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6.6/10
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The ringmaster of a flea circus inherits a fortune...if he can find which chair it's hidden in.The ringmaster of a flea circus inherits a fortune...if he can find which chair it's hidden in.The ringmaster of a flea circus inherits a fortune...if he can find which chair it's hidden in.
Richard Tyler
- Homer Floogle
- (as Dickie Tyler)
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For anyone who is considering a career as a comedian, It's In The Bag should be required viewing. For the rest of us it gives us many laughs and it's the one and only opportunity to see Fred Allen's talents on full display.
Allen's brand of absurdist humor has influenced so many people right down to today. You can see traces of his influence in Rowan&Martin's Laugh-In, the Mighty Carson Art Players from the Tonight Show and even Monty Python's Flying Circus and may be most of all the work of Mel Brooks on the screen. Because the cinema of necessity a tightly controlled script is in order, one aspect of Allen you don't see was his quick wit with an ad-lib. Some even consider him faster with a quip than Groucho Marx.
The premise for this film is that Fred is the financially strapped owner of a flea circus, owing everybody in town including bookie Ben Welden and barely supporting wife Binnie Barnes and children Gloria Pope and Richard Tyler. A long unheard of uncle however is murdered and the uncle left Allen a set of five chairs.
Our genius of a hero sells them off before a phonograph record from his late uncle tells him that $300,000.00 is hidden in one of the chairs together with clues as to who murdered him. Of course the perpetrators are shadowing Allen's every move as he seeks to retrieve the chairs from their new owners and find his fortune in the lining.
The whole thing is an excuse for several skits as Allen goes on his quest for the chairs. One of the chairs was sold to Minerva Pious who is Mrs. Nussbaum and a regular on Allen's radio show. She happened to sell the chair to one Jack Benny.
Benny's character as a miser has become so ingrained in the American culture that even today people who've heard the name know that about him and can appreciate the cheap jokes. What they might not realize is that Jack Benny and Fred Allen engaged in one of the great famous radio feuds so that dimension of the scene with Fred Allen might be lost.
Another couple of chairs goes to a nightclub where folks like Don Ameche, Rudy Vallee, and Victor Moore are picking up some extra money as singing waiters. Another goes to William Bendix, head of the criminal Bendix gang. Bendix is terrific burlesquing his own tough guy image and John Carradine who played many a sinister role on screen looks like he's having a ball playing a crooked lawyer.
Even Jerry Colonna is in this film, on loan from Bob Hope's radio show playing a zany psychiatrist. There is so much in It's In The Bag packed into less than 90 minutes you can hardly stop for breath.
This film is a rare comic treat and should never be missed when broadcast. Demand TCM acquire this film and broadcast it.
Allen's brand of absurdist humor has influenced so many people right down to today. You can see traces of his influence in Rowan&Martin's Laugh-In, the Mighty Carson Art Players from the Tonight Show and even Monty Python's Flying Circus and may be most of all the work of Mel Brooks on the screen. Because the cinema of necessity a tightly controlled script is in order, one aspect of Allen you don't see was his quick wit with an ad-lib. Some even consider him faster with a quip than Groucho Marx.
The premise for this film is that Fred is the financially strapped owner of a flea circus, owing everybody in town including bookie Ben Welden and barely supporting wife Binnie Barnes and children Gloria Pope and Richard Tyler. A long unheard of uncle however is murdered and the uncle left Allen a set of five chairs.
Our genius of a hero sells them off before a phonograph record from his late uncle tells him that $300,000.00 is hidden in one of the chairs together with clues as to who murdered him. Of course the perpetrators are shadowing Allen's every move as he seeks to retrieve the chairs from their new owners and find his fortune in the lining.
The whole thing is an excuse for several skits as Allen goes on his quest for the chairs. One of the chairs was sold to Minerva Pious who is Mrs. Nussbaum and a regular on Allen's radio show. She happened to sell the chair to one Jack Benny.
Benny's character as a miser has become so ingrained in the American culture that even today people who've heard the name know that about him and can appreciate the cheap jokes. What they might not realize is that Jack Benny and Fred Allen engaged in one of the great famous radio feuds so that dimension of the scene with Fred Allen might be lost.
Another couple of chairs goes to a nightclub where folks like Don Ameche, Rudy Vallee, and Victor Moore are picking up some extra money as singing waiters. Another goes to William Bendix, head of the criminal Bendix gang. Bendix is terrific burlesquing his own tough guy image and John Carradine who played many a sinister role on screen looks like he's having a ball playing a crooked lawyer.
Even Jerry Colonna is in this film, on loan from Bob Hope's radio show playing a zany psychiatrist. There is so much in It's In The Bag packed into less than 90 minutes you can hardly stop for breath.
This film is a rare comic treat and should never be missed when broadcast. Demand TCM acquire this film and broadcast it.
I was surprised by the quality of the writing in this forgotten exhibition of the comic talents of radio personality Fred Allen. The story is one of those madcap farces in which a virtually non-existent plot is held together by a relentless barrage of jokes and quips which, for a change, hit more often than they miss.
Allen plays Fred F. Trumble Floogle, the penniless owner of a flea circus who unexpectedly comes into an inheritance when a distant relative is murdered. What Fred doesn't realise is that most of the fortune has already been siphoned off by crooked lawyer John Carradine and his cronies, and the few hundred thousand dollars that remains is hidden in one of a set of five chairs that have been sold at auction. There then follows a fast paced hunt for the missing chairs that leads Floogle into the paths of all manner of unusual characters. One of these is Jack Benny, and the film has a great time poking fun at his legendary stinginess. Two of the chairs have been sold to a nightclub where Floogle finds former stars Don Ameche, Rudy Vallee and Victor Moore working (Ameche has run out of things to invent in the movies so is reduced to working as a singing waiter to make ends meet.)
The story continues in this vein for ninety minutes, but very rarely does the pace – or quality of the jokes – flag. Others have pointed out that many of the gags will be lost on those with no – or little – knowledge of the period, but there's still plenty of timeless jokes that still work today.
Allen plays Fred F. Trumble Floogle, the penniless owner of a flea circus who unexpectedly comes into an inheritance when a distant relative is murdered. What Fred doesn't realise is that most of the fortune has already been siphoned off by crooked lawyer John Carradine and his cronies, and the few hundred thousand dollars that remains is hidden in one of a set of five chairs that have been sold at auction. There then follows a fast paced hunt for the missing chairs that leads Floogle into the paths of all manner of unusual characters. One of these is Jack Benny, and the film has a great time poking fun at his legendary stinginess. Two of the chairs have been sold to a nightclub where Floogle finds former stars Don Ameche, Rudy Vallee and Victor Moore working (Ameche has run out of things to invent in the movies so is reduced to working as a singing waiter to make ends meet.)
The story continues in this vein for ninety minutes, but very rarely does the pace – or quality of the jokes – flag. Others have pointed out that many of the gags will be lost on those with no – or little – knowledge of the period, but there's still plenty of timeless jokes that still work today.
Although he is the master of his own flea circus, Fred Floogle has never really been able to provide for his family gambling not really helping. When he learns that he is the long lost relative and benefactor to the estate of a recently deceased millionaire, he immediately starts living it up ahead of the inevitable inheritance. Sadly it transpires that, not only was his uncle murdered but Fred and his family has only been left some chairs and a gramophone record. Selling the chairs before listening to the record, Fred is horrified to learn that hidden in one of the chairs is not only evidence of the man's killer but also several hundred thousand dollars. Thus begins a race for Fred to find the chairs before other parties can get their hands on them.
The few comments on this site show how obscure this film now is and, not wishing to appear elite let me say that it was by chance that I stumbled across it I saw it in the listings and taped it sight unseen. It turned out to be a good use of tape (well, digital space) because the film is a great bit of fun in the cheeky style of radio comedian Fred Allen. Never having heard of him myself, his style is very much one-liners and sharp humoured that I would often equate to routines done in vaudeville days. With this in mind it is perhaps no surprise that the plot doesn't really matter too much because as is the way with these things it is more about the laughs than the plotting. That said though the narrative does hold together pretty well while also produce not so much sketches but "chapters" that are generally very funny. The film starts with Allen berating the credits something Naked Gun etc do in a similar fashion but was more daring in 1945 I imagine and then continues with plenty of knowing comedy and injokes with stars guests such as Jack Benny and Don Ameche playing themselves. Narrative wise it doesn't really matter how they fit in because their bits are funny enough to stop you worrying too much. I thought not knowing who all the "stars" were would limit how funny I found it but it didn't really.
Allen carries the film and it is a shame that he appears not to have done many other films in his career because he is funny. With a quick wit that comes over with a bit of Groucho Marx and Bob Hope, he is very funny and has plenty of good lines. Barnes is sassy and smart in support and gets some good laughs as well while the guest stars generally go well. I did particularly enjoy turns from Colonna as the Psychiatrist and whoever was playing the lawyer with the manner of an undertaker. It's in the Bag is unlike to be fall into your lap without seeking it out and I'm not sure it is good enough generally to seek out but, if you see it listed somewhere then you should check it out as it is great little bit of fun, mainly thanks to the comics involved.
The few comments on this site show how obscure this film now is and, not wishing to appear elite let me say that it was by chance that I stumbled across it I saw it in the listings and taped it sight unseen. It turned out to be a good use of tape (well, digital space) because the film is a great bit of fun in the cheeky style of radio comedian Fred Allen. Never having heard of him myself, his style is very much one-liners and sharp humoured that I would often equate to routines done in vaudeville days. With this in mind it is perhaps no surprise that the plot doesn't really matter too much because as is the way with these things it is more about the laughs than the plotting. That said though the narrative does hold together pretty well while also produce not so much sketches but "chapters" that are generally very funny. The film starts with Allen berating the credits something Naked Gun etc do in a similar fashion but was more daring in 1945 I imagine and then continues with plenty of knowing comedy and injokes with stars guests such as Jack Benny and Don Ameche playing themselves. Narrative wise it doesn't really matter how they fit in because their bits are funny enough to stop you worrying too much. I thought not knowing who all the "stars" were would limit how funny I found it but it didn't really.
Allen carries the film and it is a shame that he appears not to have done many other films in his career because he is funny. With a quick wit that comes over with a bit of Groucho Marx and Bob Hope, he is very funny and has plenty of good lines. Barnes is sassy and smart in support and gets some good laughs as well while the guest stars generally go well. I did particularly enjoy turns from Colonna as the Psychiatrist and whoever was playing the lawyer with the manner of an undertaker. It's in the Bag is unlike to be fall into your lap without seeking it out and I'm not sure it is good enough generally to seek out but, if you see it listed somewhere then you should check it out as it is great little bit of fun, mainly thanks to the comics involved.
Fred Allen was--with the possible exception of his "rival" Jack Benny--the biggest star in the history of radio. He was Letterman to Benny's Leno--an acerbic smartaleck who practically invented topical humor/current political events satire. While he had numerous small film roles and cameos (and later starred in TV's "What's My Line?"), "It's In The Bag" was Fred Allen's only starring role in a motion picture, and it was a good one.
The plot--Allen gaining, then losing, then frantically trying to recover an inheritance hidden inside one or more mystery chairs--is just a skeleton on which to hang the movie's wry jokes, strange interludes and satirical jabs at Hollywood stars. A trainload of radio and film comedians appear in this movie, including Jack Benny (with whom Allen shared a longtime "feud" that was as successful--and as manufactured--as anything the World Wrestling federation ever produced). Author and bon vivant Robert Benchley makes a strong appearance here, and Richard Wallace's steady direction manages to keep up with the comic mayhem.
Allen's irreverent humor, wild tangents and complete disregard for film conventions (including the sacred fourth wall) inspired Mel Brooks, who, drawing from its source material, made a version of "It's In The Bag" as his second feature, "The Twelve Chairs"--although literary purists who love the original darkly satiric Russian novel by Ilf and Petrov, take note: you will likely hate both these movies with a fiery passion. Even faithful Russian screen adaptations of that extraordinary book have failed to capture its greatness, and "It's In The Bag" doesn't even try--it's merely a sardonically humorous sendup of 1940s Hollywood in general and Mr. Allen in particular. It's no intricate Russian literary classic, but if you love vintage Hollywood comedies with an edge, you won't be disappointed.
The plot--Allen gaining, then losing, then frantically trying to recover an inheritance hidden inside one or more mystery chairs--is just a skeleton on which to hang the movie's wry jokes, strange interludes and satirical jabs at Hollywood stars. A trainload of radio and film comedians appear in this movie, including Jack Benny (with whom Allen shared a longtime "feud" that was as successful--and as manufactured--as anything the World Wrestling federation ever produced). Author and bon vivant Robert Benchley makes a strong appearance here, and Richard Wallace's steady direction manages to keep up with the comic mayhem.
Allen's irreverent humor, wild tangents and complete disregard for film conventions (including the sacred fourth wall) inspired Mel Brooks, who, drawing from its source material, made a version of "It's In The Bag" as his second feature, "The Twelve Chairs"--although literary purists who love the original darkly satiric Russian novel by Ilf and Petrov, take note: you will likely hate both these movies with a fiery passion. Even faithful Russian screen adaptations of that extraordinary book have failed to capture its greatness, and "It's In The Bag" doesn't even try--it's merely a sardonically humorous sendup of 1940s Hollywood in general and Mr. Allen in particular. It's no intricate Russian literary classic, but if you love vintage Hollywood comedies with an edge, you won't be disappointed.
Fred F. Trumble Floogle is the owner of a less than successful flea-circus. Struggling to pay his gambling debts, Trumble is most delighted when it's announced he has inherited a substantial amount of money from a recently slain relative. Jumping straight into the rich mans life style with his family, it's a shock when the dubious suit brigade tell him that all the inheritance money has been dissipated, thus sending the Trumble's into even worse poverty than before. But salvation comes in the form of a phonograph record, which on its reverse side has a message from the grave. It seems that $300,000 is hidden in one of the five chairs that Trumble got from the initial will reading. Trouble is is that his son has just gone and sold the chairs to a dealer, who in turn has sold them on to various people.
I'm not at all familiar with the works of radio star Fred Allen {Fred Trumble}, so going into this film blind as to his style of comedy was a bit of a gamble. Happily I can report that It's In The Bag, and Allen himself were a comedic joy. Backed up by the likes of Jack Benny, William Bendix, John Carradine, Rudy Vallee, Don Ameche and Victor Moore-Allen and the ensemble deliver quick wit and skits to laugh yourself hoarse with. There are some far better reviews of this film available on this site, ie: those more familiar with Allen and his influences, so I would urge interested parties to seek them out. For myself I just loved what I watched, skits around trying to get cinema seats and one involving William Bendix playing against type are excellent, whilst I barely contained my joy during a sequence as Don Ameche recites poetry during a riot. Full of gags both visual and oral, It's In The Bag comes highly recommended to those that enjoy old time comedy with a sharp and prickly edge to it. 8/10
I'm not at all familiar with the works of radio star Fred Allen {Fred Trumble}, so going into this film blind as to his style of comedy was a bit of a gamble. Happily I can report that It's In The Bag, and Allen himself were a comedic joy. Backed up by the likes of Jack Benny, William Bendix, John Carradine, Rudy Vallee, Don Ameche and Victor Moore-Allen and the ensemble deliver quick wit and skits to laugh yourself hoarse with. There are some far better reviews of this film available on this site, ie: those more familiar with Allen and his influences, so I would urge interested parties to seek them out. For myself I just loved what I watched, skits around trying to get cinema seats and one involving William Bendix playing against type are excellent, whilst I barely contained my joy during a sequence as Don Ameche recites poetry during a riot. Full of gags both visual and oral, It's In The Bag comes highly recommended to those that enjoy old time comedy with a sharp and prickly edge to it. 8/10
Did you know
- TriviaOn one of Fred Allen's "Texaco Star Theater" radio broadcasts around 1941, Allen joked that Don Ameche was playing so many real-life characters in movies that if he wasn't careful Ameche would play Don Ameche in a movie one of these days. In this picture, Ameche indeed played himself in a scene opposite Fred Allen.
- GoofsAt the beginning of the film, Mr. Trumble is shown signing the will. Only John Carradine is present. A will is not legal unless the signature is witnessed by two people.
- Quotes
Fred F. Trumble Floogle: [being asked by a reporter about the economic situations] I'm glad you asked that. It's pitching, it's pinching me under the shoulder.
- Crazy creditsBefore the final card at the end of the movie, Fred Allen breaks the fourth wall one more time and says to the audience "Folks, you've got to come back to the next show, immediate seats on the inside."
- ConnectionsFeatured in Maltin on Movies: Identity Thief (2013)
- SoundtracksSunday, Monday or Always
(1943) (uncredited)
Music By Jimmy Van Heusen
Lyrics by Johnny Burke
Sung briefly by Frank Sinatra on a phonograph record
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- It's in the Bag!
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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