La revanche de l'homme invisible

1944's "The Invisible Man's Revenge" brought the infrequent Universal series to an end, apart from 1951's "Abbott and Costello Meet the Invisible Man." It's appropriate that Jon Hall repeat the role again, after playing the heroic "Invisible Agent" in 1942; here, his Robert Griffin, no relation to prior Griffins, isn't so much a madman as a man who believes himself to have been wronged, and with Lester Matthews and Gale Sondergaard as the objects of scorn, you too may feel they were indeed guilty of the alleged crime (leaving him behind in the jungle to die after leading them to a fabulous diamond mine). The expected comedy relief is ably supplied by Leon Errol, whose dart game echoes the James Whale original, but goes on a tad too long. Lovely Evelyn Ankers is again wasted in a peripheral role, as she often was in Universal horrors, leaving the way open for the scene stealing John Carradine to command the screen, in only two scenes, as Dr. Peter Drury, the source of Griffin's invisibility, with transparent pets such as a parrot and a dog, whose later visibility will doom any future plans for our nonhero ("in this house, you've got to believe what you CAN'T see!"). Former adversaries in 1937's "The Hurricane," Jon Hall and John Carradine would once more oppose each other in 1957's "Hell Ship Mutiny." Director Ford Beebe ("Night Monster") was one of Universal's finest journeymen, again finding a slot for his father-in-law, Cyril Delevanti, selling Griffin some new clothes before nearly getting himself killed. Among the smaller parts are Doris Lloyd ("The Wolf Man"), Ian Wolfe ("The Raven"), Billy Bevan ("Dracula's Daughter"), and Skelton Knaggs ("House of Dracula"). All five entries, even 1940's "The Invisible Woman," appeared on Pittsburgh's Chiller Theater.

Ah, to be invisible. It is a fantasy that everyone has thought about from time to time. Never mind that if you really were invisible the liabilities would overwhelm the assets; for one thing you would be totally blind because light would pass right through your retinas without reflecting, so unless bumping into things is your idea of fun being invisible is no great shakes. Now most of the time I like invisible man movies but this time I am willing to make an exception.

Jon Hall took a break from costarring with Maria Montez to be in this thriller. Robert Griffin (Jon) and his pals discovered a diamond mine while they were in Africa. Said pals (Lester Mathews and Gale Sondergaard) double crossed Bob, knocked him over the head and left him for dead. Bob survived but lost his memory and ended up in a South African nuthouse. He escaped after killing 2 guards and stowed away on a ship that brought him back to England. Why did I tell you all this? Because all that took place before the movie even starts and we have to hear about it from various characters the the film progresses!

When Bob finally gets back to his not-so-great-friends Sir Jasper and Lady Irene he finds out that not only did they rob him they subsequently lost most of their fortune due to bad investments! Bob decides that no, that is not revenge enough, he wants whatever is left of the cash PLUS their daughter Julie (Evelyn Ankers) as his bride whether she likes it or not! Run out of the mansion Bob gets lost in a storm and ends up at the house of Dr. Drury (John Carradine) whose neighbours think he is batty because he has perfected a way to make living things invisible.

Now here is the part of the movie you have been waiting for. Anxious to experiment on a human being, Drury injects his serum into Bob and, as Fate and the scriptwriter would have it, Bob goes "poof" and becomes invisible. With the help of a local character (former Vaudeville comic Leon Errol, doing a believable Cockney accent) Bob tries to scare Sir Jasper into signing away what is left of his fortune. Does it work? Does it ever? And what about Dr. Drury? How will he feel about letting an invisible maniac loose on the countryside?

This is one time we don't have to worry about the invisibility serum driving the man mad because Bob is bonkers to begin with. The floating effects are predictable but fun and half the fun is spotting the wires. The cast is very recognisable if you like spotting character actors. Lester Mathews had gone up against THE WEREWOLF OF London and costarred with Karloff and Lugosi in THE RAVEN (both 1935) and later ended up battling Fu Manchu on a weekly basis on the "Adventures of Fu Manchu" TV series. Gale Sondergaard is forever identified as "The Spider Woman" from SHERLOCK HOLMES AND THE SPIDER WOMAN and THE SPIDER WOMAN STRIKES BACK. Leon Errol costarred with fading starlet Lupe Velez in the Mexican Spitfire series and had his own series of 2 reel comedies. Watch also for Doris Lloyd (Mrs. Hudson in the Sherlock Holmes series), Ian Wolfe (too doggone many movies to list here), Billy Bevan (DRACULA'S DAUGHTER, RETURN OF THE VAMPIRE, etc.) and Skelton Knaggs (BEDLAM, ISLE OF THE DEAD, etc.). Brutus the dog who turns out to be the hero of the picture is played by animal actor Grey Shadow. John Carradine is a welcome addition but is not given enough to do. Wisely he does not play his character as a stereotype "mad" scientist. Director Ford Beebe had written and/or directed a lot of serials for Mascot and later for Republic. He also directed NIGHT MONSTER (1942) and even managed to impress Alfred Hitchcock by bringing in such an effective thriller in only 11 days.

INVISIBLE MAN'S REVENGE is far from the best of the series. You might want to check out INVISIBLE MAN RETURNS (1940) or even the 1933 original with Claude Rains for some real entertainment.

Generally speaking, the horror films from the "New Universal" period (1937-1946) aren't as good as the ones from the era when Carl Laemmle, Sr. and Jr., were still in control of the studio (though "Son of Dracula," a moody masterpiece, is not only the best in Universal's vampire cycle but the finest vampire film ever made in the U.S.). "The Invisible Man's Revenge" isn't the equal of the peerless 1933 Laemmle-era original, but it's certainly better than the previous run of "New Universal" Invisible Man movies. Jon Hall, relatively dull as the hero in "Invisible Agent," proves surprisingly effective as a full-throated villain (in this version he's a psychotic madman BEFORE becoming invisible); Leon Errol's dry wit is several cuts above the usual un-funny "comic relief" in these films; Lester Matthews and Gale Sondergaard make a nice guilt-ridden couple for the Invisible Man to have his titular revenge on; Alan Curtis and Evelyn Ankers are certainly more than competent as the romantic leads; John Carradine is in good form as the rather dotty scientist with the invisibility formula; and the direction by Ford Beebe, usually a name associated with Universal serials, is convincingly Gothic and well-paced. Universal was on the downgrade as a horror studio by then (and their only further foray into invisible man-dom would be an Abbott and Costello vehicle in 1953) and some of the effects work is sloppy, but on the whole this film is convincing and vividly atmospheric. Incidentally, in "The Face of Marble" from Monogram two years later (another underrated film with a fine sense of atmosphere even though its plot doesn't make a lick of sense even by the meager standards of horror fantasies!), John Carradine also played a mad scientist who had a dog named Brutus.

This Invisible Man film is easily the least significant of the four made. It tells of a gruff left-for-dead man coming back named Bob Griffin, having absolutely nothing to do with anyone in any of the other Invisible Man films, dealing with a couple that may or may not have left him in Africa. The couple's complicity in the crime is never stated one way or the other, and we as viewers are left with an overacting Jon Hall barking out orders to everyone he meets. Hall's character is so odious that we feel nothing for him at all except a desire to see him die. I will not spoil that bit of plot for you, but I will say that the ending is one of the few highlights of this film. Because the script takes no ground morally, I was in a lurch as to whom I should be concerned for. Were Jasper and his wife responsible for Griffin being left-for-dead? Did they purposely swindle him? Even when they do something to him, one is never really sure of their intent. The other actors are typical for a Universal film and give adequate performances. The sole bright light for me was John Carradine as a scientist with invisible animals that discovers he can make a man invisible too. Carradine seems to have a lot of fun with his role as he is garbed in white lab coat and pince-nez. The plot never really thickens and any real meat to the film is indeed invisible. Save for Carradine and some spectacular special effects of the day, one can see why this was the end of one of Universal's monsters.

Robert Griffin (Jon Hall) escapes from an asylum and seeks out his old friends, Sir Jasper and Lady Irene (Lester Matthews, Gale Sondergaard). Griffin accuses the two of leaving him for dead in Africa years before and taking full claim for the diamond mine he had discovered, which subsequently made them rich. The two deny this and say they were told Griffin was dead by their guide. They offer to pay him half of what they have but Griffin, now quite insane, refuses and says he wants it all plus their daughter Julie (Evelyn Ankers)! They throw Griffin out, which leads to him meeting up with a Cockney blackmailer (Leon Errol) and eventually a scientist (John Carradine), who enlists him to take part in the inevitable invisibility experiment. The experiment is successful and Griffin, now invisible, returns to get even with Jasper and Irene.

Despite being named Griffin, this Invisible Man shares no history with the previous ones. It's John Carradine's scientist who has created the invisibility formula here. Also, Griffin is nuts before the movie begins so the invisibility formula can't be blamed for that. To make matters slightly more confusing, Hall plays the lead here and he also played the lead (another Griffin) in Invisible Agent.

The cast helps overcome a messy script. Hall is quite convincing as the psycho Invisible Man. Carradine, as usual, is great as the scientist. Leon Errol seems to ruffle quite a few feathers among viewers, judging by reviews here. His character was pretty much unnecessary but he didn't bother me. Gale Sondergaard is always a treat to watch but she gets little to do and seems to disappear from the story altogether after a half-hour or so. Lester Matthews is fine as the weakling husband who may or may not have left Griffin for dead in Africa. Evelyn Ankers has a thankless part. Halliwell Hobbes is the butler, as he often was in these films.

Part of the problem with the story is that no one is that likable. The closest thing to a hero in the movie is Alan Curtis' reporter character and there's something about him that kind of bugged me. Another problem is the script feels uneven, especially in the early part. Reportedly the first draft of the script had Jasper and Irene as much more villainous characters and no doubt was cast on their attempt to kill Griffin, both in Africa as well as upon his showing up at their house in this film. That's not the case in the final version yet the pair still seems unsympathetic, so I wonder why they bothered changing it all, if they did? The special effects are OK, if a little sloppy in some scenes. I think some reviewers have overstated just how sloppy they were. It's not like you see wires in every scene or even most scenes. I think only eagle-eyed viewers will spot most of the flaws with the effects.

Overall, it's a good movie of its type. Not great, but watchable B-grade entertainment. It's got a solid cast with a strong performance from Jon Hall in the lead. Still, it's easy to see why Universal stopped the series after this one.