A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.A U.S.O. singer poses as a Broadway star in order to attract a handsome war hero.
Nick Condos
- Specialty Dancer
- (as Condos Brothers)
Steve Condos
- Specialty Dancer
- (as Condos Brothers)
Charlie Spivak and His Orchestra
- Orchestra
- (as Charlie Spivak Orchestra)
Bill Alcorn
- Dancer
- (uncredited)
Irving Bacon
- Janitor at Navy Dept.
- (uncredited)
Bonnie Bannon
- Girl at station
- (uncredited)
Jackie Barnett
- Specialty Dancer
- (uncredited)
Leon Belasco
- Mario
- (uncredited)
Herman Belmonte
- Marine at USO Canteen
- (uncredited)
- …
Featured reviews
This is a patriotic flag-waver of a film that could never be made anymore. The emphasis is on pulling together and supporting the armed forces, all in gleaming colour. It is a wartime film that says although the world is in a spin if we work together to beat the foe, things will work out fine in the end. It is sweet as a sugar coated pill, made to cheer the people up in World War 2. And who better to do that than blonde Betty Grable, lively and bright and charming. There are flashes in the film of the classic pin-up picture of her looking saucily over her shoulder.
A formula film then but it does have some bright spots. Joe E Brown and Martha Raye being loud and cantankerous. The dancing Condos Brothers who tap dance like furies. The gorgeous technicolour. Charlie Spivack's band. The musical numbers are OK though the roller skating number and the marching sequence hilarious in the wrong sort of way.
There is a real gem in the film, a number called 'Once Too Often', which is a sour song of love and betrayal, at odds with the rest of the saccharine mood of the film. Grable sings it well then dances it with the great Hermes Pan. In her split skirt showing those million dollar legs, she and Pan do a sexy routine together. It's the best thing in the whole movie.
A formula film then but it does have some bright spots. Joe E Brown and Martha Raye being loud and cantankerous. The dancing Condos Brothers who tap dance like furies. The gorgeous technicolour. Charlie Spivack's band. The musical numbers are OK though the roller skating number and the marching sequence hilarious in the wrong sort of way.
There is a real gem in the film, a number called 'Once Too Often', which is a sour song of love and betrayal, at odds with the rest of the saccharine mood of the film. Grable sings it well then dances it with the great Hermes Pan. In her split skirt showing those million dollar legs, she and Pan do a sexy routine together. It's the best thing in the whole movie.
A girl from the Midwest breaks into show biz, becoming the toast of returning servicemen, but has to disguise herself in the process.
Not one of Grable's better musicals, but still has its share of entertainment. Grable's sparkling, of course, and the Technicolor is great, along with the costuming. The trouble is the tunes are forgettable, while the curtain-closer of girls doing close-order drill goes on about 5-minutes too long. I must say, however, the girls manage a precision that would be the envy of a company of Marines.
Now no one takes the storyline of a musical as anything more than a rack to hang the musical hat on. Here, however, the storyline is kind of dumb when Lorry (Grable) fools everyone just by putting on eye-glasses! Now, I'm prepared to believe a lot for movie's sake, but not that the Grable figure or blonde tresses can be disguised just by putting on a pair of glasses. Then too, leading man Harvey is a nice guy, but a little short in the charisma department. On the other hand, there's the incomparable pairing of Martha Raye and Joe E. Brown, in a battle of comically over-sized mouths. Anyway, except for a couple flat dialog scenes, there's enough overall energy to lift the spirits of wartime audiences, while there's always the incomparable Grable for the rest of us.
Not one of Grable's better musicals, but still has its share of entertainment. Grable's sparkling, of course, and the Technicolor is great, along with the costuming. The trouble is the tunes are forgettable, while the curtain-closer of girls doing close-order drill goes on about 5-minutes too long. I must say, however, the girls manage a precision that would be the envy of a company of Marines.
Now no one takes the storyline of a musical as anything more than a rack to hang the musical hat on. Here, however, the storyline is kind of dumb when Lorry (Grable) fools everyone just by putting on eye-glasses! Now, I'm prepared to believe a lot for movie's sake, but not that the Grable figure or blonde tresses can be disguised just by putting on a pair of glasses. Then too, leading man Harvey is a nice guy, but a little short in the charisma department. On the other hand, there's the incomparable pairing of Martha Raye and Joe E. Brown, in a battle of comically over-sized mouths. Anyway, except for a couple flat dialog scenes, there's enough overall energy to lift the spirits of wartime audiences, while there's always the incomparable Grable for the rest of us.
Perhaps back then this was seen as a bright and bubbly tribute to the Armed Forces everywhere, but surely BETTY GRABLE deserved better material for a musical with a title like PIN UP GIRL. She's pretty and pert as a secretary whose romance with a soldier goes from Boy Meets Girl, Boy Loses Girl, Boy Wins Girl in timeworn Hollywood fashion.
No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.
The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.
The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.
Summing up: This is one you can afford to miss.
No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.
The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.
The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.
Summing up: This is one you can afford to miss.
I've just seen Pin Up Girl for the first time and found it good in parts, but not brilliant.
Betty Grable plays a secretary and is a singer as well. She says she's engaged to every service man she has signed her photo for. She does fall in love with a man who's in the Navy and after several misunderstandings, she becomes engaged to him.
Despite being made during the Second World War, Pin Up Girl was shot in colour and it certainly is very colourful. There are some good songs and performances, although can be a little heavy going at times.
One viewing is probably enough for this movie. Not too bad though.
Rating: 2 and a half stars out of 5.
Betty Grable plays a secretary and is a singer as well. She says she's engaged to every service man she has signed her photo for. She does fall in love with a man who's in the Navy and after several misunderstandings, she becomes engaged to him.
Despite being made during the Second World War, Pin Up Girl was shot in colour and it certainly is very colourful. There are some good songs and performances, although can be a little heavy going at times.
One viewing is probably enough for this movie. Not too bad though.
Rating: 2 and a half stars out of 5.
This musical/comedy fluff was harmless fun for a nation at war. We get the troop's number one pinup gal, big band music, song and dance numbers, a cotton candy plot, and it's all in Technicolor! Anybody interested in the WWII era will enjoy watching this film, just imagine yourself as one of the boys in uniform or as Rosie the Riveter. The final musical routine with Betty marching with & drilling 2 companies of military women is well executed and must have been just what America wanted to see at the time. Remember: Buy U.S. War Bonds. Available at this theater.
Did you know
- TriviaAs part of the finale, Betty Grable leads a WAC (Women's Army Corps) drill team in some intricate maneuvers. It was decided to use a real WAC drill team, rather than actresses for this sequence since they were already familiar with the routines.
- GoofsWhen the female soldiers march up the stairs, Laura stands at the bottom and barks out a command. However, no audio of her voice is heard although her mouth is moving.
- ConnectionsFeatured in The 67th Annual Academy Awards (1995)
- SoundtracksYou're My Little Pin Up Girl
(uncredited)
Music by James V. Monaco
Lyrics by Mack Gordon
Sung briefly by the chorus during opening credits
Sung by Betty Grable and chorus and
Danced by Nick Condos and Steve Condos
- How long is Pin Up Girl?Powered by Alexa
Details
Box office
- Budget
- $1,615,000 (estimated)
- Runtime
- 1h 24m(84 min)
- Aspect ratio
- 1.37 : 1
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