Wilson

"Wilson" is in the grand tradition of biopics of great men in which the subject has no significant faults and only a few foibles, and those serve mainly to humanize him. This is an extremely well-made movie on just about every level. It largely gets the history right, except where things have to be fudged to maintain the great man's image. One fact that's never mentioned, for example, is Wilson's reimposition of Jim Crow laws in the District of Columbia.

Perhaps most interesting is how the film handles Wilson's remarriage. His first wife died in 1914, and Wilson remarried in less than two years. His new wife was younger and more glamorous than the first Mrs. Wilson. The filmmakers include a scene in which the dying Mrs. Wilson tells her daughters that their father is a strong and good man, but that he needs the love of a woman. She thus exculpates Wilson from the unseemliness attendant with remarrying so quickly (though this haste was the subject of considerable gossip at the time).

"Wilson" is a well-made, entertaining and interesting period piece that provides some accurate history. Compare its treatment of President Wilson with the way in which presidents are depicted in film today -- Oliver Stone's "Nixon," for example. And can you imagine a widower president carrying on a romance in the White House in today's intolerant political and moral climate?

I don't know how many modern-day film viewers would sit through this long a biography (154 minutes) of a fairly boring man but it moves pretty well and is generally entertaining account of our 28th U.S. President, Woodrow Wilson.

When I watched this, I was unfamiliar with the lead actor, Alexander Knox, and I still am! However, he did a fine job as Wilson. The supporting cast did have some "names," such as Charles Coburn, Thomas Mitchell, Geraldine Fitzgerald, Cedric Hardwicke, Vincent Price, Ruth Nelson and much more.

When they made Technicolor films of the 1940s, which wasn't often, they were very pretty and this one is, too. They also did a nice job re-creating the early 20th century.

It's a nice film but nothing memorable, to be honest, and certainly biased in favor of Wilson....but still worth seeing. With it's length, one viewing would be enough.

This 2.5 hour movie won FIVE Oscars and was nominated for FIVE more!! It is the best major presidential biopic that I have seen in that it covered Wilson's entire presidency--not just a portion of it. This is my 2nd viewing of the movie, and I got MUCH more from it this time than I did from only one viewing.

This movie was made during WWII, and I suppose that audiences were more drawn toward experiencing WW II, as in Since You Went Away (1944), The Seventh Cross (1944), or Lifeboat (1944)--or escaping from it, as in Going My Way (1944) or Gaslight (1944) did. My assumption is that movie audiences did not much want to look backwards towards WW I.

Still, there is some good history, here, presented in an entertaining and enlightening fashion. I felt that Alexander Knox gave a convincing— perhaps Oscar-worthy--performance as Wilson. The movie generally presents the legislative accomplishments of his first term and his struggle with WWI and trying to get his 14 points and the League of Nations approved during his second term.

It also inserted some real black-and-white newsreels from period. Also, I am quite sure that Knox gave a couple of Wilson's speeches as they were originally written. e.g. his speech to Congress asking them to declare war on Germany.

I have two main reservations with this movie: 1) It only covered the positive side of Wilson's presidency and did not cover his negatives (but I suppose that is typical of a Hollywood movie). 2) I felt the internal designs of the White House were a bit too ornate.

If you haven't seen this movie, I would recommend it.

If you want to dramatize Wilson's life, you can either approach it as either a tragedy or a hagiography, and Fox chose the hagiographic route. Considering the era and that the only biography at the time was the uncritical one by Ray Standard Baker, this is hardly surprising. Thank God, however, they cast the unknown Alexander Knox rather than an established star such as Gary Cooper for the title character; when you see the film you can't imagine anyone else playing the part.

This movie proves that the Hollywood era could do films with some integrity beyond the standard fare from MGM or Warners. Twentieth-Century Fox's Zanuck was the only mogul who had the guts to make a motion picture as expensive as this, with an unknown in the lead, and on a President who, unlike say Teddy Roosevelt, strikes many people as a cold fish. I love this film, despite its simplifying of history and its wartime propaganda because it's very special in many ways. There are plenty of movies like JEFFERSON IN PARIS or YOUNG MR. LINCOLN or ABE LINCOLN IN ILLINOIS or THE PRESIDENT'S LADY etc., but aside from NIXON, Zanuck and King's WILSON seems the only theatrical film that dramatizes a President's life while he served in office. For those of you who find it undramatic, think again: it's a film to cherish

Woodrow Wilson was not considered a very successful President before he was "rehabilitated" by FDR during World War II as part of a campaign to show the mistakes the US had made a generation before. This film's glorification of Wilson was clearly part of that war propaganda effort.

Alexander Knox is perfectly cast in this effort, he physically looks just right, and has all the mannerisms. Of course the character is shifted from the reality (a stunningly racist, intellectually isolated scholar) to a "pre-FDR" who talks of "all races working together" and whose every motive is pure and well thought out. The Wilson of this film is pure hero, and always right, if shown as a touch stubborn.

But I was engaged despite it all. And the 1912 Convention scenes early in the film are brilliantly done. Check out Vincent Price as a campaign lieutenant. And Cedric Hardwicke is great as the villainous Republican Henry Cabot Lodge.