La Malédiction des hommes-chats

The title is very misleading for this is a film about a little girl's isolation and her need for an imaginary friend. The original "Cat People" picture provides just the backdrop for this moving story about lonely people, both young and old. There is a certain innocence and pathos that works very well alongside competent direction and acting. Definitely not a horror film, this is a gentle fantasy and a very good one at that.

Robert Wise directed this sequel to "Cat People", set several years later. Oliver Reed(played by Kent Smith) and Alice(played by Jane Randolph) are now married with a six-year old daughter named Amy(played by Ann Carter). Amy is a lonely child who has a hard time making friends, and seems to prefer living in her fantasy world, visited by the ghost of Irina(played by Simone Simon) Irina looks after Amy, but Oliver wants nothing to do with this, insisting that Amy must be socialized. Amy does befriend an elderly woman in her "haunted" house, though her daughter(played by Elizabeth Russell, though not as her cat lady character from the first) is resentful. Amy will later run away from home, becoming lost, though she is far from being alone... Unique and thoughtful sequel builds on the story from Part I, rather than repeating it, and result is most satisfying. (No third film was made however!)

Never mind the lurid title; this is a charming fantasy involving a little girl and a lonely retired actress. Julia Dean actually hadn't done a film for a quarter of a century, and is terrific in her comeback role of the secluded actress who is delighted to befriend the child. Recommended to all.

but then that should really be no surprise considering who's involved here..Val Lewton, Robert Wise and returning star Simone Simon here in a much different albeit the same role as in CAT PEOPLE. Ann Carter as Amy is absolutely phenomenal in this film as well.

This celebration of the strength of a child's imagination is a joy to watch as it is in essence her imagination which gives her strength and courage and in the end will even her tormented and worried father , still terribly haunted by the events in CAT PEOPLE, need it?

While this is in part a sequel to CAT PEOPLE, it's relation to that film is mild at best. No this is a journey into the fantastic through the eyes of one very imaginative yet very lonely child. Beautiful and moving.

Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" – simply because that is one of the most impressive and intelligent stories ever – but this imaginative sequel is almost as brilliant. Highly recommended.