IMDb RATING
6.1/10
802
YOUR RATING
Detective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.Detective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.Detective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.
- Director
- Writers
- Stars
Edward Gargan
- Homicide Detective Bates
- (as Ed Gargan)
Donald Douglas
- Attorney Steven Hayden
- (as Don Douglas)
Robert Andersen
- Wally Waldron
- (uncredited)
Edward Biby
- Club Patron
- (uncredited)
Paul Bradley
- Club Patron
- (uncredited)
Patti Brill
- Hat Check Girl
- (uncredited)
Tom Burton
- Photographer
- (uncredited)
James Carlisle
- Club Patron
- (uncredited)
Wheaton Chambers
- Sheriff Bob
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Average Falcon entry, with several notable touches. A wealthy Texan in a sophisticated New York nightclub dies suddenly on the dance floor. Okay, that's fairly standard B-movie plotting, except Tex dies from a rattlesnake bite of all things. Now last time I checked, rattlesnakes were not accepted on New York dance floors. Maybe they're found among celebrity gossips, but not between sashaying couples. So the unusual mystery deepens, taking Falcon and company out West to figure things out. Happily there're better humorous touches than usual, especially a twist on the stereotyped Indian use of "How". Still, Hollywood's version of Texas West means the rocky hills of greater LA, familiar from hundreds of cowboy matinees. Not that scenery really matters since plot and humor remain uppermost.
Then too, it's a good chance to catch Della Street, oops!, I mean Barbara Hale on horseback stop a runaway stagecoach and save our hero the Falcon from an untimely crack-up. And here I thought it was supposed to be the other way around—hero saving girl, not girl saving hero. But never mind, the suave Falcon takes it all in stride. Note too that the 1944 movie was circulated among overseas GI's. The guys may not have cared who killed Tex, but for darn sure, I'll bet they liked the three shapely ladies who are a part of it.
Anyway, it's an entertaining hour, courtesy RKO's slickly done detective series.
Then too, it's a good chance to catch Della Street, oops!, I mean Barbara Hale on horseback stop a runaway stagecoach and save our hero the Falcon from an untimely crack-up. And here I thought it was supposed to be the other way around—hero saving girl, not girl saving hero. But never mind, the suave Falcon takes it all in stride. Note too that the 1944 movie was circulated among overseas GI's. The guys may not have cared who killed Tex, but for darn sure, I'll bet they liked the three shapely ladies who are a part of it.
Anyway, it's an entertaining hour, courtesy RKO's slickly done detective series.
Tom Lawrence aka The Falcon is out enjoying himself in a New York nightclub full of society types. Among them is a Texan playboy who suddenly starts complaining of a pain that feels like a snakebite, before dropping to the floor and dying. Investigating the body, Lawrence finds two marks indicating a snake had indeed bitten the man but soon finds that a minor detail as the man's fiancé flees the scene and catches a train back to Texas. Lawrence follows her and finds the police have already gotten to Texas via plane and are waiting legal papers to take her back. Lawrence investigates the murder with all the suspects on the victim's ranch in a case where he risks his own life.
By this stage in the series, things were looking like flagging and the location being built into the title (Texas and, later, Hollywood) suggested to me that the series wasn't relying on plotting and character to bring the audience in but seemed to be looking to the switching location to be enough to make the series suddenly feel fresh and interesting. In this regard the film fails because this is just the same formula but this time put into a setting that is poorly used and never really fits with the Falcon's style. The mystery story is still worth watching though because it is enjoyable in a b-movie sort of way. The setting is annoying and just seemed to be a way to drag in lots of western clichés into the film Indians, shoot-outs, horse riding etc without really adding value at all. Fans will feel that this could have been better and they would be right because it is only average at best and isn't the best of the series by a long shot; meanwhile the causal viewer will probably not bother with this at all.
The cast are OK, filled as it is with the usual b-movie actors. Conway is a great Falcon and is the main selling point of the series with a smart performance that is lacking Saunders' rather snide edge. Hale was a nice surprise since I only know her from the Perry Mason series and she is interesting in her character. Gallagher is a bit bland and blonde and isn't very impressive. Without a sidekick for the Falcon, Gargan is the sole comic relief and he does it reasonably well without interfering with the main thrust of the film, meanwhile Clark delivers a much more serious performance as the Inspector. Talbot has a few seconds of screen time and the rest of the cast are pretty clichéd Texan role although the Indians have some minor revenge by mocking Detective Bates' assumptions of their intelligence! Overall this is an average entry in the series but it is still good enough for fans to consider it worth seeing. The location is a big distraction and isn't used very well at all but the plot is reasonably interesting and the playing is quite enjoyable for a b-movie. Like I said, worth seeing it for fans of the series like myself but I doubt that this will be the Falcon film that wins over the casual viewer.
By this stage in the series, things were looking like flagging and the location being built into the title (Texas and, later, Hollywood) suggested to me that the series wasn't relying on plotting and character to bring the audience in but seemed to be looking to the switching location to be enough to make the series suddenly feel fresh and interesting. In this regard the film fails because this is just the same formula but this time put into a setting that is poorly used and never really fits with the Falcon's style. The mystery story is still worth watching though because it is enjoyable in a b-movie sort of way. The setting is annoying and just seemed to be a way to drag in lots of western clichés into the film Indians, shoot-outs, horse riding etc without really adding value at all. Fans will feel that this could have been better and they would be right because it is only average at best and isn't the best of the series by a long shot; meanwhile the causal viewer will probably not bother with this at all.
The cast are OK, filled as it is with the usual b-movie actors. Conway is a great Falcon and is the main selling point of the series with a smart performance that is lacking Saunders' rather snide edge. Hale was a nice surprise since I only know her from the Perry Mason series and she is interesting in her character. Gallagher is a bit bland and blonde and isn't very impressive. Without a sidekick for the Falcon, Gargan is the sole comic relief and he does it reasonably well without interfering with the main thrust of the film, meanwhile Clark delivers a much more serious performance as the Inspector. Talbot has a few seconds of screen time and the rest of the cast are pretty clichéd Texan role although the Indians have some minor revenge by mocking Detective Bates' assumptions of their intelligence! Overall this is an average entry in the series but it is still good enough for fans to consider it worth seeing. The location is a big distraction and isn't used very well at all but the plot is reasonably interesting and the playing is quite enjoyable for a b-movie. Like I said, worth seeing it for fans of the series like myself but I doubt that this will be the Falcon film that wins over the casual viewer.
While George Saunders originally starred as the Falcon in the first few films, brother Tom Conway took over the series as the original Falcon's brother - and made it his own. Although not as famous as his brother, Conway was perfect as the Falcon - being witty, urbane and sophisticated.
When a wealthy Texas rancher (Lyle Talbot) collapses on a dance floor and dies presumably from a snake bite - the Falcon takes a train ticket and follows the rancher's fiancée (Carole Gallagher) out west to the rancher's spread.
Mysterious things start happening - the Falcon finds an Indian scalp on his door as a death warning, someone takes a shot at him when he is out riding and lots of other things. Then Hayden (Tex's lawyer) is killed in the same puzzling way. It is all solved in 65 minutes and the Falcon finds another "lady in distress".
Barbara Hale is first introduced saving a runaway coach. She plays the independent daughter of Tex's partner (Minor Watson) who is soon to be a suspect.
Barbara Hale was one of RKO's promising young starlets of the 40s. She eventually found lasting fame as Della Street in the TV series "Perry Mason".
Joan Barclay, who played Tex's ex wife had a reasonable career, starting with a bit in "The Gaucho" (1927) and ending with "The Shanghai Cobra" (1945). Carole Gallagher had a short, lack lustre career.
When a wealthy Texas rancher (Lyle Talbot) collapses on a dance floor and dies presumably from a snake bite - the Falcon takes a train ticket and follows the rancher's fiancée (Carole Gallagher) out west to the rancher's spread.
Mysterious things start happening - the Falcon finds an Indian scalp on his door as a death warning, someone takes a shot at him when he is out riding and lots of other things. Then Hayden (Tex's lawyer) is killed in the same puzzling way. It is all solved in 65 minutes and the Falcon finds another "lady in distress".
Barbara Hale is first introduced saving a runaway coach. She plays the independent daughter of Tex's partner (Minor Watson) who is soon to be a suspect.
Barbara Hale was one of RKO's promising young starlets of the 40s. She eventually found lasting fame as Della Street in the TV series "Perry Mason".
Joan Barclay, who played Tex's ex wife had a reasonable career, starting with a bit in "The Gaucho" (1927) and ending with "The Shanghai Cobra" (1945). Carole Gallagher had a short, lack lustre career.
The Falcon films, both with George Sanders and Tom Conway in the lead role, are on the most part very enjoyable. There are some very good ones like the first two Sanders Falcon films and 'The Falcon Strikes Back', though also a few disappointments like 'The Falcon in Danger'.
While it is still very much watchable, 'The Falcon Out West' is one of the series' weaker outings. There is a lot to like still, the music is lively and haunting enough, and on the most part the production values are slick and atmospheric with particularly nicely done photography. William Clemens directs efficiently, and the story mostly is bright, breezy and diverting if a little short on suspense and surprises.
Conway evidently enjoys himself in the lead, sharing all the qualities that Sanders brought in his outings. Barbara Hale brings zest and allure to her role, while Edward Gargan is handles the comedy relief amusingly and Cliff Clark is pleasingly more understated and serious.
However, while the script has often been a strength in the Falcon films it's 'The Falcon Out West's' biggest faults. It does lack the crackling wit and playfulness of the best outings and instead feels lazy and tries to throw in too many western clichés that feel very ill-fitting. In fact, the setting and the story do feel too disconnected from one another and don't fit together, the Falcon feeling too out of place within such a rustic setting and the inclusion of the western genre clichés are clumsy and jarring rather than clever.
Carole Gallagher is also very bland in an underwritten role, and sometimes the film feels rushed in trying to cram in a lot in the short (too short?) running time.
Overall, watchable but a little disappointing and not one of the better Falcon films. 6/10 Bethany Cox
While it is still very much watchable, 'The Falcon Out West' is one of the series' weaker outings. There is a lot to like still, the music is lively and haunting enough, and on the most part the production values are slick and atmospheric with particularly nicely done photography. William Clemens directs efficiently, and the story mostly is bright, breezy and diverting if a little short on suspense and surprises.
Conway evidently enjoys himself in the lead, sharing all the qualities that Sanders brought in his outings. Barbara Hale brings zest and allure to her role, while Edward Gargan is handles the comedy relief amusingly and Cliff Clark is pleasingly more understated and serious.
However, while the script has often been a strength in the Falcon films it's 'The Falcon Out West's' biggest faults. It does lack the crackling wit and playfulness of the best outings and instead feels lazy and tries to throw in too many western clichés that feel very ill-fitting. In fact, the setting and the story do feel too disconnected from one another and don't fit together, the Falcon feeling too out of place within such a rustic setting and the inclusion of the western genre clichés are clumsy and jarring rather than clever.
Carole Gallagher is also very bland in an underwritten role, and sometimes the film feels rushed in trying to cram in a lot in the short (too short?) running time.
Overall, watchable but a little disappointing and not one of the better Falcon films. 6/10 Bethany Cox
When Lyle Talbot rich Texas rancher dies of snake bite at a New York night club while he's celebrating his upcoming marriage to Carole Gallagher, that's enough cause for suspicion on its face. Tom Conway gets involved when the Talbot's ex-wife tries to hire him to break up the forthcoming nuptials. Conway says that isn't his line, but being on the scene of the murder he has to get involved if for no other reason than the cops in the persons of Cliff Clark and Edward Gargan. Whatever the answers are they're out west back at the ranch.
So all the suspects and the Falcon meet up at Talbot's ranch. They include Talbot's former business partner Minor Watson and his daughter Barbara Hale, lawyer Don Douglas, and of course the ex-wife Joan Barclay.
Barclay in fact goes west with Conway and the cops follow them. With all the Dramatus Personae in one spot the better for Conway to find the culprit.
The Falcon Out West is a decent enough entry in the Falcon series, in the middle of the pack. Fans of the series should approve.
So all the suspects and the Falcon meet up at Talbot's ranch. They include Talbot's former business partner Minor Watson and his daughter Barbara Hale, lawyer Don Douglas, and of course the ex-wife Joan Barclay.
Barclay in fact goes west with Conway and the cops follow them. With all the Dramatus Personae in one spot the better for Conway to find the culprit.
The Falcon Out West is a decent enough entry in the Falcon series, in the middle of the pack. Fans of the series should approve.
Did you know
- TriviaWhen Bates turns off the recording of Tex using a remote control, what is shown is a Philco "Mystery Control" with the Philco brand name covered up with "Hills". It was the first wireless remote control unit, introduced in 1939 using radio frequency waves to operate Philco radios by tuning preset stations or raising or lowering the volume.
- GoofsIn two shots with the runaway stage, there is an obvious person sitting under the empty drivers seat driving the coach. The reins are visibly taut and run to a hole under the drivers seat.
- Quotes
Tom Lawrence, aka The Falcon: There are three things one can never be sure about - horses, the weather, and women.
- ConnectionsFollowed by Le Faucon au Mexique (1944)
- SoundtracksRed River Valley
(uncredited)
Traditional
Played and sung by a quartet at the barbecue
Details
- Runtime
- 1h 4m(64 min)
- Color
- Aspect ratio
- 1.37 : 1
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