A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.
- Director
- Writers
- Stars
Elayne Adams
- Miss Ames
- (uncredited)
Mary Arden
- Madge
- (uncredited)
Bess Flowers
- Office Worker
- (uncredited)
Charles Jordan
- Draper
- (uncredited)
Anne O'Neal
- Mrs. Swanaker
- (uncredited)
Jean Ransome
- Marie
- (uncredited)
John Shay
- Jeffry Dodd
- (uncredited)
Lorell Sheldon
- Phyllis Kruger
- (uncredited)
Ken Terrell
- Motorcycle Policeman
- (uncredited)
Joan Tours
- Office Worker
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Body, body, where's the dead body. Seems a non-breathing one gets around better than a breathing one. Then too, the murdered corpse is never where you'd expect it to be. And so, for better or worse, a nomadic corpse just about amounts to the plot. Good thing the narrative's full of colorful characters, and a fast moving director who never lets things drag. I like the way the amusing parts are under-played such that the acting never gets sappy. Cast-wise, It's a paunchy Bromberg, a smirking Jencks, a fluttery Randolph, and a sinister Weldon; together, they lift the skimpy narrative into a pleasantly entertaining programmer. Seems Bromberg's business rival turns up dead and the newsman's got to hide the body before others pin the murder on him. But can he, since new people keep turning up and turning things over in his mountain lodge. And when was the last time a paunchy, middle-aged short guy got the leading part in a flick. It does happen here and no camera tricks try to hide it. I guess my only gripe is the relative absence of shapely girls in that nifty 1940's attire. All in all, the flick's the kind of fun escape meant to ease wartime audiences. And dare I say it, fun too, even for a new millennium.
Newspaper publisher J. Edward Bromberg has a running feud with fellow publisher Paul Guilfoyle. Bromberg doesn't like Guilfoyle publishing pictures of his daughter at nightclubs, and threatens the man, whom he calls a blackmailer. The next day he is to go duck hunting, and so spends the evening practicing with a rifle. The following morning, he is packing supplies in the car chauffeur frank Jenks will drive him in, and discovers Guilfoyle's corpse in there.
It's from a story by Harry O. Hoyt (best remembered for directing the silent The Lost World), and it's a pretty amusing comedy as Bromberg tries to ditch the body with Jenks' help, and keeps failing. Bromberg's reactions are funnier for not being particularly jittery in the face of the nitwits he encounters, from wife Lorell Sheldon to cop Archie Twitchell. It's a nicely layered performance by one of the founders of the Group Theater, and director Albert Herman lets him have his head.
It's from a story by Harry O. Hoyt (best remembered for directing the silent The Lost World), and it's a pretty amusing comedy as Bromberg tries to ditch the body with Jenks' help, and keeps failing. Bromberg's reactions are funnier for not being particularly jittery in the face of the nitwits he encounters, from wife Lorell Sheldon to cop Archie Twitchell. It's a nicely layered performance by one of the founders of the Group Theater, and director Albert Herman lets him have his head.
PRC produces an enjoyable item here with little funding, a comedic melodrama that successfully incorporates both verbal and visual humour, along with a dollop of suspense, in creating a picture notable for its rare featured performance by veteran supporting actor J. Edward Bromberg, skillful direction, and especially effective scoring, in addition to a clever scenario that benefits from perfect pacing to smoothly advance the action. A whimsical plot requires that scripting, acting, and editing combine equally to avoid mere giddiness, and that is the case here, with Bromberg cast as Henry Kruger, an ethical newspaper publisher who threatens Andy McDonald, his counterpart upon a rival big city (Los Angeles) tabloid, with physical harm after McDonald splashes a nightclub escapade involving Kruger's daughter upon his journal's front page. After the blackmailing McDonald is murdered by one of his victims, his corpse is chased from the unsuspecting Kruger's automobile trunk to a series of makeshift hiding places, with humorous perplexity resulting from Kruger's attempts to avoid being implicated in the homicide. Director Albert Herman, for his final feature film commission, ably leads his actors in the briskly gaited affair, and manages in fine fashion to balance comedy with sequences of suspense, aided throughout by a splendid score contributed by classically trained Karl Hajos, who adds pages to his prior work from studio stock, seamlessly blending the total into the narrative. Acting is of variable merit, with Frank Jenks winning the Thespic laurels in the role of Kruger's chauffeur and companion, a typically sharply defined performance from him, capitalizing upon his impeccable sense of timing.
For a PRC film with limited production values The Missing Corpse isn't too bad of
a film. It also stars the tragic J. Edward Bromberg in one of the films you'll find
this character player top billed.
Bromberg and Paul Guilfoyle are rival tabloid publishers and Guilfoyle has printed some nasty stuff about Bromberg's daughter. Reacting like an outraged father, Bromberg promises to do him harm if any more should be printed.
Then Guilfoyle winds up dead and in Bromberg's car trunk. They discover it when Bromberg goes up to his hunting cabin for a short vacation. They being Bromberg and chauffeur Frank Jenks.
Not much suspense here since we know who killed Guilfoyle. Still a few laughs from the cast especially Bromberg and Jenks.
Not bad considering it's a PRC cheapie.
Bromberg and Paul Guilfoyle are rival tabloid publishers and Guilfoyle has printed some nasty stuff about Bromberg's daughter. Reacting like an outraged father, Bromberg promises to do him harm if any more should be printed.
Then Guilfoyle winds up dead and in Bromberg's car trunk. They discover it when Bromberg goes up to his hunting cabin for a short vacation. They being Bromberg and chauffeur Frank Jenks.
Not much suspense here since we know who killed Guilfoyle. Still a few laughs from the cast especially Bromberg and Jenks.
Not bad considering it's a PRC cheapie.
Great old movie....if you want humor and a twist in the story, this is a movie to see! Clean in todays standards. Not a waste of time. A peek into the past. A treasure!
Did you know
- TriviaKruger's car is a 1941 Buick convertible; the "A" sticker on his front windshield is a World War II era gasoline ration status. The "A" sticker was aimed at nonessential driving and was good for three gallons a week to be used for essential shopping and other uses.
- GoofsWhen Officer Trigg sees Kruger speeding past, and sets out after him, his motorcycle has three headlights on. But just seconds later, before he catches up to Kruger, only two headlights are on. The next time we see him, still at night, none of the headlights are on.
- SoundtracksHome, Sweet Home
(uncredited)
Music by Sir Henry Bishop (aka H.R. Bishop)
Played under the opening and closing credits
Details
- Release date
- Country of origin
- Language
- Also known as
- Stranger in the Family
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
- Aspect ratio
- 1.37 : 1
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