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One of the best loved of all Oscar winners, Leo McCarey's deeply sentimental film makes no great claims to seriousness nor is it particularly cinematic, (the studio sets are clearly studio sets), but it's well-written and has a deeply likable performance from Bing Crosby as Father Chuck O'Malley, (the Academy liked him enough to give him the Best Actor Oscar and to nominate him the following year for playing the same role). He's the young priest sent to St. Dominic's, a parish down on its luck, to whip it back into shape and to replace the curmudgeonly old priest responsible for its present state. The older priest is the leprechaun-like Barry Fitzgerald and he plays the part shamelessly. The Academy gave him an Oscar, too, and it marked the only time when an actor, (Fitzgerald), was nominated for Best Actor and Best Supporting Actor for playing the same role in the same film in the same year. (The rules were subsequently changed so it wouldn't happen again). The Mickey Rooney role of the street-wise older kid who makes good is played here by Stanley Clements. If the film has a fault it's that it gave us one of the most annoying of all Oscar-winning songs in 'Swingin on a Star'.

In `Going My Way,' director Leo McCarey taps into one of the basic tenets of human nature, that being the fact that even the most selfless individual has wants and needs that often go unrecognized or unexpressed. It's a matter of understanding the human condition, being sensitive to what drives our fellow man and responding to it. A young woman of eighteen leaves home because of a conflict with her parents, yet has nowhere to go; a man with a touch of `Scrooge' in him, who runs a Savings & Loan has trouble setting his priorities; a gang of street-wise kids need some direction; an elderly priest after forty-five years has allowed his parish to slip into financial straits. All circumstances that are affecting in their innate humanity, and it's into this that McCarey taps directly with his story, and it's the reason for the success of his film. Simply put, it has heart-- and it makes it timeless.

Father Fitzgibbon (Barry Fitzgerald) has been at St. Dominic's in New York since it was built, but the financially strapped parish is in arrears on the mortgage payment, and Mr. Ted Haines Sr. (Gene Lockhart), of the S&L that holds the note, would like nothing better than to be able to foreclose on the church, because then he could raze the building and turn it into a parking lot. Meanwhile, the Bishop has sent a young priest, Father Chuck O'Malley (Bing Crosby) to St. Dominic's to look into the situation, and very quickly the good Father finds that he has his hands more than full.

Sent to take charge without `taking charge,' in deference to Father Fitzgibbon's tenure, Father O'Malley has his work cut out just trying to save the church; but that's not all he has to contend with. Found alone on the street by a local policeman, a girl named Carol James (Jean Heather) is brought to St. Dominic's, and Father O'Malley realizes that without some help, she's headed for nothing but trouble. He also encounters a lad named Tony Scaponi (Stanley Clements), the leader of the gang that has been terrorizing the neighborhood, and turning that situation around becomes a priority on Father O'Malley's `to-do' list. Then there is Mr. Haines Sr. to deal with. But most especially in need of all (though he doesn't realize it himself) is Father Fitzgibbon, and this, too, Father O'Malley recognizes. Now it's just a matter of addressing all of these needs at once; and as Father O'Malley finds out, it's no easy task.

There's something of the Angel, Dudley (played by Cary Grant in `The Bishop's Wife'), in Father O'Malley, as he is not only sensitive to the needs of those he encounters, but knows how to resolve their conflicts in a way that suits the best interests of all concerned. His solutions may be those of a perfect, pie-in-the-sky world and not necessarily a reflection of reality, but it works because it captures the spirit of what this movie is all about: caring and lending a helping hand to those who need it. The solutions may be unrealistic and overly simplified, but the feelings and emotions of the characters are very real, and McCarey's ability to capture that essence of humanity is what earned this film the Oscar for Best Movie of 1944 (McCarey received Oscars, as well, for Best Director and Original Story).

As Father O'Malley, Bing Crosby gives one of his best performances, which earned him an Oscar for Best Actor. But as good as he is in this part, the award is something of a surprise; the Father O'Malley Crosby presents has the patience of a Saint and insight to match, and his mild mannered approach to the character makes his portrayal the kind that are usually overlooked and under-appreciated because of the apparent facility of the delivery. And Crosby does make it look easy-- which also makes it very real, striking a chord as perfect as the solutions to the problems he solves along the way. It's interesting to note that when Crosby recreated the role a year later in `The Bells of St. Mary's,' though he slipped back into the character readily enough, it didn't seem to have that same depth or impact as in this one, but more of a `been there, done that' feel. Then again, this story and the characters with which he is surrounded here are much richer and have much more definition than those of the sequel, and this film is much more emotionally involving.

Barry Fitzgerald received the Oscar for Best Supporting Actor for his portrayal of Father Fitzgibbon, and well deserved it was. Father O'Malley may be the anchor of this film, but Father Fitzgibbon is it's soul. And the final scene-- unexpected and extremely moving-- leaves no doubt about it. That scene, in fact, so powerful in it's simplicity, veritably sums up the sentiment of the entire movie. It's a triumph for Fitzgerald, as well as McCarey, but the one who really comes out the winner is the viewer.

The supporting cast includes Frank McHugh (Father Timothy), William Frawley (Max), James Brown (Ted Haines, Jr.), Rise Stevens (Genevieve Linden), Eily Malyon (Mrs. Carmody), Carl `Alfalfa' Switzer (Herman) and Adeline De Walt Reynolds (Mrs. Molly Fitzgibbon). A heart-felt and uplifting discourse on the brighter side of the human condition, `Going My Way' reflects the good there is to be found in humanity if we but take the time to seek it out. An entertaining, feel-good film, this is what the magic of the movies is all about. I rate this one 9/10.

If you are looking for something thoughtful, dramatic, or even controversial, go somewhere else. But if it's a light-hearted comedy you're after, then pull up a chair and check out "Going My Way".

Bing Crosby stars as Father Charles "Chuck" O'Malley, a newly-ordained priest assigned to take over St. Dominic's, a New York City church with a mortgage currently run by veteran priest Father Fitzgibbon (Barry Fitzgerald). Both Crosby and Fitzgerald give good performances in this movie, as attested by the fact they each won an Oscar (and Barry Fitzgerald was nominated TWICE, for Actor and Supporting Actor, a move that necessitated a rule change at the Academy). If you ask me, between the two of them, I would go with Barry Fitzgerald. His portrayal of the crusty, yet kind-hearted Father Fitzgibbon was a role he was born to do, and it shows.

This movie also features the talents of soprano Risë Stevens, who plays Jenny Linden, an old friend of Father O'Malley's, in town performing at the Metropolitan Opera House as Carmen. Though her acting is somewhat wooden (it was only her second role), she shines all three times she sings. Which leads me to the title of the movie itself.

"Going My Way" is not a story about the Catholic Church, nor is it about old friends reuniting, or even about two young lovers (James Brown and Jean Heather). It's about a song. That's right. A song, written by Father O'Malley, and upon which its success determines the very future of St. Dominic's. Like I said, this is light comedy; nothing too serious is happening here.

At the time of this movie's release in 1944, World War II was at its crescendo. The newsreels and the papers were full of reports of the war. Some war veterans had made their way back home after getting wounded in battle. Major offenses like Operation: Overlord (D-Day) had succeeded, but at tremendous cost. At a time when the world was at its grimmest, this was the perfect escape. The only reference to the war in the entire movie occurs when landlord Ted Haines Sr. (Gene Lockhart) discovers his son, Ted Jr. (Brown) quit his job and eloped with a young singer named Carol James (Heather). Just when he thinks his son has lost all sense of reality, he turns around and sees Ted Jr. in an Army Air Corps uniform. Only then, Ted Sr. realizes his son hasn't gone mad; he is off to join the war.

If you are a fan of the "Road" movies Bing Crosby did with Bob Hope, you most likely remember the occasional aside in which either Bing boasts about his Oscar, or Bob grumbles about it. Well, this is the film that gave Bing his Oscar. And he was nominated again the next year for playing the same character in the the sequel "The Bells of St. Mary's". Obviously, he must've been doing something right! "Going My Way" was a little ray of sunshine cast upon a pained world and, even now, it will still put a smile on your face.

Leo McCarey's sentimental 1944 film, "Going My Way" is a positive film that dealt with the problems of the inner city back when the term hadn't been coined. St. Dominic's Church is an oasis in the middle of the area that has seen better days. We realize how deeply in trouble the parish is from the start as Mr. Haines is trying to give Father Fitzgibbon an idea of how much he owes the bank and the fact the church will disappear soon.

When Father Chuck O'Malley arrives at St. Dominic to try to save it from its uncertain future, Father Fitzgibbon doesn't have a clue the younger man is going to be over him in all matters of importance. Yet, Father O'Malley never steps over the older priest's shoes to make his rank felt.

This film was shot after the more successful, and better made "The Bells of St. Mary's", but it was released earlier than the other film, probably to capitalize on Bing Crosby's popularity. The film, in fact, is a showcase for Mr. Crosby, who was a likable actor and singer. He has good opportunities in the movie.

As good as Mr. Crosby was in the film, Barry Fitzgerald steals the movie with his Father Fitzgibbon. Mr. Fitzgerald's crusty priest was one of the best creations of his long career. Frank McHugh, another excellent character actor of the era is seen as Father O'Dowd. Gene Lockhart also has a small role as the money man, Mr. Haines. Rise Stevens, the soprano is seen and heard in the film singing in her inimitable style.

The film is a classic that should be seen during the holidays, as it brings cheer and hope to everyone lucky enough to catch a screening of it during Christmas.

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish, O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund, winning over his aging, conventional superior, Father Fitzgibbon.

So, this is a role Bing Crosby had a few times... and it seems odd, a man who liked to golf with gangsters playing a Catholic priest. But maybe that makes sense, especially for the kind of priest he plays. He sees the value in helping the downtrodden and "lesser" members of society. That is a true hero.

This also happens to be a very musical film, again not surprising given Bing's history. But in it we also mix street kids singing, an opera and even a classic Irish song.