IMDb RATING
6.5/10
1.6K
YOUR RATING
Part of an entertainment act, a beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.Part of an entertainment act, a beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.Part of an entertainment act, a beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.
Erich von Stroheim
- The Great Flamarion
- (as Erich Von Stroheim)
Steve Barclay
- Eddie Wheeler
- (as Stephen Barclay)
William A. Boardway
- Audience Member
- (uncredited)
Jack Chefe
- Hotel Desk Clerk
- (uncredited)
Kay Deslys
- Sally Hampton
- (uncredited)
Alphonso DuBois
- Stagehand
- (uncredited)
John Elliott
- Theatrical Agent
- (uncredited)
Jack Evans
- Vagrant on Park Bench
- (uncredited)
Franklyn Farnum
- Stage Manager
- (uncredited)
Tony Ferrell
- Mexican Singer
- (uncredited)
Charles Fogel
- Audience Member
- (uncredited)
Joseph Granby
- Detective Ramirez
- (uncredited)
Bobbie Hale
- Pawn Shop Clerk
- (uncredited)
Featured reviews
"The Great Flamarion" is an undiscovered little gem of a film from Rebublic that features von Stroheim as the title character, a cold and arrogant vaudeville performer who specializes in sharp shooting. He is assisted in his act by Connie and Al Wallace, a seemingly happy couple. When Connie professes her love for Flamarion and tells of her husband's abusive nature and hard-drinking, Flamarion eventually opens his heart to this femme-fatale, played to the hilt by Mary Beth Hughes, a most underrated actress, who toys with men in the tradition of film noir greats such as Joan Bennett in "Scarlet Street," Jane Greer in "Out of The Past," and Yvonne DeCarlo in "Criss Cross." When Connie suggests that Flamarion accidentally hit Al, portrayed by the always terrific Dan Duryea, during their gun skit, Flamarion's life changes forever. Anthony Mann's direction is taut and economic. The film, told through flashbacks, captures the desperation and loneliness of a man willing to do anything for love. Next to "Sunset Boulevard," this is one of von Stroheim's finest hours as an actor. He allows himself to show joy and vulnerability as he never has before on screen.
Von Stroheim is superbly cast as a stage sharpshooter who succumbs to the charms of his scheming assistant. Though some may not appreciate the actor's ramrod-spined, Teutonic demeanor, such bearing is useful in the portrayal of stoicism and all the pitfalls that it engenders. Von Stroheim's dearth of emotionality makes all the more credible his character's inability to discern the falseness of personalities, and there is a unique poignancy in watching him go through the paces of a festering realization of perfidy. The plot, however, is pedestrian and, related in flashback, all the more predictable. Von Stroheim mavens should appreciate the movie, though, as should devotees of Dan Duryea, who plays a hard-drinking, done-wrong hoofer.
This movie is not unforgettable, but enjoyable. I am very surprised to see that i am the only person to comment it. I saw it last summer when i had nothing to do during one afternoon with my sister, no great actors but a fine story that keep you stuck on the screen until the end. One thing to add: it was very rare during the golden age of hollywood to see a leading actor who was not as handsome as the others. So rent it if you find it, it's worth the viewing!
I hope that my English is correct, anyway you will forgive 'cause I am French.
I hope that my English is correct, anyway you will forgive 'cause I am French.
Despite the title suggesting a comedy Erich von Stroheim actually plays the sort of role Emil Jannings played in the twenties. In the third of a quartet of quickies to pay his medical bills after a serious illness we actually see the famous neck being shaved with a cutthroat razor before going onstage to perform the act with firearms that makes the film worth watching.
It's good to see him share the screen with a young Dan Duryea a few months before the latter clashed with Edward G. Robinson in 'Scarlet Street' in this early film directed by Anthony Mann, which shows flashes of the promise he later fulfilled.
It's good to see him share the screen with a young Dan Duryea a few months before the latter clashed with Edward G. Robinson in 'Scarlet Street' in this early film directed by Anthony Mann, which shows flashes of the promise he later fulfilled.
"The Great Flamarion" has an interesting setting and a good cast that give life to an otherwise routine story of love, deceit, and revenge. It is a pretty good movie, while quite obviously a low budget effort, and worth taking a look at.
The opening sequence is nicely done, and pulls the viewer in quickly. A stage variety show is interrupted by shots and screams, and soon a murder is discovered backstage. As the police question suspects, the actual murderer is seen crawling away, seriously wounded while committing the crime. The rest of the movie is then a long flashback, as told by the murderer. The rest of the film moves much more slowly, and does not match the first part, but it is pretty good.
The main performers are quite good - Erich von Stroheim as a magician fanatically devoted to his act, Mary Beth Hughes as his manipulative assistant, and Dan Duryea as Hughes's drunken husband. None of them are desirable characters, and so the audience cannot really form any sympathies, which does diminish the film's impact. But they are all convincing, and make the story seem interesting.
Overall, the positives outweigh the negatives, and this is certainly worth a look if you like older movies.
The opening sequence is nicely done, and pulls the viewer in quickly. A stage variety show is interrupted by shots and screams, and soon a murder is discovered backstage. As the police question suspects, the actual murderer is seen crawling away, seriously wounded while committing the crime. The rest of the movie is then a long flashback, as told by the murderer. The rest of the film moves much more slowly, and does not match the first part, but it is pretty good.
The main performers are quite good - Erich von Stroheim as a magician fanatically devoted to his act, Mary Beth Hughes as his manipulative assistant, and Dan Duryea as Hughes's drunken husband. None of them are desirable characters, and so the audience cannot really form any sympathies, which does diminish the film's impact. But they are all convincing, and make the story seem interesting.
Overall, the positives outweigh the negatives, and this is certainly worth a look if you like older movies.
Did you know
- TriviaLa cible vivante (1945) marked the debut of William Wilder as a motion picture producer. Wilder, who was sometimes credited as W. Lee Wilder on his later films, was an "eastern industrialist," according to a September 1944 Hollywood Reporter news item, and was the brother of director Billy Wilder.
Billy Wilder rarely talked about his brother, and when he did the theme was always the same: "A dull son of a bitch," Billy said of him in 1975. Years later he called him "a fool" who thought he could make it in Hollywood simply because his more famous brother had.
- GoofsDuring his act, the Great Flamarion fires more shots than the gun can store.
- Quotes
Connie Wallace: You know, no matter how fast you drink it the distilleries can still stay way ahead of you.
Al Wallace: Yup. But by next week I'll have 'em workin nights to do it!
- ConnectionsEdited into Muchachada nui: Episode #2.11 (2008)
- SoundtracksChita
by Faith Watson
- How long is The Great Flamarion?Powered by Alexa
Details
- Runtime
- 1h 18m(78 min)
- Color
- Aspect ratio
- 1.37 : 1
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