Mademoiselle Fifi

A rare non-horror effort from producer Val Lewton, this is a period film about a patriotic laundress during the Franco-Prussian War in 1870. Lewton brought along Cat People star Simone Simon and director Robert Wise (who would do two horror films for Lewton, including Curse of the Cat People with Simon). Despite the setting, it's very obviously meant to be about Nazi-occupied France. It's also pretty clear Simon's character was meant to be a prostitute but the Code wouldn't allow that. The way the upper class types look down on her and the stuff about the German officer wanting to "dine" with her and her steadfast refusal over something so minor is indicative that more is going on here than the script is allowed to say outright. Simone's gorgeous as ever. I love her adorable accent. She handles herself well in this often unexciting costumer. The rest of the cast is fine, with Kurt Kreuger a standout as the slimy villain (and the title character). It's a beautiful-looking film with cinematography by Harry Wild. Lewton fans might like to take a look at it but don't expect anything like his atmospheric horror films.

Simone Simon to me was always a fascinating woman. When I saw her on TV in Cat People, my mother told me that she had disappeared after the war. I was a kid, and I thought it was something mysterious. Years later I found out she just went back to France, where she lived to age 94.

Simon doesn't play the title role here; Kurt Krueger does. She plays a laundress in a combination of two Guy De Maupassant stories about the Franco-Prussian war. They must have resonated during World War II.

Simon's character hates the Prussians and doesn't go along with them, though many in the town do. The theme here is passive resistance, and how the poor make sacrifices for their country.

The first part of the film takes place in a carriage and was supposedly the inspiration for "Stagecoach."

Directed by Robert Wise and produced by, of all people, Val Lewton, this is a short film, mildly entertaining.

Actually, Simon's life would make a much more exciting story. Men she liked were given a gold key to her bedroom; she had a relationship with an MI5 spy, Dusko Popov, who was in actuality a double agent. Popov was supposedly the model for James Bond. Simon also had an affair with George Gershwin. I have a feeling there are lots of other interesting stories to be told.

There is a good film waiting to be made out of de Maupassant's story, but this isn't it. (Stagecoach isn't either). We can understand it isn't Lewton and Wise's fault, it's just that the censorship wouldn't allow it to be done properly then.

Thus, the central character gets turned into a laundress, and the climax comes when she... HAS DINNER with the sadistic Prussian officer!! (in the story, she was shunned by her fellow passengers for being a hooker, then she saves the day by going to bed with him)).

Modern directors like Agnieszka Holland or M.L. Bemberg could make a really great movie out of this, but 1940's America was just not the place.

In 1870, during the Franco-Prussian war, gorgeous laundress Elisabeth Rousset (Simone Simon) is returning home in Cleresville in the occupied France with a snobbish and selfish group of aristocrats, businessmen and a young priest in a stagecoach. When they stop in a inn for the night, the arrogant Prussian Lt. von Eyrick (Kurt Kreuger), known by his alias Mademoiselle Fifi, decides to break the patriotism of Elisabeth and holds up the stagecoach until Elisabeth agrees to "have dinner" with him in his room. The selfish group forces Elisabeth to meet Mademoiselle Fifi, who humiliates her in his room. When the stagecoach finally departs, only Jean Cornudet (John Emery) and the priest comfort Elisabeth and Cornudet decides to stay in Cleresville to ask for forgiveness to Elisabeth. However she rejects his apologies but he decides to stay in the church to help the young priest to resist the Prussians that want him to ring the church bell. Meanwhile Elisabeth is forced to go to a party with Prussian officers where Mademoiselle Fifi is. What will happen to Elisabeth and Cornudet?

"Mademoiselle Fifi" is a dull tale of patriotism, with a story that shows the upper classes together with the enemy to keep their privileges and a simple laundress and a priest as symbols of the resistance and rejection of the enemies. The intention of "having dinner with the enemy in his room" is a very clear metaphor of the true intention of the Prussian office. My vote is five.

Title (Brazil): "Mademoiselle Fifi"

This is a World War II film set in France during the Franco-Prussian War which in real life was over in 6 months. This was not a global conflict with the soldiers of many nations trying to rescue France from invaders. The Germans occupied about a quarter to a third of France and in their stay never put France through the depradations of the 1940s. In fact their stay was climaxed by the crowning of Wilhelm I Emperor(Kaiser) of Germany at Versailles.

But that's not the message Hollywood was sending in those years. Simone Simon becomes the object of the affection of Prussian officer Kurt Kruger.. In the end she does her patriotic duty and so does John Emery in striking a blow for the resistance which there really wasn't any in that war.

The other bone of contention was the silence of the town church bell which for some reason has the occupying Prussians with their backs up. it rings, but at a price for the Prussians.

The cast does well by this historical claptrap in Mademoiselle Fifi.