IMDb RATING
7.0/10
1.3K
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The career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.
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- Stars
- Nominated for 1 Oscar
- 1 nomination total
Fred Aldrich
- Man at Ceremony
- (uncredited)
Felix Basch
- Nazi Official
- (uncredited)
- Director
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Featured reviews
Judgment at Nuremburg was a very successful film of the early 1960s which brought the atrocities of the Nazis into clearer focus for millions. It won an Oscar for Maxmillan Schell, who did a very good job in the film. However, that film was executed with grand intellectual examination; a great deal of emotional dialogue, and a few illustrations of the hideous actions of the Third Reich. This film, None Shall Escape, is also fueled by a great performance by Alexander Knox as Grimm, but avoids the intellectualism of Judgment at Nuremburg. Instead, it focuses on the personal and visceral actions of those involved in the Polish occupation. Made some 20 years before the Schell film, and though a bit dated, it captures the visceral aspect of the inhumanity of the Nazis better than its successor. A highly underrated film.
The only reason I give this movie an 8 out of 10 is because there are few movies, in my opinion, that are perfect. This little B picture is a taut story, well told. I've always been intrigued by Alexander Knox, but have seen him very few movies. Here he plays Wilhelm Grimm, a sad little man who turns into a monster. He betrays everything and everybody without an ounce of remorse. The performance is one of the most chilling performances I've ever seen. Since World War 2, actors who played Nazis or other evil types in films have occasionally been nominated for Oscars. I imagine that since this was made during the war, the Academy felt like honoring a performance like this would have been like honoring evil. But Knox puts in that kind of performance--a man so bitter and consumed by guilt that he thinks nothing of making others suffer. I still can't get over it.
Marsha Hunt, who usually plays the filbert gibbet or social butterfly, is cast against type in probably the best performance I've ever seen her give, too. Maybe not Oscar worthy, but the best of her career. Nothing against her; I have enjoyed her in those "slight" roles she often played. But here she proves she up to the task of heavier drama.
If you like human drama stories, or stories about the fates of those who suffered at the hands of the Nazis, I highly recommend this fine little film.
Marsha Hunt, who usually plays the filbert gibbet or social butterfly, is cast against type in probably the best performance I've ever seen her give, too. Maybe not Oscar worthy, but the best of her career. Nothing against her; I have enjoyed her in those "slight" roles she often played. But here she proves she up to the task of heavier drama.
If you like human drama stories, or stories about the fates of those who suffered at the hands of the Nazis, I highly recommend this fine little film.
...not because it is boring and tedious, but because it spends the last 40 minutes of its 90 minute run showing the raw cruelty of Nazi rule over one Polish village - the Jews sent on railroad cars to concentration camps without food or water, the old men forced to do hard labor until they collapse and are shot, the girls put into forced prostitution at the Nazi officers' club.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
This one is tough to watch -- as an earlier reviewer says. That is amazing considering the terrible films that came out right after WWII -- particularly the "liberation" of Dachau. It is clear that, as of the middle of the war, we knew exactly what was happening to the Jews. The sequence that shows a "transport" is vivid, almost as if based upon an actual newsreel (the Nazis liked to record their atrocities). Knox as the Nazi is brilliant. He charts the course of a Nazi career. That charting is particularly telling when contrasted with the reactions of other Germans, at first laughing at Hitler, then incredulous, and finally helpless. That contrast, however, permits us to believe in the "conversion" of one young Nazi officer to an anti-Nazi stance. That did happen, as witness the several attempts against Hitler, most notably the Staffenberg plot which occurred as this film was coming out. A strong film, effectively using flashbacks, accurately predicting the Nuremburg trails and others that would occur once the war ended.
Never viewed this film until recently on TCM and found this story concerning Poland and a small town which had to suffer with the Nazi occupation of the local towns just like many other European Cities for example: Norway. The First World War was over and people in this town were still suffering from their lost soldiers and the wounded which War always creates. Alexander Knox, ( Wilhelm Gimm)"Gorky Park" returns from the war with a lost leg and was the former school teacher in town. He was brought up a German and was not very happy with the Polish people and they in turn did not fully accept him either. As the Hitler party grew to power Wilhelm Grimm desired to become a Nazi in order to return and punish this small Polish town for their treatment towards him which was really all in his mind. Marsha Hunt,(Marja Pacierkowski),"Chloe's Prayer", played an outstanding role as a woman who lost her husband and was romantically involved with Whilhelm Gimm. There are many flashbacks and some very real truths about how the Nazi destroyed people's families and their entire lives. The cattle cars are shown in this picture with Jewish people heading to the Nazi gas chambers. If you have not seen this film, and like this subject matter, give it some of your time; this film is very down to earth for a 1944 film and a story you will not forget too quickly.
Did you know
- TriviaDirector De Toth was doing only his second feature for Columbia with "None Shall Escape" and the studio wanted him to use Paul Lukas, who had recently enjoyed a great success in a similar role with "Watch on the Rhine." De Toth wanted a lesser-known star and campaigned for Alexander Knox, whom he had seen on Broadway in Chekhov's "Three Sisters." When Knox was hired and was told who was directing, he objected that De Toth was unknown and insisted on Lewis Milestone. Harry Cohn reportedly berated Knox for his selfishness and ingratitude. According to De Toth, he and Knox ended up as friends, and worked together on subsequent films.
- GoofsWilhelm Grimm initially appears in the uniform of the SS and then later appears in a Wehrmacht uniform. This is unlikely. It was more likely to be the other way around towards the end of the war when SS soldiers tried to hide their SS involvement by disguising themselves as ordinary solders.
- Quotes
Wilhelm Grimm: The future lies in victory not in freedom. The war will be continued until it's won, that's our destiny.
- Crazy creditsOpening credits prologue: The time of this story is the future.
The war is over.
As we promised, the criminals of this war have been taken back to the scenes of their crimes for trial.
In fact, as our leaders promised--
NONE SHALL ESCAPE
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "IL PROCESSO DI NORIMBERGA (1946) + NESSUNO SFUGGIRÀ (1944)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Red Hollywood (1996)
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- Also known as
- None Shall Escape
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- Runtime1 hour 25 minutes
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- 1.37 : 1
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