Le grand Bill

A good premise runs out of ideas and becomes a talkfest, even getting a little mean spirited near the end. Cooper is good as Melody Jones, an amiable but inept cowpoke mistaken for a surly killer named Monte Jarrad played suitably well by one of the greatest movie villains of all-time, Dan Duryea. The first 20 minutes of the story has real promise but this is one of those movies which somehow didn't get developed beyond its first draft. Some good dialogue and a great cast get kind of squandered as the muddled plot thickens. Would have succeeded better with less talk and characters and more gags and action. A miss but worthy of a look. Not Cooper's worst by any means.

Right off the bat, you have to accept that Gary Cooper and Dan Duryea look alike, which of course they don't, but supposedly almost everyone in the film who knows the bad guy (Duryea) hasn't seen him in several years, and they mistake Cooper for him. I might have given the film a rating of 8 or even 9, had it not been for that. But, okay, get past that, and you have an entertaining and very different western...and I say that as a person who has grown so tired of westerns. But this plot is very different than most any western you've seen before, and it will hold your attention. Cooper and Loretta Young are very engaging in this film...downright delightful. But I kept thinking what a wonderful character actor William Demarest was; I've often underrated his versatility. The other notable thing about this film is the quality of the cinematography. Stunning -- or as they sometimes say -- glorious in black and white. However, the few scenes where they are filming with a backdrop screen sort of ruin that effect...the one aspect that was done on the cheap. I highly recommend this film if you like westerns, or Gary Cooper, or Loretta Young, or William Demarest, or quirky plots. Hey, I guess you can't go wrong here!

Gary Cooper, along with very few others in Hollywood (at the time this movie was made, 1945) had the ability of so many facial and physical nuances of comic dimensions as Coop did. Being old enough to have seen this movie on it's original release (and I did) you might say, this was an early satire of what characters of the old west were really like. The cast was very well selected for the time, and very well performed. Also, the fact that Coop himself produced, and as America was definitely needing a belly laugh, I felt this to be an excellent vehicle for all involved and a welcome film of comedic entertainment. Concerning the poorly made studio riding sequences, how else to get the point across on a limited budget. Thanks for listening.

It's hard to see Gary Cooper as a singing cowboy, but that's exactly what he is in this film. He plays a cowboy who is mistaken for a bandit (played by Dan Duryea). Cooper is accompanied by his sidekick (William Demarest).

Pretty soon, almost everyone is after them, including the bandit. Loretta Young saves Cooper's hide more than once in this mildly funny and rather slow-moving film.

Loretta Young gives a strong performance as a woman torn between the bandit and the cowboy. Cooper is not really believable as the amiable but clutzy cowpoke.

The plot for this movie is better than average, and I enjoyed the laughs. The worst thing about it is the amount of time spent on horseback. Most of these scenes were obviously filmed indoors and technically were quite funny.

The movie is worth watching for its script and Loretta Young.

Loretta Young makes a rare foray into western territory with her role in Along Came Jones. This is a charming independent production from Gary Cooper's company. Mr. Cooper, of course, is calling all the shots here—especially when poking fun at the cowboy persona he has previously established in other pictures. Meanwhile, Dan Duryea is on hand as the villain (what else), which makes us take some of this a bit more seriously.

The casting of the two leads, and Duryea-- plus William Demarest as Coop's exasperated sidekick-- make this a little film worth checking out. It succeeds, where other films fail, because the filmmakers keep it simple. They get by with so little, but it does so much in the way of entertaining the ordinary western fan.