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The Very Thought of You

  • 1944
  • Approved
  • 1h 39m
IMDb RATING
7.0/10
802
YOUR RATING
Dane Clark, Dennis Morgan, and Eleanor Parker in The Very Thought of You (1944)
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
Play trailer2:38
1 Video
5 Photos
DramaRomanceWar

Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

  • Director
    • Delmer Daves
  • Writers
    • Alvah Bessie
    • Delmer Daves
    • Lionel Wiggam
  • Stars
    • Dennis Morgan
    • Eleanor Parker
    • Dane Clark
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    802
    YOUR RATING
    • Director
      • Delmer Daves
    • Writers
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Stars
      • Dennis Morgan
      • Eleanor Parker
      • Dane Clark
    • 27User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:38
    Official Trailer

    Photos4

    View Poster
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    View Poster

    Top cast55

    Edit
    Dennis Morgan
    Dennis Morgan
    • Sgt. Dave Stewart
    Eleanor Parker
    Eleanor Parker
    • Janet Wheeler
    Dane Clark
    Dane Clark
    • Sgt. 'Fixit' Gilman
    Faye Emerson
    Faye Emerson
    • Cora Colton
    Beulah Bondi
    Beulah Bondi
    • Harriet Wheeler
    Henry Travers
    Henry Travers
    • Pop Wheeler
    William Prince
    William Prince
    • Fred
    Andrea King
    Andrea King
    • Molly
    John Alvin
    John Alvin
    • Cal Wheeler
    Marianne O'Brien
    • Bernice Wheeler
    Georgia Lee
    Georgia Lee
    • Ellie Wheeler
    • (as Georgia Lee Settle)
    Richard Erdman
    Richard Erdman
    • Jimmy
    • (as Dick Erdman)
    Francis Pierlot
    Francis Pierlot
    • Minister Raymond Houck
    Richard Bartell
    • Trailer Camp Manager
    • (uncredited)
    Joseph E. Bernard
    Joseph E. Bernard
    • Mailman
    • (uncredited)
    Walden Boyle
    • Manager
    • (uncredited)
    Loie Bridge
    Loie Bridge
    • Landlady
    • (uncredited)
    John Burton
    • Wounded Soldier
    • (uncredited)
    • Director
      • Delmer Daves
    • Writers
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews27

    7.0802
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    Featured reviews

    8casinoversusjapan

    an ideal, stirring romance

    One might think this movie is doomed to obscurity due to its overall lack of stylistic individuality. It's trite story-line is an easy target, too. However, for some reason, this motion picture totally won me over. This can be attributed to what i feel are the films three striking qualities: fluid character chemistry, naive but beautiful innocence, and a gentle, almost ideal humanistic touch.

    There is nothing wrong with relating to some of the predictable ideals this movie outlines. I found myself getting lost in the era- the music, history, and politics of the mid 40's were all way before my time. Perhaps this is what drew me in... The romance between David and Janet is very sweet. As a result, the integrity of these main characters is very enchanting. What might seem on the surface as a predictable B-movie is actually a gentle and reassuring stroke of simplicity... a calm breath of fresh (and inspiring) air amidst today's loud and obnoxious box office hum drum.
    Flicker-15

    Dear John, from the Home Front

    This is an impressive drama about the other side of the familiar "Dear John" plot in World War II movies -- that is, what the women back home went through in fear, loneliness, and temptation while their boyfriends and husbands were far away, perhaps never to return. If you think of 40's movies as prudish, you'll be surprised by lines like, "I can't remember anymore the way it felt when we made love."

    Sidebar: A supporting actress, the later-famous Faye Emerson, had just married FDR's son Elliott when this film was released. Also, if you live in L.A., you'll enjoy scenes on the Cal Tech campus and on Mt. Wilson.
    jth90c

    Romance, the way it should be ...

    This movie, made during the war, shows the other side of the coin from soldiers shooting things up and being heros. Our heros are passing through Pasadena heading from one theater to another.

    I was hooked from the opening of this movie, and almost missed an appointment to see the ending. The plot is predictable, but that's the whole point. Our boys were still fighting the war when this film was made, and it had a message for both the soldiers, and the women they left behind. The dysfunctional family is well portrayed, and the actors are all belivable. Small slices of small town life are peppered into the action, and the theme is that love prevails.

    I was surprised that the younger sister Ellie never went on to any other acting, she was funny, smart, and cute as a button.

    Make sure you bring a hankie, and watch it with someone you love. You'll thank me later.
    10reelguy2

    Can take its place with the great screen romances

    This WW2 romance can take its place alongside Now Voyager and An Affair to Remember as one of the most romantic films ever made. It's easy to see why Dennis Morgan became one of the busiest (and highest paid) actors under contract to Warner Bros. in the 40s; he's an ideal leading man here, projecting masculine strength together with the soft-spokeness so essential to romances of this type. His scenes with lovely Eleanor Parker are a working definition of chemistry on the screen. Dane Clark registers delightfully as Morgan's hyperactive sidekick. And what a score by Franz Waxman - there's one short cue for the scene atop Mount Wilson that's an absolute masterpiece.

    Offsetting the tender romance of the story is the edgy handling of the scenes with Parker's fairly dysfunctional family, which includes her bickering parents, philandering married sister, and developmentally-challenged brother.

    This is a film deserving of a greater reputation -- and thanks to recent showings on TCM, that may already be happening.
    9trpdean

    What a surprise - a great movie

    I had very low expectations when I saw this yesterday. "Nothing else on" television was the excuse I made myself for watching it. I had no particular interest in the leads (though Eleanor Parker was good as the baroness in Sound of Music, I didn't really know her otherwise) and Morgan had generally left me flat (though I did like him in Christmas in Connecticut).

    And then I saw this quite realistic dialog about picking up two girls on a bus - and following them - and their reactions! And then a very strange bickering family - unlike any I expected to see in a World War II film - where families are almost always peaches and cream.

    And I thought, "well, this movie is different!"

    It got better and better and better - primarily because you really are brought to believe that despite despite overwhelming odds, these two - Parker and Morgan - really do fall in love.

    They're very modest, they've such limited hopes, and those hopes are so fragile - that you root for these two very gentle modest people so intently - as almost everyone they know - as well as all the worldwide events, conspire against them.

    It's a very simple movie plot that is told with such verve, such overwhelming conviction by the participants fully invested in the wonder of the tale, that you are simply swept away. With low expectations, I just love it - and looked to buy it when I next came to the computer.

    There are few movies that seem to bring people from another decade right into your home - real people with besetting problems and far from ideal surroundings - and whom you want to succeed so very badly.

    Thanks to all who participated in this movie! You won no awards but you certainly won my heart!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      During filming, Eleanor Parker learned that co-star Andrea King had a husband away at war, just as she did, and that King lived far away from the studio. With wartime gasoline rationing factored in, Parker invited King to stay with her, as Parker's house was only a five-minute drive from Warner Bros.
    • Goofs
      During an outdoor scene involving the rental car, there is a brief instance of the reflection of an crew member being seen, perfectly centered, in the car's right passenger "vent" window.
    • Quotes

      Janet Stewart: Been out on a date?

      Molly: Yes. I want to talk to to you, Jan.

      Janet Stewart: I don't feel much like talking, Molly.

      Molly: Alright then listen. I think I know what the score is. You went ahead and got hooked, in spite of my advice. OK, so it's spilt milk. You made yourself a lonely bed and you're willing to lie on it.

      Janet Stewart: That's right.

      Molly: It isn't right. It's all wrong.

      Janet Stewart: Molly, please...

      Molly: Well what kind of a marriage have you got? A quick kiss, a swift kick and bingo - you're a war widow!

      Janet Stewart: Don't keep saying that.

      Molly: What kind of a man is it who'd talk a girl into an overnight marriage, knowing he's going off to war? Didn't it ever occur to him that you may never see each other again?

      Janet Stewart: It occurred to both of us. I know I'll see him again.

      Molly: You got some special kind of magic you sprinkled over him? Don't you think there are millions of girls who want to know their guys are coming back? Don't you think I wanted Freddy back once?

      Janet Stewart: Once? Don't you now?

      Molly: Sure I do. But don't you realise you can forget how a man really looks and talks and makes love? After two years, Freddy isn't real anymore.

      Janet Stewart: I'd remember everything about Dave, if we never saw each other again.

      Molly: That's because you can still feel his arms around you. Wait a couple of months, baby, and you'll be making double dates with me, just like we used to.

      Janet Stewart: No, I won't. Ever.

      Molly: No? Wait'll you get sick of the family and the cold cuts and Mom's nagging. Wait'll the smell of the orange blossoms in the valley gets you drunk at night and you're so alone, you're sick to your stomach.

      Janet Stewart: What do you think Freddy and all of the other husbands and sweethearts are fighting for?

      Molly: Well I didn't ask him to go.

      Janet Stewart: He didn't ask to go either. He went because there's a war to win and he is decent.

      Molly: Meaning I'm not?

      Janet Stewart: Yes, meaning just that. I've seen your lipstick smeared when you've sneaked in. Don't deny that you've...

      Molly: That's entirely my business...

      Janet Stewart: Oh, no it isn't, not when you butt into mine. I'd like to know how Freddy feels, away on a carrier for two years, wondering why you don't write. You and your being alone. How do you think he feels? I what if he knew you were spending his allotment on buying evening dresses for other fellows to enjoy? When he comes back, nobody'll blame him if he beats your head off.

    • Soundtracks
      The Very Thought of You
      (uncredited)

      Written by Ray Noble

      Played during the opening credits

      Vocal rendition played on the car radio

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    FAQ15

    • How long is The Very Thought of You?Powered by Alexa

    Details

    Edit
    • Release date
      • October 20, 1944 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • Con sólo pensar en ti
    • Filming locations
      • Mount Wilson, California, USA(David and Janet's drive in the rental car)
    • Production company
      • Warner Bros.
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $408,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 39m(99 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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