the Mallory household. Though his part may be seen as stereotypical, he rises above it and delivers many of the best lines of comedy.
Watch for Sydney Greenstreet as a commanding officer and Louis Armstrong who performs with his band.
She needs a room to operate out of, but like almost every other commodity, rooms are scarce and (practically) rationed. Out of necessity, she pretends to be the wife of an army lieutenant to get accommodations in an auto court. Then she sets off to find a lieutenant to play along with her charade. She finds Don Mallory (William Prince), who becomes trapped in her lie.
Lupino and Prince have excellent chemistry. This is a cute film that is well written. Though its stage play roots are evident, the screenplay is very entertaining. It also does a good job of demonstrating wartime exigencies and the resulting culture.
Willie Best plays the role of Lucille, the all-purpose fixit-man and gopher for the auto court. He is mystified by some of the goings-on that surround the Mallory household. Though his part may be seen as stereotypical, he rises above it and delivers many of the best lines of comedy.
Watch for Sydney Greenstreet as a commanding officer and Louis Armstrong who performs with his band.
Mildly amusing wartime programmer about housing shortage for service couples. Jean (Lupino) finagles an army officer (Prince) to pose as her husband so she can get restricted housing in a motel court. Naturally, "who sleeps where" type complications ensue as they work to keep up appearances. The pace picks up as the difficulties mount, ending finally in madcap farce.
The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)
The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.
The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)
The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.
I enjoyed Ida Lupino in a comedy as much as I ever did in her many dramatic roles;I think her timing is excellent. William Prince is not as skilled, but he makes a good foil for her character in this story.
For its time, the plot was probably considered slightly racy, but was handled so well, you'd never notice. I felt it had just the right touch on an old game, mainly romance, with the added benefit of light comedy that makes it appeal to women and men. The supporting parts were well cast, especially Sydney Greenstreet, who could also do great work in comedy and drama.
I only wish this were available on VHS, or even better, DVD.
For its time, the plot was probably considered slightly racy, but was handled so well, you'd never notice. I felt it had just the right touch on an old game, mainly romance, with the added benefit of light comedy that makes it appeal to women and men. The supporting parts were well cast, especially Sydney Greenstreet, who could also do great work in comedy and drama.
I only wish this were available on VHS, or even better, DVD.
Ida Lupino stars as a saleslady working for her father's company. As it was during WWII, women were assuming many jobs held by men and Ida does this to help out with the war effort. However, she turns out to be pretty bad at sales and by the time she gets to one remote location, she's desperate. But things only get worse, as there is a military base nearby and so there are no spare hotel rooms. On a lark, she checks into a motel designated for spouses of servicemen. However, she's single and lies to get the room--and unless she wants to get tossed out, she'll have to find some guy to pose as her husband. The unsuspecting shmoe is a young lieutenant (William Prince)--whose nice gesture completely blows up in his face. And now, they are stuck together--otherwise the Lieutenant will be in serious trouble with his Colonel. Can all this be straightened out and Lupino and Prince avoid serious consequences?
This is a nice screwy comedy that was pretty timely--as there was a severe housing shorting during the war. In many ways, the theme is reminiscent of the wonderful comedy "The More the Merrier"--though this latter film is much more of a classic. "Pillow to Post", on the other hand, is rather slight...enjoyable but slight.
snafu
This is a nice screwy comedy that was pretty timely--as there was a severe housing shorting during the war. In many ways, the theme is reminiscent of the wonderful comedy "The More the Merrier"--though this latter film is much more of a classic. "Pillow to Post", on the other hand, is rather slight...enjoyable but slight.
snafu
Ida Lupino was mostly known for drama but she does well in comedy. Its too bad the script wasn't as good as she was. It has some laughs and cute moments but it misses the mark as a screwball comedy or a farce. It is still enjoyable and worth seeing.
It is fun seeing Greenstreet in a non villainous role.
It is fun seeing Greenstreet in a non villainous role.
Did you know
- TriviaThis was William Conrad's acting debut.
- GoofsNear the end of the film as Don starts to go after Jean, as the camera tracks him, its moving shadow falls across the back of someone standing in the foreground.
- Quotes
Colonel Michael Otley: Lucille, everyone in the Army isn't a general.
Lucille: No, sir, but you'd be surprised how my tips increased after I started calling everyone general.
- SoundtracksWhatcha Say?
(uncredited)
Music by Burton Lane
Lyrics by Ted Koehler
Performed by Dorothy Dandridge with Louis Armstrong and His Orchestra
[The orchestra performs the song at the Tavern]
Details
- Release date
- Country of origin
- Language
- Also known as
- ¡Qué noche de bodas!
- Filming locations
- Wilshire Boulevard and South Alvarado Street, Los Angeles, California, USA(cab goes through this intersection, driving on Wilshire, at beginning of film)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.37 : 1
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