Alerte aux marines

Ended up being a pretty good war film. A bit more acting cred for John Wayne than in his Westerns, which is fine. Some really good combat scenes, by the standards of the time. And Susan Hayward provided the much-needed eye candy. Sitting here in the hyper-polarized polity of today, it's a little hard to wrap one's mind around the wartime unity. And yes, I noticed the depictions of Japanese soldiers that are considered racist in today's oh so sensitive times. But it's never fair to judge personages or art from the past by a politically correct standard of which they knew nothing. Sort of like criticizing Jesus for admonishing slaves to obey their masters.

Having watched this in the wee hours of Veterans' Day, I just wanted to point out that rating it and other WWII propaganda films on the basis of artistic merit is beside the point entirely. The people that made these didn't have the luxury of crafting meticulous stories and memorable characters; most of the movies had been contracted by the government and had to be turned out QUICKLY. Movies like "The Fighting Seabees" were made for one reason alone: as propaganda pieces designed to bolster public support for our fighting men overseas. As such, they were an important part of the war effort, and helped ensure that fifty years later, we'd have the luxury of sitting at our computers and hashing about their qualities as movies.

With all that in mind, "The Flying Seabees" is really pretty good.

A fine John Wayne movie and no WWII movie collector should be without it. This movie's great patriotic musical score is also a fine example of strong & very well-written harmonies for male chorus; the score sounds like the U.S. Navy Band's men's chorus (an astounding group of music professionals by the way) and is a dramatic performance that supports this very positive story of the Seabees. With some added drama along the way, this movie demonstrates some of the work done by the SeaBees - building facilities & runways on remote islands during WWII; massive runway construction with PSP grid materials, bulldozing, & hut construction, which were all representative of the basics that needed accomplishing during this campaign. This was a refreshing viewing experience in that the then media was supportive of the American fighting man, and while this may make some in today's culture wince, that's their problem. Today's warriors and sailors are just as honorable & deserving of the kind of support that surrounds this kind of movie, and watching this production reminds you of that fact. Very dramatic, perhaps over-acted at times, but a great story about our fine Seabees! If you are a patriot, I believe you'll enjoy this movie.

I was a "Seabee" w/ MCB 4, from 1964-1970!! In basic training in Port Hueneme California, during our first week of training we were marched to the post theater, and were shown this movie. We for the most part thought it was a good movie, but thought it might have been a little overplayed as a promotional thing to peak our interests in becoming a "SeaBee!? ..Well after two full tours in Viet Nam, with my battalion! I have come to the realization. That this is one of the few Wayne war movies of the WW2 time frame that is as close to accurate as they could portray a unit of the Armed Forces! A bunch of Construction workers doing their damndest to get a job done no matter the adversity or dangers ! the only real link they had to being in the military was the fact they were wearing uniforms! they Build and Fight! and Party hard !! just as we did and as the Bees still do !!

Werner's rather tepid 6 out of 10 evaluation of THE FIGHTING SEABEES notwithstanding (I'd have given the film much higher, but that is just opinion), the allegation that Wayne failed to perform military service during World War II owing to "disabling restrictions" is simply not true. Accounts vary in accounting for his lack of military service, but none of them have to do with disabilities of any kind. As a married man with four children, he was exempt from the draft. His daughter Ayssa reports that Wayne was eager for military service but that pressure from Republic Pictures (with whom he was making enormously profitable films) convinced him not to volunteer for military service. A less flattering picture emerges from Gary Wills JOHN WAYNE'S America: THE POLITICS OF CELEBRITY in which evidence seems to indicate that Wayne (who was no physical coward by any stretch of the imagination) made a complex decision based on his growing stature in the film industry, his value as a propaganda symbol, his increasing paycheck, and the fact that he found film-making so rewarding. Whether an outside observer finds this an appealing portrait or not, there is ample evidence to suggest that Wayne always regretted thereafter not having served on active duty.