After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.After suffering a head injury during the Blitz, an actor comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.
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- Writers
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Norman Ainsley
- First Passenger
- (uncredited)
George Atkinson
- Bellboy
- (uncredited)
Frank Baker
- Inspector
- (uncredited)
Frank Benson
- Bellboy
- (uncredited)
Sammy Blum
- Bit Role
- (uncredited)
Lillian Bronson
- Hotel Maid
- (uncredited)
George Broughton
- Bellboy
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured reviews
John Loder plays Reginald Parker, an actor whose portrayal of a serial killer has made him the toast of London's theater district. During the height of the german blitz Parker has tirelessly played the part to sold out crowds seeking diversion from the horrors of world war 2.
After nearly two years of constant work Parker is on the brink of exhaustion. When his wife and friends demand he take a break he agrees grudgingly but only after one last performance for on leave military personnel.
That night Parker stays late at the theater to review some last minute additions to the script. As he reads german bombers attack London. A stray bomb strikes the theater causing the roof to collapse on the unfortunate actor. He survives but recieves a nasty blow to the head. The blow gives him partial amnesia allowing him to recall nothing save that of the part he has paractically lived for the last two years.
Believing the details of the script are actual memories he comes to believe he is the Brighton Strangler. So it is off to Brighton where he begins hunting down those who resemble his victims from the play.
The plot is a rather far fetched and the story sags in the middle. But John Loder's tormented transform from kindly actor to maniacal killer makes the film worth a look.
After nearly two years of constant work Parker is on the brink of exhaustion. When his wife and friends demand he take a break he agrees grudgingly but only after one last performance for on leave military personnel.
That night Parker stays late at the theater to review some last minute additions to the script. As he reads german bombers attack London. A stray bomb strikes the theater causing the roof to collapse on the unfortunate actor. He survives but recieves a nasty blow to the head. The blow gives him partial amnesia allowing him to recall nothing save that of the part he has paractically lived for the last two years.
Believing the details of the script are actual memories he comes to believe he is the Brighton Strangler. So it is off to Brighton where he begins hunting down those who resemble his victims from the play.
The plot is a rather far fetched and the story sags in the middle. But John Loder's tormented transform from kindly actor to maniacal killer makes the film worth a look.
In 1945 London a kind, gentle actor Reginald Parker (John Loder) is performing in a play called "The Brighton Strangler". During an air raid he's hit on the head. When he regains consciousness he has amnesia and begins playing out his character from the play.
The plot is old now but was probably new in 1945 and it is extremely well-done. The script is fast, there's good quick direction and there are some very creepy sequences. The acting by Loder is just great--he let's you see the confusion and hatred hiding behind his very gentle exterior. He reminded me of Laird Cregar who played similar roles in "The Lodger" (1944) and "Hangover Square" (1945). My guess is that this was made to cash in on the Cregar movies (both were huge hits).
The sets are just gorgeous and there's some truly funny comic relief -- both intentional and unintentional (it's hard to keep a straight face when one character keeps saying "swell" all the time). The only bad thing is June Duprez--she's beautiful but a very poor actress.
Well worth seeing if just for Loder. Why wasn't he more well known?
The plot is old now but was probably new in 1945 and it is extremely well-done. The script is fast, there's good quick direction and there are some very creepy sequences. The acting by Loder is just great--he let's you see the confusion and hatred hiding behind his very gentle exterior. He reminded me of Laird Cregar who played similar roles in "The Lodger" (1944) and "Hangover Square" (1945). My guess is that this was made to cash in on the Cregar movies (both were huge hits).
The sets are just gorgeous and there's some truly funny comic relief -- both intentional and unintentional (it's hard to keep a straight face when one character keeps saying "swell" all the time). The only bad thing is June Duprez--she's beautiful but a very poor actress.
Well worth seeing if just for Loder. Why wasn't he more well known?
Though the film is sometimes hard to take, and had flimsy scenes, Loder is great as the actor overcome by shock, who becomes the character he was portraying on stage, a maniacal strangler! Certainly worth seeing on TV, since it does note seem available on video. And try to catch some of Nosseck's other flics, as he was in interesting german director, and handled noir well, especially with Lawrence Tierney.
Readily do I admit my complete ignorance about German-born Director Max Nosseck. Certainly, you can detect touches of the famous German expressionist school in this film, and Loder too provides a quality expressionist performance, all backed up by splendid B&W cinematography from Roy Hunt.
It stands to reason that a 6/10 rating must perforce reflect a number of weaknesses, the screenplay being most obvious one. Though it opens with an interesting premise, that of a play becoming more real than life itself to actor Reginald Parker after suffering concussion in the wake of an air raid on London, I found it highly improbable that the main character had such a good memory of the play but not of the rest of his life, notably his relationship with his beloved.
An unusual finale with applause provides a clever conclusion but by no means reduces the viewer's need to suspend disbelief.
All told, it deserves a watch but not a rewatch. 6/10.
It stands to reason that a 6/10 rating must perforce reflect a number of weaknesses, the screenplay being most obvious one. Though it opens with an interesting premise, that of a play becoming more real than life itself to actor Reginald Parker after suffering concussion in the wake of an air raid on London, I found it highly improbable that the main character had such a good memory of the play but not of the rest of his life, notably his relationship with his beloved.
An unusual finale with applause provides a clever conclusion but by no means reduces the viewer's need to suspend disbelief.
All told, it deserves a watch but not a rewatch. 6/10.
The Brighton Strangler is another movie that BBC2 shown in the early hours over Christmas/New Year 2005-06 and I was certainly glad I taped this.
An actor who plays the part of The Brighton Strangler in the play of the same name is knocked unconscious by rubble during an air raid and has a memory lapse. When he wakes up, he thinks he is in the play and heads for Brighton instead of Canterbury, where he is meant to go. In Brighton, he starts strangling people including the Mayor and Chief Inspector. Police catch up with him in the end and realise what's happened to him.
The Brighton Strangler is rather eerie in parts, especially the nighttime scenes.
The cast includes John Loder in the title role and Jane Duprez, Ian Wolfe.
Watch this if you get the chance. Very eerie and obscure little movie.
Rating: 3 stars out of 5.
An actor who plays the part of The Brighton Strangler in the play of the same name is knocked unconscious by rubble during an air raid and has a memory lapse. When he wakes up, he thinks he is in the play and heads for Brighton instead of Canterbury, where he is meant to go. In Brighton, he starts strangling people including the Mayor and Chief Inspector. Police catch up with him in the end and realise what's happened to him.
The Brighton Strangler is rather eerie in parts, especially the nighttime scenes.
The cast includes John Loder in the title role and Jane Duprez, Ian Wolfe.
Watch this if you get the chance. Very eerie and obscure little movie.
Rating: 3 stars out of 5.
Did you know
- TriviaFinal film of Gilbert Emery
- GoofsThe establishing shot is a stock picture of the British House of Parliament. Apparently no one noticed that it was printed backwards, as the building is on the wrong side of the Thames.
- Quotes
Reginald Parker: There'll be no New Year for you. You'll go out with the old one.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Brighton Strangler (1968)
Details
- Runtime
- 1h 7m(67 min)
- Color
- Aspect ratio
- 1.37 : 1
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