Le grand Bill

Poor Melody Jones, a simple soul, a good cowboy who has never really developed skill with firearms, gets himself mistaken for notorious western badman Monty Jarrad. Same general build, same initials and both are known to hang around with a cantankerous old timer. A recipe for trouble?

For Melody yes, but for the viewer it's a recipe for one of the best comic westerns ever made. Gary Cooper who produced as well as starred in this film, seems to be having a grand old time spoofing all the western heroes that people like he have played for years.

Quite a few stock western types are here. Loretta Young is the killer's girlfriend, a Calamity Jane type who's pretty accurate with a rifle fortunately. William Demarest is the cantankerous old timer sidekick, he could have had a great career portraying those had he stuck to westerns. And Dan Duryea is just fine as the real Monty Jarrad who's coming back to his hometown to get the loot he's stashed there.

Cooper as Melody gets in one fix after another at almost a dizzying pace. His final showdown with Dan Duryea must have influenced John Ford when he made The Man Who Shot Liberty Valance. Though this is a comedy and Ford's film was deadly serious, the showdown between Cooper and Duryea is quite serious.

I'm also sure that Mel Brooks was influenced by Along Came Jones when he created his classic Blazing Saddles.

Thank you to director Stuart Heisler and writer Nunnally Johnson for creating a fabulously funny film.

Gary Cooper, along with very few others in Hollywood (at the time this movie was made, 1945) had the ability of so many facial and physical nuances of comic dimensions as Coop did. Being old enough to have seen this movie on it's original release (and I did) you might say, this was an early satire of what characters of the old west were really like. The cast was very well selected for the time, and very well performed. Also, the fact that Coop himself produced, and as America was definitely needing a belly laugh, I felt this to be an excellent vehicle for all involved and a welcome film of comedic entertainment. Concerning the poorly made studio riding sequences, how else to get the point across on a limited budget. Thanks for listening.

Has anyone considered that the cheesy "back projection" in the riding scenes may have been on purpose ? And another thing... could it be that Cooper's melodious "Melody Jones" (who sang his own songs) was a jab at John Wayne's "Singing Sandy" (all dubbed, all the time, and badly too). I liked the inclusion of a top-break revolver, also... there was lots of interesting weaponry back then, not all of it made by Colt. The graphic gore was unusual for a time when the newly departed would either throw their hands up, or clutch their clean shirts, and flop over. Did you notice that when Cherry aimed and fired at Melody's hat, she had such control that the bullet went in the front and STAYED IN THE HAT ! An intelligent side-kick, a powerful woman, and a humorous script. I liked it.

Loretta Young makes a rare foray into western territory with her role in Along Came Jones. This is a charming independent production from Gary Cooper's company. Mr. Cooper, of course, is calling all the shots here—especially when poking fun at the cowboy persona he has previously established in other pictures. Meanwhile, Dan Duryea is on hand as the villain (what else), which makes us take some of this a bit more seriously.

The casting of the two leads, and Duryea-- plus William Demarest as Coop's exasperated sidekick-- make this a little film worth checking out. It succeeds, where other films fail, because the filmmakers keep it simple. They get by with so little, but it does so much in the way of entertaining the ordinary western fan.

Right off the bat, you have to accept that Gary Cooper and Dan Duryea look alike, which of course they don't, but supposedly almost everyone in the film who knows the bad guy (Duryea) hasn't seen him in several years, and they mistake Cooper for him. I might have given the film a rating of 8 or even 9, had it not been for that. But, okay, get past that, and you have an entertaining and very different western...and I say that as a person who has grown so tired of westerns. But this plot is very different than most any western you've seen before, and it will hold your attention. Cooper and Loretta Young are very engaging in this film...downright delightful. But I kept thinking what a wonderful character actor William Demarest was; I've often underrated his versatility. The other notable thing about this film is the quality of the cinematography. Stunning -- or as they sometimes say -- glorious in black and white. However, the few scenes where they are filming with a backdrop screen sort of ruin that effect...the one aspect that was done on the cheap. I highly recommend this film if you like westerns, or Gary Cooper, or Loretta Young, or William Demarest, or quirky plots. Hey, I guess you can't go wrong here!